Daily Dose Of Jazz…

Frank Guarente was born Francisco Saverio Guarente on October 5, 1893 in Montemiletto, Italy and received formal training in music before emigrating to America in 1910. He settled in Allentown, Pennsylvania, where a brother of his lived.

Relocating to New Orleans, Louisiana in 1914, where he took a job in a bank and associated with ethnically Italian musicians such as Nick LaRocca and Tony Parenti. He met King Oliver and eventually started getting gigs with New Orleans brass bands. He played at Tom Anderson’s club and toured Texas under the name Ragtime Frank with his ensemble, the Alabama Five.

Serving in the United States Army during World War I in 1917, then played in Philadelphia, Pennsylvania with Charlie Kerr and Eddie Lang. Putting together his own group in 1921 in New York City, which included Arthur Schutt and Chauncey Morehouse. Soon after, Paul Specht picked his players up to join a larger orchestra, and Guarente played with Specht on European tours through 1924.

Leading a Specht side group called The Georgians, they recorded between 1922 and 1924 in the style of the Original Dixieland Jass Band. He left Specht in 1924, to form his own group, The New Georgians, that toured Europe and remained active until 1927. This he followed by working in England with the Savoy Orpheans and ensembles associated with Bert Firman.

Returning to the United States in 1928, he joined Specht’s orchestra again, playing until 1930. He joined Victor Young’s band in 1930, remaining there until 1936, and also played with Jimmy Dorsey, Tommy Dorsey, Jack Teagarden, Bing Crosby, and The Boswell Sisters on record and radio. In 1937 ill health forced him to stop performing and on July 21, 1942 in New York City, trumpeter, composer and bandleader Frank Guarente transitioned at the age of 48.

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Greely Walton was born in Mobile, Alabama on October 4, 1904. He played violin in his youth before settling on saxophone, and went on to study music at the University of Pittsburgh in the 1920s.

During the 1920s he first worked with Elmer Snowden, then with Benny Carter. For seven years beginning in 1930 he played with Luis Russell during which time they served as Louis Armstrong’s backing ensemble. After leaving Russell in 1938 he worked with Vernon Andrade, and in the Forties he worked with Horace Henderson, Cootie Williams, and Cab Calloway.

From 1945-47 he acted as musical director for The Ink Spots, and played with Noble Sissle and Sy Oliver towards the end of the decade. In the Fifties he worked in radio and television in the 1950s.

Retiring from music before the end of the decade, tenor saxophonist Greely Walton transitioned on October 9, 1993 in New York City.

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Johnny Meijer was born Jan Cornelis Meijer on October 1, 1912 in Amsterdam, Netherlands.  Widely recognized as a virtuoso jazz accordionist not only did he play popular songs but also fast swing numbers. In 1974 he recorded the Dutch Swing College Band’s Johnny Goes Dixie LP, which went gold.

He will also be remembered for his proficiency with classical and folk music in his native city.  was typically seen during performances with a cigar in his mouth. He was a major influence on French accordionist Richard Galliano.

Unfortunately, due to his short temper and drinking, during the last years of his life, Meijer was rarely invited to play large performances, mainly in connection with his short temper and his drinking, the King of the Accordion saw out his final days mostly in silence, occasionally playing weddings and parties.

The subject of a film, Amsterdam erected a statue to the musician. Accordionist Johnny Meijer, who celebrated his 75th birthday at the North Sea Jazz Festival, transitioned on January 8, 1992 in Amsterdam.

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William Henry Graham was born on September 8, 1918 in Kansas City, Missouri and grew up in Denver, Colorado. During his years in Denver he led his own ensemble which included Paul Quinichette among its members. He went on to study at Tuskegee University and then Lincoln University of Missouri after a stint in the Army during World War II.

He worked with Count Basie, Lucky Millinder, Herbie Fields, and Erskine Hawkins early in his career. From 1946 to 1953, he worked with Dizzy Gillespie as a baritone saxophonist. As a composer under Gillespie, he penned the tune Oh-Sho-Be-Do-Be.

Following his Gillespie years he led his own band in New York City, in addition to touring Europe with Sarah Vaughan in 1953. From 1955 to 1957, Bill was back with Basie, including on the 1956 release April in Paris and the Newport Jazz Festival. In 1956-57 he teamed again with Quinichette, then in 1958 he found work with Duke Ellington and Mercer Ellington from 1958–59.

Outside of jazz, Graham also played on numerous R&B recordings, including those of Wynonie Harris, Joe Williams, and Little Willie John. In the 1960s he quit active touring and became a teacher in the New York City Public Schools system.

Saxophonist Bill Graham transitioned on December 29, 1975 in New York at the age of 57.

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Jan Savitt was born Jacob Savetnick on September 4, 1907 in Shumsk, Russian Empire and reared in Philadelphia, Pennsylvania. He showed musical ability at an early age and began winning conservatory scholarships in the study of the violin. He was offered the position of concertmaster in Leopold Stokowski’s Philadelphia Symphony Orchestra, but turned it down, preferring to continue his studies at Curtis Institute. About a year later, believing himself ready, he joined Stokowski and the association continued for seven years, during which time he gained further laurels as a concert soloist and leader of a string quartet.

By  1938, Jan Savitt & His Top Hatters broadcasted as the KYW staff orchestra at KYW/NBC in Philadelphia coast-to-coast. The group also played at the Earl Theatre and performed with The Andrews Sisters and The Three Stooges.

Getting his start in popular music some time later as music director of KYW, he evolved the unique “shuffle rhythm” which remained his trademark. Numerous sustaining programs created such a demand for the “shuffle rhythm” that Jan left KYW to form his own dance crew.

His band was notable for including George “Bon Bon” Tunnell, one of the first Black singers to perform with a white band. Tunnell’s recording with Savitt included Vol Vistu Gaily Star co-composed by Slim Gaillard and Rose of the Rio Grande. Helen Englert Blaum, known at the time as Helen Warren, also sang with Savitt during the war years. His orchestra had a bit role in the 1946 film High School Hero.

Shortly before arriving in Sacramento, California with his orchestra in 1948 he was stricken with a cerebral hemorrhage and taken to Sacramento County Hospital. Bandleader, arranger, and violinist Jan Savitt, known as The Stokowski of Swing, transitioned on October 4, 1948 with his wife at his bedside.

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