Daily Dose Of Jazz…
Frank Wellington Wess was born on January 4, 1922 in Kansas City, Missouri, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz after moving to Washington, DC and by nineteen was working with big bands.
Although his career was interrupted during World War, he played with a military band in the period. After leaving the military, he joined Billy Eckstine’s orchestra, then a few years later he returned to DC and received a degree in flute at the Modern School Of Music. He played tenor saxophone and flute with Count Basie from 1953 to 1964.
Wess was considered one of the best jazz flautists of his time and from 1959 to 1964 he won the Down Beat Critic Poll for flute. He went on to be a member of Clark Terry’s big band from 1967 into the 1970s, played in the New York Jazz Quartet with Roland Hanna and did a variety of work for TV.
In 1968 Frank contributed to the landmark album The Jazz Composer’s Orchestra. Over the course of his career he played with Kenny Barron, Rufus Reid, Buck Clayton, Benny Carter, Billy Taylor, Harry Edison, Mel Torme, Ernestine Anderson, Louie Bellson, John Pizzarelli, Milt Jackson, Quincy Jones, Yusef Lateeef, Howard Alden, Dick Hyman, Jane Jarvis, Frank Vignola, Toshiko Akiyoshi Jazz Orchestra, Hank Jones and the list continues.
NEA Jazz Master, flautist, alto and tenor saxophonist Frank Wess passed away from a heart attack related to kidney failure on October 30, 2013.
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Daily Dose Of Jazz…
Motohiko “Toko” Hino was born on January 3, 1946 in Tokyo, Japan. His father was a dancer and musician and taught him and his brother Terumasa to tap dancing as children. At the age of ten, he began playing drums and by age 17 was playing professionally.
In the mid-1970s, Hino was repeatedly voted by Swing Journal the best jazz drummer in Japan, though from 1978 he was based in New York City. He released an album under his own name in 1971 and two more in the early 1990s.
He played with musicians such as Joanne Brackeen, Joe Hnedrson, Takehiro Honda, Karen Mantler, Hugh Masekela, John Sofield, Jean-Luc Ponty, Sonny Rollins, Jon Faddis and Billy Harper among others.
On May 13, 1999 drummer Motohiko Hino passed away of cancer.
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Daily Dose Of Jazz…
Ralph Moore was born on December 24, 1956 in London, England and grew up in a crowded inner city area. He showed no particular musical interest until his mother bought him a trumpet when he was 13. He studied with Brixton local musician Alan Briggs and was soon sitting in with pub bands. Briggs had a tenor saxophone that the young musician fell in love with the look of the instrument and soon made the switch.
1972 saw Ralph moving to California to live with his American father, graduating from Santa Maria High School where he played in the jazz orchestra and collected several music awards.Three years later he enrolled at Berklee Colege of Music, studied with saxophonist Andy McGhee and another three years later received the Lenny Johnson Memorial Award for outstanding musicianship from the college.
He launched his professional career with a tour of Scandinavia, later joined Frank Quintero for recording and a tour of South America. He moved to New York City in 1981 and within two months joined the Horace Silver Quintet for an association that lasted four years and included tours of Europe and Japan.
Moore has worked with Roy Haynes, Charles Mingus Dynasty, Freddie Hubbard, Dizzy Gilespie’s Reunion Big Band, Kevin Eubanks, Bill Mays, Valery Ponoomarev, Roy Hargrove, Jimmy Knepper, Brian Lynch, J.J. Johnson, Billy Hart, Oscar Peterson, Superblue, Cedar Walton and Ray Brown. He continues to perform, tour and record as a leader and sideman.
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Daily Dose Of Jazz…
Irvin Mayfield, Jr. was born on born December 23, 1977 in New Orleans, Louisiana, the youngest of five brothers, three half-brothers and a half-sister. He received his first trumpet when he was in the fourth grade, asking his father for one after seeing the success a friend of his was having with girls by playing the instrument. Early in his public school education, he befriended fellow schoolmate Jason Marsalis. As a young man he attended and graduated from New Orleans Center for Creative Arts, declined a scholarship to Juilliard School of Music to attend the University of New Orleans, then dropped out during his first semester.
Mayfield began his musical career during the latter half of the 1980s, playing with the Algiers Brass Band, shared a New York City apartment with Wynton Marsalis for a brief period and helped found Los Hombres Calientes with Bill Summers, Jason Marsalis, Victor Atkins III, David Pulphus, and Yvette-Bostic Summers. Signing with Basin Street Records, the groups debut album garnerd much success and Irvin received national recognition.
As an educator Mayfield would go on to be an artist-in-residence and establish the Institute of Jazz Culture at Dillard University, found the sixteen-piece New Orleans Jazz Orchestra, accept a one-year appointment as Artistic Director of Jazz at Orchestra Hall, the five-concert jazz series of the Minnesota Orchestra, received The Chancellor’s Award from the University of New Orleans, and awarded an Honorary Doctorate from Dillard University,
Over the course of his still vibrant career, Mayfield has been a part of the Higher GroundHurricane Relief Benefit Concert in the aftermath of Katrina, and was nominated to the National Council on the Arts by President George W. Bush and was subsequently appointed to the post by President Obama in 2010, serving through 2014. He has performed at the White House and festivals around the country, was made a Cultural Ambassador of the City of New Orleans, has a club named after him in the Royal Sonesta Hotel and has recorded to date, twenty-five albums.
Grammy and Billboard Award-winning trumpeter Irvin Mayfield currently serves as Jazz Artist in Residence for the Apollo Theater, is Artistic Director of the New Orleans Jazz Orchestra and continues to perform, record and tour with his small groups and occasionally with Los Hombres Calientes.
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Daily Dose Of Jazz…
Cameron Brown was born December 21, 1945 in Detroit, Michigan. He started studying music at age 10, first on piano, later on clarinet. But, drawn to the bass, he found himself playing a tin bass in a student dance band. As an exchange student in Europe, he worked with George Russell’s sextet and big band for one year.
Brown went on to play with Don Cherry, Aldo Romano, Booker Ervin and Donald Byrd. In 1966 he returned to the States to matriculate and graduate in 1969 from Columbia College, Columbia University with a degree in sociology.
In 1974, Cameron met Sheila Jordan, gigged with free jazz pioneers Roswell Rudd and Beaver Harris, joined Archie Shepp’s quintet in 1975 and recorded with Harris and The 360 Degree Music Experience around that time.
The Don Pullen/George Adams Quartet had Brown and drummer Dannie Richmond helping to develop into an intense and rewarding partnership that lasted during the 1980s. In addition to this quartet, he played with Art Blakey’s Jazz Messengers, and various groups led by Rudd, and Richmond. He has performed and recorded with Ted Curson, Lee Konitz, Chet Baker, Joe Lovano, Mal Waldron, Ricky Ford, Steve Grossman, Betty Carter, John Hicks, Etta Jones and Jane Ira Bloom, to name a few.
Cameron has appeared on more than 80 recordings as a sideman and his first recording as a leader after nearly 40 years of performing, was published in 2003 with his group The Hear and Now featuring Dewey Redman.
In addition to playing gigs and touring nationally and internationally, he is an educator currently teaching jazz double bass at Green Meadow Waldorf School in Chestnut Ridge, New York, offers private lessons and substitute teaches music theory classes at The New School for Jazz and Contemporary Music in New York City.
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