Daily Dose Of Jazz…
David Friedrich Dallwitz was born on October 25, 1914 in Freeling, South Australia. He studied violin as a child and after moving with his family to Adelaide, South Australia in 1930, he developed an aptitude for jazz piano. Beginning in 1933 for two years he studied concurrently at the South Australian School of Art and the North Adelaide School of Fine Art.
He led the Southern Jazz Group, a Dixieland band that performed at the first Australian Jazz Convention. Abandoning jazz for a period, he studied at the Elder Conservatorium of Music, composing symphonic and chamber music and taking up bassoon and cello. He became involved in composing and arranging music for revues, leading to the formation of the Flinders Street Revue Company, for which he also directed and played piano.
Returning to jazz in 1970, he resumed recording. He worked with Australian progressive musicians such as John Sangster, Bob Barnard, and Len Barnard. He led the Dave Dallwitz Ragtime Ensemble.
Pianist, bandleader, composer, and arranger, painter, and art teacher Dave Dallwitz, who led jazz, Dixieland and ragtime bands, passed away on March 24, 2003 in Adelaide after finishing the artwork for his album The Dave Dallwitz Big Band live at Wollongong, December 1984.
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Daily Dose Of Jazz…
Pee Wee Hunt was born Walter Gerhardt Hunt on May 10, 1907 in Mount Healthy, Ohio. Developing a musical interest at an early age, his mother played the banjo and his father played the violin. The teenager was a banjoist with a local band while he was attending college at Ohio State University where he majored in Electrical Engineering. During his college years, he switched from banjo to trombone. Graduating from the Cincinnati Conservatory of Music, he joined Jean Goldkette’s Orchestra in 1928.
Pee Wee was the co-founder and featured trombonist with the Casa Loma Orchestra, but he left the group in 1943 to work as a Hollywood radio disc jockey before joining the Merchant Marine near the end of World War II. He returned to the West Coast music scene in 1946 and his Twelfth Street Rag became a three million-selling number one hit in 1948.
Hunt was satirized as Pee Wee Runt and his All-Flea Dixieland Band in Tex Avery’s animated MGM cartoon Dixieland Droopy in 1954. His second major hit was Oh! in 1953, his second million-selling disc, which reached number three in the Billboard chart.
Trombonist Pee Wee Hunt passed away after a long illness at age 72, on June 22, 1979 in Plymouth, Massachusetts.
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Daily Dose Of Jazz…
Edward Inge born May 7, 1906 in Kansas City, Missouri and played clarinet from age 12. By 18 he was playing with George Reynolds’s Orchestra, then in the 1920s worked with Dewey Jackson, Art Sims & His Creole Roof Orchestra, and Oscar Young.
In 1930, he became a member of McKinney’s Cotton Pickers, then was offered a spot in Don Redman’s band in 1931, where he played until 1939. From there he replaced Don Byas in Andy Kirk’s band, remaining with Kirk until 1943.
By the mid~1940s Inge became more in demand as an arranger, writing charts for Louis Armstrong, Redman, and Jimmie Lunceford among many others over the course of his career. He led his own band in Cleveland, Ohio in the middle of the 1940s, then worked out of Buffalo, New York in the 1950s and 1960s.
In the 1960s he played with Cecil Johnson, and in the 1970s with C.Q. Price. His recording credits include work with The Mills Brothers, Cab Calloway, and The Boswell Sisters. Clarinetist and arranger Edward Inge passed away on October 8, 1988.
Daily Dose Of Jazz…
Reuben Bloom was born on April 24, 1902 in New York City, where he learned to play the piano. During the 1920s he wrote many novelty piano solos which are still well regarded today. He recorded for the Aeolian Company’s Duo-Art reproducing piano system various titles including his Spring Fever.
In 1927 Rube had his first hit with Soliloquy and his last hit was “Here’s to My Lady” in 1952, which he wrote with Johnny Mercer. In 1928, he made a number of records with Joe Venuti’s Blue Four for OKeh Records, including five songs he sang, as well as played piano.
He formed and led a number of bands during his career, most notably Rube Bloom and His Bayou Boys. They recorded three records in 1930 that are considered some of the best made during the early years of the Depression. The Bayou Boys was an all-star studio group consisting of Benny Goodman, Adrian Rollini, Tommy Dorsey and Mannie Klein. At other times, Bloom played with other bands, such as with Bix Beiderbecke and Frankie Trumbauer in the Sioux City Six as well as his continued frequent work with Joe Venuti’s Blue Four.
During his career, Rube also worked with many well-known performers, including Ruth Etting, Stan Kenton, Jimmy Dorsey. He collaborated with a wide number of lyricists including Ted Koehler, and Mitchell Parish. During his lifetime he published several books on the piano method.
Bloom’s I Can’t Face the Music with lyrics by Ted Koehler was recorded by Ella Fitzgerald on her 1962 Verve release, Rhythm is My Business, in a fabulous swing/big band version with Bill Doggett. Some of his best-known composition collaborations with lyricists were Day In, Day Out and Fools Rush In (Where Angels Fear to Tread) with lyrics by Johnny Mercer; Give Me the Simple Life with Harry Ruby; and Maybe You’ll Be There with lyrics by Sammy Gallop.
Pianist, vocalist, songwriter, arranger, bandleader, recording artist, and author Rube Bloom passed away on March 30, 1976 in his hometown.
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Daily Dose Of Jazz…
Roy Palmer was born on April 2, 1892 in the Carrollton neighborhood of uptown New Orleans, Louisiana. He learned to play violin, guitar, and trumpet and began his career in 1906 in the Big Easy as a guitarist with the Rozelle Orchestra. Leaving the orchestra he began playing the trombone in Storyville with Papa Celestin, Richard M. Jones, Freddie Keppard, Willie Hightower, during the DepressionTuxedo Brass Band, and Onward Brass Band.
In 1917 he left New Orleans and moved to Chicago, Illinois where he worked with King Oliver, Lawrence Duhe, and Doc Cook. From the 1920s on Palmer recorded with Johnny Dodds, Jelly Roll Morton, Ida Cox, the Alabama Rascals, and the State Street Ramblers. By the 1930s during the Depression, he curtailed his performing worked in a factory and began his career as a music teacher, which included students Preston Jackson and Albert Wynn.
Trombonist Roy Palmer passed away on December 22, 1963, in Chicago, Illinois.
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