Daily Dose Of Jazz…
George Holmes “Buddy” Tate was born on February 22, 1913 in Sherman, Texas and first played the alto saxophone. He began performing in public as early as 1925 in a band called McCloud’s Night Owls, then later in the decade was playing tenor saxophone around the Southwest with bands led by Terrence Holder, Andy Kirk and Nat Towles.
He joined Count Basie in 1939 replacing Herschel Evans and stayed with him until 1948. After his period with Basie ended, he worked with several other bands before finding success on his own, starting in 1953 in Harlem. Buddy’s group worked at the Celebrity Club from 1953 to 1974. In the late 1970s, he co-led a band with Paul Quinichette and worked with Benny Goodman.
In 1979, Tate’s hometown invited him to play a concert at Austin College’s Sid Richardson Center as part of The Sherman Symphony Pops Series. Mayor Virginia Morriss issued a proclamation declaring October 6th as Buddy Tate Day. Accompanying Tate were Jay McShann, Claude Williams, Buster Smith and Paul Gunther.
In 1980, he was injured by scalding water in a hotel shower, which kept him inactive for four months. The 1990s saw him slow down, but he remained active playing with Lionel Hampton among others.
In 1992, Tate took part in the documentary, Texas Tenor: The Illinois Jacquet Story. In 1996, he recorded with reeds player James Carter on the younger man’s second release for Atlantic Records, Conversin’ with the Elders, along with trumpeters Harry “Sweets” Edison and Lester Bowie, and saxophonists Hamiet Bluiett and Larry Smith.
Living in New York until 2001, he moved to Phoenix, Arizona to be cared for by his daughter. Saxophonist and clarinetist Buddy Tate died in Chandler, Arizona twelve days before his 88th birthday on February 10, 2001.
More Posts: clarinet,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Fred Staton was born on Valentine’s Day, February 14, 1915 in Pittsburgh, Pennsylvania. His musical life began with his mother’s player piano and 78 records of Duke Ellington and Fletcher Henderson. He began singing in his church’s gospel choir, but got introduced to playing jazz when the group’s sponsor brought in a full band’s worth of equipment, complete with charts of popular music. He first picked up the drums but having to pack up his kit left few women to flirt with as his bandmates left after the gig. This and the influence of a Johnny Hodges cut on an Ellington big band record inspired him to choose the saxophone.
He played in the first ensemble Art Blakey ever formed, alongside pianist Erroll Garner. The lack of opportunity and venues for a young black man in segregated Pittsburgh led Staton to leave the Steel City and find his fortune gigging on the East Coast. He fell in with Horace Silver and watched fellow Westinghouse High School graduates Billy Strayhorn and Ahmad Jamal pen iconic compositions.
Staton went on to become a veteran member of the Harlem Blues & Jazz Band, and toured Europe, Russia and the United States to much acclaim. He has received numerous honors and awards, and was a lifetime member and supporter of WBGO Radio. Tenor saxophonist Fred Staton continued to play jazz until his death at 102 years of age on October 25, 2017.
More Posts: history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Ernst “Nesti” Landl was born February 12, 1914 in Vienna, Austria. He studied at the New Vienna Conservatory in the 1930s and soon made a name for himself on the Viennese music scene.
In Vienna he accompanied the singer Adelaide Hall and was soon active as a musician in North Africa and Portugal. From 1943 he played in the Steffl Diele with Italian singer and guitarist Vittorio Ducchini, violinist Herbert Mytteis and French drummer Arthur Motta. Due to the audience response, recordings were made for Odeon, but due to the ” jazz focus ” there were initially almost no releases.
After the defeat of National Socialism he played in the Vienna Dance Orchestra and also founded the Hot Club Vienna as a studio band to record jazz songs for Elite Special with musicians such as Hans Koller and Viktor Plasil. Until 1958 Landl performed in Vienna mainly as a bar pianist . He then moved to Stockholm, Sweden where he worked until his death.
Pianist, bassist and drummer Ernst Landl died on December 4, 1983 in Stockholm.
More Posts: bandleader,bass,drums,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Teddy Napoleon was born January 23, 1914 in New York City, New York. His first professional engagement was with Lee Castle in 1933, then played with Tommy Tompkins for several years before working as a freelance musician in New York.
In the 1940s he played in several big bands, including Johnny Messner and Bob Chester, before signing up with Gene Krupa in 1944. He worked with Krupa intermittently for the next fourteen years including on many of his big band releases in the 1940s, and in his trio settings with Charlie Ventura.
He also spent time working with Flip Phillips, Bill Harris, and Eddie Shu. Teddy moved to Florida in 1959 and led his own trio there, though he never recorded as a leader, however he did record a duo album with his younger brother Marty, also a pianist.
Swing jazz pianist Teddy Napoleon, who was the nephew of trumpeter Phil Napoleon, eventually returned north and died on July 5, 1964 in Elmhurst, New York.
More Posts: history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Werner Dies was born on January 15, 1928 in Frankfurt, Germany. An autodidact on guitar and saxophone, he studied clarinet and composition starting in 1947. From 1947 to 1955 he played guitar in the dance band of Willy Berking, and was a member of the bands Hotclub Combo and Two Beat Stompers.
He led his own ensemble, went on a tour of Yugoslavia in 1955 and from 1955 to 1965 he was a member of Hazy Osterwald’s sextet, and also worked as a session musician and arranger. He toured with Joe Turner and, in 1968, Charly Antolini.
He had a hit in Germany in 1954 with Schuster bleib bei deinen Leisten (The Little Shoemaker) that spent eight weeks at #1 on the German hit parade starting in October 1954. He later worked for Howard Carpendale, Adam & Eve, Graham Bonney, and other singers, and produced easy listening music with his own ensemble, the Werner Dies Sax Band.
He wrote a treatise on clarinet improvisation that was published in 1967. He produced the group Bläck Fööss from 1973 to 2003. Tenor saxophonist, clarinetist, guitarist, composer, and arranger Werner Dies died on February 5, 2003.
More Posts: arranger,bandleader,clarinet,composer,guitar,history,instrumental,jazz,music,saxophone