Daily Dose Of Jazz…
Louis Leo Prima was born December 7, 1910 in New Orleans, Louisiana into a musical Italian American family. His mother, a music lover, made sure that each child played an instrument, assigning him the violin and started out playing at St. Ann’s Parish. His interest in jazz came when he heard black musicians, including Louis Armstrong at a time Italians and Blacks in New Orleans frequently socialized together in the same clubs and bars.
He practiced continuously on his worn-down cornet and formed a band in 1924 with his childhood friends, bassist Candy Candido, Irving Fazola on clarinet and drummer Johnny Viviano. Prima attended Jesuit High School but transferred to Warren Easton High in 1926. There he played with the Eastonites, the school band. The next year he partnered with fellow musician Frank Federico and they played in the French Quarter.
By 1928 his decision was made to become a professional musician. After finishing high school he joined the Ellis Stratako Orchestra in 1929 then the Joseph Cherniavsky Orchestrafollowed by a temporary job playing on the steamship Capital that docked on Canal Street. His first break was when Lou Forbes hired him for daily afternoon and early evening shows at The Saenger.
1934 saw him begin recording for the Brunswick label. He recorded That’s Where the South Begins, Long About Midnight, Jamaica Shout, and StarDust. Prima and his New Orleans Gang featured Frank Pinero playing piano, Jack Ryan bass, Garrett McAdams guitar, and Pee Wee Russell clarinet. at the Famous Door. HIs recordings from 1935 were a combination of Dixieland and swing. He and Russell recorded The Lady in Red, a national jukebox hit. They also recorded Chinatown, Chasing Shadows and Gypsy Tea Room.
Martha Raye played a role in Prima’s professional and personal life and with her got his first national debut on The Fleischman Hour. He recorded Sing, Sing , Sing in 1936, which subsequently became a hit for Benny Goodman. Moving to California he expanded his music, joining the movement for big bands and orchestras. However for him the configuration was not successful.
He returned to New York City in 1937 with his quintet at the Famous Door. Then on to Billy Rose’s Casa Mañana club in 1938, earning nearly a quarter million dollars throughout seven weeks. This led to an East Coast to mid-West tour. During the war years, Louis was experiencing great success regardless of anti-Italian sentiment. He would go on to have several big hits but by the end of the war years, the popularity of big band music was diminishing. By 1947 he was playing more jazzy versions of his music for the next decade and a half.
Trumpeter, singer, entertainer and bandleader Louis Prima suffered a heart attack in 1973. Two years later he was diagnosed with a brain stem tumor, suffered a cerebral hemorrhage, went into a coma following surgery and never recovered. He moved back to New Orleans and transitioned three years later on August 24, 1978 at 67 in his hometown.
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Daily Dose Of Jazz…
Robert Edward McCracken was born on November 23, 1904 in Dallas, Texas. Early in his career he played with local Dallas musicians like Jack Teagarden, Eddie Whitley, the Southern Trumpeters, and Doc Ross’s Jazz Bandits.
From 1926 to 1928 he lived in New York City where McCracken worked with Johnnie Johnston and Willard Robison’s Levee Loungers. After returning to Dallas, he worked with Ligon Smith, Joe Gill, and Ross again. He went on to tour with Joe Venuti and Frankie Trumbauer, before moving to Chicago, Illinois in 1939.
While in Chicago he played with Bud Freeman, and in the Forties he worked with Jimmy McPartland, Wingy Manone, Benny Goodman, Russ Morgan, and Wayne King. He substituted for Barney Bigard in the Louis Armstrong All-Stars international tour in 1952–53. Bob then toured internationally with Kid Ory and Red Allen throughout the 1950s.
During his later years in Los Angeles, California he played in several Dixieland revival groups, working with Ben Pollack, Pete Daily, Wild Bill Davison, and again with Teagarden, Ory, and Allen.
Clarinetist Bob McCracken, who is on many recordings including Kid Ory’s album, This Kid’s the Greatest, transitioned on July 4, 1972.
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Daily Dose Of Jazz…
Lasse Törnqvist was born Lars Törnqvist on November 18, 1935 in Bromma, outside Stockholm, Sweden. Between 1952 and 1957 he played traditional jazz with the Midnight Stompers. He took a music hiatus but picked up playing again in 1973 in more swing and mainstream influenced sextest and septets, like the Olle Orrjes Jazz Band and Lasse Törnqvist’s Blue Stars.
He experimented with small bands in order to achieve a more acoustic sound. During the 1980s he often played with a cornet and piano duo. In 1992 he put a trio together with guitar and bass which became the Sweet Jazz Trio.
Cornetist Lasse Törnqvist, at 98 years old, no longer plays.
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Daily Dose Of Jazz…
James Ostend Brown was born on November 9, 1906 in Baltimore, Maryland and learned to play piano, trumpet, and saxophone in his youth. Professionally known as Pete Brown, he played in New York City with Bernie Robinson’s orchestra in 1928, and played from 1928 to 1934 with Charlie Skeete.
1937 saw him working in the John Kirby band for several years and during the decade he worked with Frankie Newton, who was also a member of Kirby’s band. Brown and Newton recorded often. In addition to recording under his own name, he also recorded with Willie “The Lion” Smith, Jimmie Noone, Buster Bailey, Leonard Feather, Joe Marsala, and Maxine Sullivan.
Pete worked on 52nd Street in New York City in the 1940s, both as a sideman with Slim Gaillard, among others. As a bandleader, he was in Allen Eager’s 52nd Street All-Stars in 1946.
In the 1950s, Brown’s health began to fail, and he receded from full-time performance. He played with Joe Wilder, Big Joe Turner, Sammy Price, and Champion Jack Dupree. He appeared at the 1957 Newport Jazz Festival with Coleman Hawkins and Roy Eldridge. His last appearance was in 1960 with Dizzy Gillespie.
Alto saxophonist and bandleader Pete Brown, who was Cecil Payne and Flip Phillips teacher, transitioned on September 20, 1963 in New York City.
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Daily Dose Of Jazz…
Louis Bacon was born on November 1, 1904 in Louisville, Kentucky. His family moved to Chicago, Illinois when he was a young child. After a short stint playing with Zinky Cohn in Michigan, he relocated to New York City in 1928. There he worked through 1938 with musicians Louis Armstrong, Benny Carter, Duke Ellington, Bingie Madison, Bessie Smith, and Chick Webb among others.
Contracting tuberculosis in 1938, resulting in a performance hiatus, but by early 1939 he was playing with Benny Carter once more. Later that same year, he embarked on a tour of Europe with Willie Lewis and remained there for two years. He recorded under his own name as well as with Lewis and Freddy Johnson.
After his return to the United States he worked with Garvin Bushell, Cootie Williams, and Jesse Stone. Shortly after the end of World War II, he stopped playing once again due to persistent health problems. He did play trumpet again briefly in 1959–60, working in New York, and late in his career taught voice and sang with Wilbur De Paris.
Trumpeter and vocalist Louis Bacon transitioned on December 8, 1967.