Daily Dose Of Jazz…

George Letellier was born October 11, 1957 in the United States. After attending Berklee College of Music in Boston, Massachusetts in 1975, the following year he wrote his first compositions and arrangements. He began as a pianist playing in warm-up bands for artists such as Phil Woods, Gary Burton, and Steve Swallow. Returning to Berklee in 1983, he graduated two years later with a Superior Prix in Film Music Composition.

Moving to San Francisco, California he worked as a freelance pianist in the jazz and salsa genre from 1986 until 1990. His successful session work attracted film executives and he was hired to compose music for films and corporate videos. In 1987 George served as a music editor on the Academy Award-nominated short film Liru, and in 1988 in Oakland, California, established a film production company where he worked not only as a composer but a producer.

In 1991, Letellier moved to Portugal, accepting a job offer as a professor of composition in Porto, Portugal. There he composed two ballets and was a session musician. He collaborated with saxophonist Mario Santos and formed the George Letellier Quartet which toured all across Portugal.

By 1995 he relocated to Luxembourg and began working as a music composer, session musician and taught private lessons. With the Opus 78 Big Band, he collaborated in arranging the tunes of Frank Sinatra and turning them into large philharmonic ensembles for performing.

From 1997 until 2003, he went into education serving as Director of Jazz Studies at the Esch Conservatoire, wrote three publications on jazz theory and formed the original Consabora Salsa Orchestra with Harri Jokiharra. Since 2001, Letellier has taught jazz at L’Ecole de Musique in Echternach, Luxembourg.

Pianist, composer, and educator George Letellier continues to function as a session pianist, and has performed in hundreds of jazz concerts and theatrical productions in Luxembourg, the United States, Europe, and India.

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Daily Dose Of Jazz…

Gregory Charles Royal was born on October 10, 1961 IN Washington, D.C. As a student at Howard University he received the 1982 DownBeat Magazine Student Music Award for Jazz Vocal Group and Graduate College Outstanding Performance in the Jazz Instrumental Soloist Category. He graduated from Howard University with a Master of Music in Jazz Studies.

Royal went on to play with the Duke Ellington Orchestra for a decade beginning in 1989, then with Art Blakey and The Jazz Messengers, Slide Hampton and his World of Trombones, and Howard University Jazz Ensemble. He has appeared onstage as a trombonist with the Broadway shows Five Guys Named Moe and Jelly’s Last Jam.

He has written and appeared in a play God Doesn’t Mean You Get To Live Forever, which was presented at the Baruch Performing Arts Center. and at Theatre Row on 42nd Street in New York. Royal also wrote and appeared in the short film World’s Not for Me. The film won the Harlem Spotlight Best Narrative Short Award at the Harlem International Film Festival in 2016.

Trombonist, composer, writer Chuck Royal, who is the co-founder of The BeBop Channel Corporation, the former parent owner of JazzTimes, continues to pursue his career in music.

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Bill Pierce, known to many as Billy Pierce, was born September 25, 1948 in Hampton, Virginia. He studied with Joe Viola and Andy McGhee at Berklee College of Music, and with Joe Allard.

In the early 1980s he was recruited by Art Blakey and the Jazz Messengers. Through the late Eighties and into the late 1990s he recorded simultaneously  as a leader while also in Tony Williams’s quintet in the mid-1980s to early 1990s.

As a leader he has recorded seven albums and another 18 as a sideman with Art Blakey and the Jazz Messengers, Geoff Keezer, Kevin Eubanks, Makoto Ozone, Superblue, Tony Williams, and Lazlo Gardony.

As an educator Billy says he likes seeing music being carried on by young people developing, achieving their dreams, and being a part of history. Many of his students have made a name for themselves: Antonio Hart, Mark Gross, Javon Jackson, Walter Smith, Mark Turner, Miguel Zenon.

Saxophonist Billy Pierce, who is the former chair of the Berklee woodwind department, continues to perform, tour and educate.

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Gordon James Beck was born on September 16, 1935 in Brixton, London, England where he attended Pinner County Grammar School. He studied piano in his youth, but decided to pursue a career as an engineering technical draughtsman and moved to Canada in 1957 for this reason.

Largely self-taught, he returned to music after returning home from Canada in 1958, where he had been exposed to the works of George Shearing and Dave Brubeck. He became a professional musician in 1960 and played with saxophonist Don Byas in Monte Carlo. Beck joined the Tubby Hayes group in 1962, then led his own bands from 1965, including Gyroscope, from 1968, a trio with bassist Jeff Clyne and drummer Tony Oxley.

1967 saw the Gordon Beck Quartet record the album Experiments with Pops released on Major Minor MMLP 21 in 1968. That same year they recorded with Joy Marshall and released as When Sunny Gets Blue decades later.

Beck first played with vocalist Helen Merrill in 1969 and continued the relationship into the 1990s when she toured Europe. From 1969 to 1972 he toured with saxophonist Phil Woods’s European Rhythm Machine.

In the Sixties and Seventies he was a house pianist at Ronnie Scott’s Jazz Club. Beck played experimental funk with George Gruntz from1973-75), and free jazz with improv drummer John Stevens and  was a member of Nucleus between 1973 and 1974.

From middle age, Beck played predominantly in mainland Europe, recorded albums with Allan Holdsworth, Henri Texier, Didier Lockwood and others. He often played solo from the 1980s and started teaching music at the same poin and toured Japan with Holdsworth in 1985.

Pianist Gordon Beck stopped performing around 2005 because of poor health and died in Ely, Cambridgeshire, England on November 6, 2011.

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Albert Aloysius Casey was born September 15, 1915 in Louisville, Kentucky. He was a child prodigy who first played violin, then switched to ukulele. He began playing guitar in 1930 and attended DeWitt Clinton High School in New York City where he studied guitar. He met Fats Waller in 1933 and the following year, at eighteen, he became a member of Waller’s band.

Making several recordings with the band, he is known for having played the solo in Buck Jumpin’. After Waller’s death in 1943, he led his own trio and for two consecutive years in the 1940s, he was voted best guitarist in Esquire magazine.

From 1957, he was a member of a rhythm and blues band led by King Curtis. Four years later he dropped out of music, though he returned in the 1970s to record with Helen Humes and Jay McShann. Another absence followed until 1981, when he returned to music to play with the Harlem Blues and Jazz Band.

During his career, Casey worked with Louis Armstrong, Chu Berry, Coleman Hawkins, Lionel Hampton, Billie Holiday, Billy Kyle, Frankie Newton, Clarence Profit, Art Tatum, and Teddy Wilson.

Guitarist Albert Casey died of colon cancer on September 11, 2005, four days shy of his 80th birthday.

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