Daily Dose Of Jazz…
Karl Kiffe, born July 6, 1925 in Los Angeles, California first attracted attention as winner of the annual Gene Krupa Contest in 1943. Succeeding Chuck Falkner as leader of the Hollywood Canteen Kids he was featured in novelty numbers in several feature films before working as a single in Ken Murray’s Blackouts.
1945 saaw him hired by Jimmy Dorsey, with whom he worked for about a year, and then again from 1950 through 1953. Over the next decade, Kiffe worked with Stan Getz, Zoot Sims, Charlie Shavers, Red Norvo and Woody Herman, as well as singers Andy Williams, June Christy, and Ella Fitzgerald.
Speaking in 1946, when asked which drummer he most admired, Kiffe cited the solos of Buddy Rich, while praising the big band work of Don Lamond and Jo Jones.
Drummer Karl Kiffe, who was great friends with saxophonist Warne Marsh, died on May 10, 2004 at the age of 76 in Las Vegas, Nevada
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Daily Dose Of Jazz…
Charles William Jenkins was born July 5, 1956 in Bromley, Kent, England and was known to the jazz and blues worlds as Billy. He began learning the violin from the age of nine and two years later added piano and choir. By twelve he taught himself to play the guitar.
As a young teenager, Billy started regular jam sessions in the basement of the bohemian twenty-three room former hotel where he grew up. This jam session attracted many local contemporaries, his best friend at the time, Bill Broad, who the world came to know as Billy Idol and Steven Bailey, later to become Steven Severin.
During those teen years he performed in local church halls, USAF Bases in East Anglia, riverside pubs, local colleges and clubs under various names 1970-72. Jenkins toured and recorded for Arista Record’s Clive Davis with art rock band Burlesque from 1972-77, performed as a young adult with ‘alternative musical comedy’ duo The Fantastic Trimmer & Jenkins from 1979-82 and drummer Ginger Baker before founding the VOGC, the Voice of God Collective.
From 1983 – 93 he lived and worked at Wood Wharf Rehearsal Studios in Greenwich, England. Since then Billy has produced a large body of over 40 recorded albums including Scratches of Spain, Motorway At Night, Entertainment USA and Music For Two Cassette Machines. Some of his recordings are about his SE London environs and include Sounds Like Bromley, Greenwich, Still Sounds Like Bromley and Suburbia.
Guitarist, composer and bandleader Billy Jenkins, who is immersed in improvisation as ell as standards, continues to pursue his love of jazz and blues.
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Daily Dose Of Jazz…
Vince Wallace was born on June 15, 1939 in Port Townsend, Washington. At just two months shy of his second birthday his mother moved him to San Joaquin Valley, California. After spending a little time there, they ended up settling and growing up in the Bay area of Oakland, California.
His earliest recordings were on the Black Jack Wayne label in 1953 with Screamin Mel Dorsey and Chuck Wayne and the Heartbeats. These sessions were along with his original instrumental, Funky. He performed regularly at this time at the Country and Western halls and go go bars of Niles, California alongside Rose Maddox, Johnny Cash, and the Black Brothers.
As he developed, he became more sought after at all hours jazz joints where he sat in with Eric Dolphy, Paul Chambers, Charles Mingus, Pony Poindexter, Art Blakey and Smiley Winters. Jimbo’s Bop City in San Francisco was the best place around, where every night after 2 a.m. another legend of the jazz would come through the door.
In 1958 Vince moved to Southern California where he picked up work with Paul Bley and Marvin Rainwater. His Sunday jam session at The Cascades Club in Belmont Shores, helped the emergence of Kent Glenn, Mark Proctor, Gene Stone, and Warren Gale. By 1966 was back in the Bay Area working with alto saxophonist Norman Williams at the JukeBox in San Francisco. Through 1970 Wallace recorded three albums with Little John, a fusion rock band on Epic records.
Drawn back to southern California he experienced some of his widest recognition as his featured performances were reviewed favorably by Gerald Wilson.. This led to an eventual run at the Studio Cafe, and the release of two of Vince’s solo albums on Amp Records. Returning to San Francisco he led a Sunday night jam session through the Nineties, receiving the San Francisco Bay Guardian Award for Best Jam Session in 1995.
