Daily Dose Of Jazz…
Pat Martino was born Pat Azzara in South Philadelphia, Pennsylvania on August 25, 1944 and began playing professionally at the age of 15 after moving to New York City. He resided with Les Paul for a while before moving into a suite in the President Hotel on 48th Street. He started playing jazz clubs like Smalls Paradise and would play at Smalls for six months of the year and then in the summer play at Club Harlem in Atlantic City.
Early in his career Martino played and recorded with Lloyd Price, Willis Jackson, Eric Kloss, Charles Earland, Richard “Groove” Holmes, Jack McDuff, Don Patterson, Trudy Pitts, Jimmy Smith, Gene Ludwig, Bobby Pierce and Joey DeFrancesco.
He has been awarded Guitar Player of the Year in Down Beat Reader’s Poll in 2004, NARAS Songs from the Heart Award, been nominated for a Grammy for Best Jazz Instrumental Album, Live at Yoshi’s, and Best Jazz Instrumental Solo on ‘All Blues‘ and has received Philadelphia Alliance Walk of Fame Award and National Academy of Recording Arts & Sciences “2nd Annual Heroes Award among others.
The list of jazz musicians he has performed and recorded as a sideman with are John Handy, Jimmy Heath, Charles McPherson, Sonny Stitt, The Philadelphia Experiment as well as released three-dozen albums as a leader. Guitarist and composer Pat Martino, noted for his mathematical approach to the instrument and plays in the post-bop, fusion, mainstream and soul jazz idioms, continues to perform and tour.
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Daily Dose Of Jazz…
Georges Arvanitas was born on June 13, 1931 in Marseille, France, to Arvanite Greek immigrants from Constantinople, Turkey. At age four he began studying piano and initially trained as a classical pianist. Influenced by Bud Powell and Bill Evans he switched to jazz in his teens.
At 18 he was called up for military duty and finding himself stationed in Versailles and his proximity to Paris, he was exposed to the city’s thriving postwar jazz culture. Soon he was moonlighting at clubs alongside American musicians such as Don Byas and Mezz Mezzrow. After completing his service, Arvanitas relocated permanently to Paris where he led the house band at the Club St. Germain before he graduated to the city’s premier jazz venue, the legendary Blue Note. There he played with Dexter Gordon and Chet Baker. As his notoriety grew, he became a leader and with bassist Doug Watkins and drummer Art Taylor recorded 3 A.M. in 1963. The trio would go on to win the Prix Django Reinhardt and the Prix Jazz Hot for the album.
Georges spent half of 1965 in New York City collaborating with saxophonist Yusef Lateef and trumpeter Ted Curzon on The Blue Thing and the New Thing for Blue Note. A year later he returned stateside on tour with trombonist Slide Hampton’s big band. A respected session player earning the nickname Georges Une Prise (One-take George) for his reliable efficiency and mastery and worked closely with Michel Legrand.
Best remembered for a series of LPs he cut with bassist Jacky Samson and drummer Charles Saudrais, the trio endured from 1965 to 1993. He was received the Chevalier des Arts et des Lettres award in 1985. Unfortunately his failing health forced him to retire from music in 2003 and two year later pianist and organist Georges Arvanitas passed away in Paris on September 25, 2005.
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Daily Dose Of Jazz…
Ray Crawford was born on February 7, 1924 in Pittsburgh, Pennsylvania. During the war years from 1941-1943 he played tenor saxophone and clarinet with Fletcher Henderson but tuberculosis forced him to give them up.
Switching to guitar he became an important part of Ahmad Jamal’s early groups from 1949 to 1955. Ray’s ability to make his guitar sound like bongos by hitting it was soon adopted by Herb Ellis. He went on to record with Gil Evans from 1959 to 1960, then played off and on with Jimmy Smith from 1958 into the Eighties.
In the Sixties he settled in Los Angeles, California. He led fairly obscure records for Candid in 1961 that were not released until the 1980s, and also recorded for Dobre and United National record labels in the Seventies. Guitarist Ray Crawford, who played mainly in the hard bop and soul jazz genres, passed away on December 30, 1997 in his hometown of Pittsburgh.
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Daily Dose Of Jazz…
Walter Booker was born December 17, 1933 in Prairie View, Texas and moved with his family to Washington, D.C. in the mid-1940s. He played clarinet and alto saxophone in college with a concert band. In 1959 he began on bass while in the US Army, serving side-by-side in the same unit with Elvis Presley. He worked with Andrew White in Washington after his discharge, playing in the JFK Quintet during the early 1960s.
