Daily Dose Of Jazz…
Denis Alphonso Charles was born December 4, 1933 in St. Croix, Virgin Islands and first played bongos at age seven with local ensembles. 1945 saw him moving to New York City, and gigging frequently around town. Nine years later he was working with Cecil Taylor and the pair collaborated until 1958. Following this he played with Steve Lacy, Gil Evans, and Jimmy Giuffre. Befriending Ed Blackwell, the two influenced each other.
He went on to record with Sonny Rollins on a calypso-tinged set, and then returned to Lacy, with whom he played until 1964. He worked with Archie Shepp and Don Cherry in 1967, but heroin addiction saw him leave the record industry until 1971. In the 1970s and 1980s, he played regularly on the New York jazz scene with Frank Lowe, David Murray, Charles Tyler, Billy Bang, and others. He also played funk, rock, and traditional Caribbean music. He released three discs as a leader between 1989 and 1992. , and died of pneumonia in his sleep in New York in 1998.
Drummer Denis Charles, who released three albums as a leader, thirty-four as a sideman and several with the BMC Trio, transitioned four days after a five week European tour on March 26, 1998 from pneumonia.
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Daily Dose Of Jazz…
Melissa Aldana was born on December 3, 1988 in Santiago, Chile and began playing the saxophone when she was six under the influence and tuition of her father Marcos Aldana, also a professional saxophonist. She began with alto, influenced by Charlie Parker, Cannonball Adderley and Michael Brecker. However, upon first hearing the music of Sonny Rollins, she switched to tenor, picking up her grandfather’s Selmer Mark VI.
Performing around hometown jazz clubs while in her early teens, in 2005 she was invited by pianist Danilo Pérez to play at the Panama Jazz Festival as well as auditions at music schools in the USA. This resulted in Melissa attending the Berklee College of Music in Boston, Massachusetts studying under Joe Lovano, George Garzone, Frank Tiberi, Greg Osby, Hal Crook, Bill Pierce, and Ralph Peterson. After graduating she relocated to New York City to study with George Coleman.
Aldana recorded her debut album, Free Fall, released in 2010 on Greg Osby’s Inner Circle Music label. Two years later she released her sophomore project, Second Cycle, and by age 24, she was the first female and South American musician to win the Thelonious Monk International Jazz Saxophone Competition, in which her father had been a semi-finalist in 1991. The prize was a $25,000 scholarship, and a recording contract with Concord Jazz.
Aldana has been awarded the Altazor National Arts Award of Chile, and the Lincoln Center’s Martin E. Segal Award. She has played concerts alongside artists such as Peter Bernstein, Kevin Hays, Christian McBride, Jeff “Tain” Watts, Jimmy Heath and Wynton Marsalis.
She has formed the group, Melissa Aldana & Crash Trio, with Cuban drummer Francisco Mela and Chilean bassist Pablo Menares, and in addition her most recent configuration in 2017, the Melissa Aldana Quartet includes Aldana on tenor saxophone, pianist Sam Harris or guitarist Lage Lund, bassist Pablo Menares and drummer Kush Abadey.
Tenor saxophonist Melissa Aldana continues to explore and expand her vocabulary as she performs and records.
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Daily Dose Of Jazz…
Charlie Ventura was born Charles Venturo on December 2, 1916 in Philadelphia, Pennsylvania. During the 1940s, he played saxophone for the Gene Krupa and Teddy Powell bands. In 1945 he was named best tenor saxophonist by DownBeat magazine.
During the Forties he led big bands and led a band which included Conte Candoli, Bennie Green, Boots Mussulli, Ed Shaughnessy, Jackie Cain, and Roy Kral. By the 1950s he formed the Big Four with Buddy Rich, Marty Napoleon, and Chubby Jackson. He was a sideman with Krupa through the 1960s, then worked in Las Vegas with comedian Jackie Gleason. By the 1980s he slowed down until finally retiring from music.
Tenor saxophonist and bandleader Charlie Ventura transitioned from lung cancer on January 17, 1992 in Pleasantville, New Jersey at age 75. was an American from
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Daily Dose OF Jazz…
Mark Kramer was born November 3, 1945 in Philadelphia, Pennsylvania. His prelimonary tutelage came from members of the Philadelphia Orchestra who mentored him on violin from the age of five. His early jazz performances in his teens and twenties included Michael and Randy Brecker, Charles Fambrough, Stanley Clarke, and Eric Gravatt.
Over the next decades his trio went on to record a series of specialty productions including the largest known body of jazz renditions of complete Broadway shows, jazz versions of principal themes from the John Williams score of Harry Potter and the Sorcerer’s Stone, and a compilation of jazz renditions of the music of The Rolling Stones.
Kramer has mainly been an arranger and leader of his own trios throughout his career. His numerous recordings/productions are often listed under The Mark Kramer Trio. Many works from the late Eighties with bassist Eddie Gómez are listed under Eddie Gómez and Mark Kramer or simply Eddie Gómez.
A far-ranging catalog of duo and trio recordings included the Art of the Heart on Art of Life Records. Pianist, composer, arranger, and producer/engineer Mark Kramer continues to pursue his creativity in music.
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Daily Dose Of Jazz…
Edgar Melvin Sampson was born on October 31, 1907 in New York City, New York. He began playing violin aged six and picked up the saxophone in high school, then started his professional career in 1924 in a violin piano duo with Joe Colman. Through the rest of the 1920s and early 1930s, he played with many big bands, including those of Charlie “Fess” Johnson, Duke Ellington, Rex Stewart and Fletcher Henderson.
In 1934, Sampson joined the Chick Webb outfit and during his period he created his most enduring work as a composer, writing Stompin’ at the Savoy and Don’t Be That Way. Leaving Webb in 1936, his reputation as a composer and arranger led to freelance work with Benny Goodman, Artie Shaw, Red Norvo, Teddy Hill, Teddy Wilson and Webb.
Becoming a student of the Schillinger System in the early 1940s, Edgar continued to play saxophone through the late 1940s and started his own band at the end of the decade. He worked with Latin performers such as Marcelino Guerra, Tito Rodríguez and Tito Puente as an arranger.
He recorded one album under his own name, Swing Softly Sweet Sampson, in 1956. Due to illness, he stopped working in the late Sixties. Composer, arranger, saxophonist, and violinist Edgar Sampson, nicknamed The Lamb, transitioned on January 16, 1973.
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