With a surge of interest in his music in the new millenium, he started working at the Bulldog Coffee Shop in Oakland and reuniting with Bishop Norman Williams, Prince Lasha, Jim Grantham, Steve Heckman, Fred Randolph, Chuck Thomposon, Chris Amberger, Terry Rodriguez, and John Gilmore, just to name a few. He began working on his memoirs, created a website, took a Friday residency at Cafe Van Kleef, appeared on KCSM 91.1 FM, and recorded a new album with Larry Vuckovich.
Tenor saxophonist Vince Wallace has reestablished himself as one of the most sought after saxophonists around and his music will undoubtably be spread throughout the world via his website www.vincewallace.com.
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Daily Dose Of Jazz…
Louisa West was born in Thomasville, Georgia on June 14, 1979 and began playing flute at the age of ten. She went on to receive a Bachelor of Music Performance from the University of Georgia and while studying there she performed in numerous ensembles including an orchestra conducted by Sammy Nestico. She studied privately with classical flutists Angela Jones-Reus, William Bennett, Mary Karen Clardy, and Mimi Stillman, as well as jazz flutists Nestor Torres and Holly Hofmann.
A winner of numerous competitions, after graduating from college in 2001, she relocated to southern California where she has been performing in the musical genres of world music, jazz, Latin jazz, and classical music. Playing extensively in the U.S, Canada and Mexico, Louisa has appeared onstage with touring acts such as Persian pop star Shakila, flutist Nestor Torres, and Brazilian singer Diogo Nogueira.
West recently attended California Brazil Camp, where she delved into the history and music of Brazil through workshops and performances by Brazilian jazz artists. This experience inspired her 2010 debut release with Jimmy Patton titled Sambarina.
Flutist Louisa West continues to perform, tour and record.
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Daily Dose Of Jazz…
Britt Woodman was born on June 4, 1920 in Los Angeles, California. A childhood friend of Charles Mingus, he first worked with Phil Moore and Les Hite. After serving in World War II he played with Boyd Raeburn before joining with Lionel Hampton in 1946.
During the 1950s he worked with Duke Ellington. As a member of Ellington’s band he can be heard on twenty-five recorings such as 1957’s Such Sweet Thunder, Ella Fitzgerald Sings the Duke Ellington Song Book, and 1958’s Black, Brown, and Beige and Ellington Indigos.
1960 saw Britt departing from Ellington to work in a pit orchestra. He went on to later work with Mingus and can be heard on the album Mingus Mingus Mingus Mingus Mingus released in 1963. In the 1970s he led his own octet and recorded with pianist Toshiko Akiyoshi. In 1989, he was part of the personnel for the album Epitaph dedicated to the previously unrecorded music of Charles Mingus.
He recorded Playing For Keeps and In L.A. as a leader, and leaves a sideman recording catalogue of ninety-three albums with Toshiko Akiyoshi – Lew Tabackin Big Band, Bill Berry, Ella Fitzgerald, Lionel Hampton, Johnny Hodges, Jimmy Smith, Gene Ammons, Ray Brown, Ruth Brown, Frank Capp, Nat Pierce, Benny Carter, Rosemary Clooney, John Coltrane, Randy Crawford, Tadd Dameron, Miles Davis, Booker Ervin, John Fahey, Dizzy Gillespie, Benny Golson, Chico Hamilton, Jimmy Hamilton, Hank Jones, Oliver Nelson, Philly Joe Jones, Jon Lucien, Galt MacDermot, Teo Macero, Junior Mance, The Manhattan Transfer, Wade Marcus, Blue Mitchell, Grover Mitchell, James Moody, Maria Muldaur, Oliver Nelson, Oscar Peterson, Zoot Sims, Billy Taylor, Clark Terry, Teri Thornton, Jimmy Woode
Trombonisit Britt Woodman died in Hawthorne, California at the age of 80, having suffered severe respiratory problems on October 13, 2000.
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