Moving to New York City in 1964, Booker was hired by Donald Byrd. After his stint with Byrd, he recorded and toured with Ray Bryant, Betty Carter, Chick Corea, Stan Getz, Art Farmer, Charles McPherson, Lee Morgan, Hank Mobley, Milt Jackson, Harold Vick, Thelonious Monk and Sonny Rollins. All this was done before joining the Cannonball Adderley Quintet in 1969, starting an association which lasted until Adderley’s death in 1975. He would go on to record and perform with Joe Zawinul, Joe Williams, Gene Ammons, Joe Chambers, Roy Hargrove, Archie Shepp, Kenny Barron and numerous others.
Walter’s next gig was a tour the United States with the Shirley Horn Trio, along with Billy Hart on drums. During the same time, Booker designed, built, and ran the Boogie Woogie Studio in NYC, a mecca for musicians from all over the world. Through the Eighties he played and recorded with Nat Adderley, Nick Brignola, Arnett Cobb, Richie Cole, John Hicks, Billy Higgins, Clifford Jordan, Pharoah Sanders, Sarah Vaughan, Leroy Williams, Marcus Belgrave, Roni Ben-Hur, Larry Willis, John HIcks and Phil Woods.
Booker married pianist Bertha Hope with whom he played in a trio that included drummer Jimmy Cobb. In addition to his own quintet, he also formed Elmollenium, based on the same core group as the Quintet plus Bertha and dedicated to playing the music of Elmo Hope.
Bassist Walter Booker, a highly underrated stylist whose playing was marked by voice-like inflections, glissandos and tremolo techniques, passed away in his Manhattan home on November 24, 2006, at the age of 72.
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Daily Dose Of Jazz…
Grover Washington Jr. was born on December 12, 1943 in Buffalo, New York. His mother was a church chorister and his father was a saxophonist and collected old Jazz gramophone records, which put music everywhere in the home. Growing up he listened to Benny Goodman, Fletcher Henderson, and others like them. At the age of eight his father gave him a saxophone and he practiced and would sneak into clubs to see famous Buffalo blues musicians.
Leaving Buffalo he played with a Midwest group called the Four Clefs and then the Mark III Trio from Mansfield, Ohio. Then drafted into the U.S. Army he met drummer Billy Cobham, who as a mainstay in New York City, he introduced Washington to musicians around the city. After leaving the Army, he freelanced around New York City, but eventually landed in Philadelphia in 1967. The first two years of the Seventies decade provided his first recording sessions on Leon Spencer’s debut and sophomore albums on Prestige Records, together with Idris Muhammad and Melvin Sparks.
His big break came when alto saxophonist Hank Crawford couldn’t make a recording date with Creed Taylor’s Kudu Records and Grover took his place. This led to his first solo album, Inner City Blues in which he displayed his talent on the soprano, alto, tenor, and baritone saxophones.
His rise to fame with his first three albums established him as a force in jazz and soul music, but it was his fourth album in 1974, Mister Magic, that became his major commercial success. The album crossed over all the charts and with guitarist Eric Gale in tow again for the 1975 follow-up album Feels So Good proved both could reach #10. A string of acclaimed records brought Washington through the 1970s, culminating in the signature piece Winelight in 1980, in which he collaborated on Just The Two Of Us with Bill Withers and dedicated Let It Flow to Dr. J of the Philadelphia 76ers. The album went platinum, won two Grammy awards for Just the Two Of Us and Winelight and was nominated for both Record and Song Of The Year.
During the late 1980s and early 1990s Washington gave rise to Kenny G, Walter Beasley, Steve Cole, Pamela Williams, Najee, Boney James and George Howard. Over the course of his career he performed and recorded with Kathleen Battle, Kenny Burrell, Charles Earland, Dexter Gordon, Urbie Green, Eddie Henderson, Masaru Imada, Boogaloo Joe Jones, Gerry Mulligan, Don Sebesky, Johnny “Hammond” Smith, Mal Waldron and Randy Weston.
On December 17, 1999 while waiting in the green room after performing four songs for The Saturday Early Show, at CBS Studios in New York City, saxophonist Grover Washington Jr. collapsed. He was pronounced dead at about 7:30 pm at St. Luke’s-Roosevelt Hospital and his doctors determined he had suffered a massive heart attack. He was 56. In tribute, a large mural of him, part of the Philadelphia Mural Arts Program, is just south of the intersection of Broad and Diamond streets.
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