
Daily Dose Of Jazz…
Billy May was born William E. May on November 10, 1916 in Pittsburgh, Pennsylvania and started playing the tuba in the high school band. At seventeen he began playing with Gene Olsen’s Polish-American Orchestra and a few local bands. Hearing Charlie Barnet’s band on the radio, he approached the bandleader in 1938 and asked if he could write arrangements for the band. For the next two years he arranged, played trumpet and recorded with Barnet, with his arrangement of Ray Noble’s Cherokee becoming a major hit during the swing music era.
By 1940 Glenn Miller hired May away from Barnet to arrange, play and record prior to performing the same duties with Les Brown before settling in as staff arranger for the NBC radio network and the n at Capitol Records.
He composed for television with such familiar scores as The Green Hornet, Batman, Naked City and Emergency; and for film Sergeants 3, Pennies from Heaven, Orchestra Wives, Cocoon and Cocoon: The Return among others. While at Capitol Records, Billy’s orchestra backed many of the arrangements he wrote for the top singers, including Frank Sinatra, Nat “King” Cole, Peggy Lee, Vic Damone, Rosemary Clooney, Bobby Darin, Ella Fitzgerald, Johnny Mercer, Jack Jones, Bing Crosby, Nancy Wilson and the list continues.
With his own band, May had a hit single, “Charmaine” though his most famous composition was the children’s song “I Tawt I Taw A Puddy Tat” recorded with Mel Blanc in 1950. He released an album as a leader titled Sorta-May, won a Grammy in 1959 for Best Performance By An Orchestra, went on to work with Verve, Reprise, Warner Bros. and Roulette record labels collaborating with Duke Ellington, Sammy Davis Jr., Petula Clark, Mel Torme, Jo Stafford, Dean Martin and Keely Smith on one of his final musical works. Composer, arranger and trumpeter Billy May passed away on January 22, 2004 at the age 85.
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Daily Dose Of Jazz…
Joseph Raymond Conniff was born on November 6, 1916 in Attleboro, Massachusetts, learned to play trombone from his father and learned music arranging from a course book.
Post World War II he joined the Artie Shaw big band writing many of his arrangements. Hired by Mitch Miller, head of A&R at Columbia Records, Ray became the house arranger. During this period he worked with Rosemary Clooney, Johnny Mathis, Frankie Laine, Marty Robbins and Johnny Ray among others. In 1955 Ray wrote a top 10 arrangement for Don Cherry’s “Band of Gold” that sold more than a million copies.
From 1957 to 1969 Conniff arranged and recorded as a leader and sideman for Columbia and their subsidiary label Epic, became a bandleader and had 28 albums in the American Top 40, created the Ray Conniff Singers, toured Europe, was the first American popular artist to record in Russia and stepping out of his element he produced a couple of light jazz albums sans vocals.
Conniff’s most famous album was his 1966 release of “Somewhere My Love” written to the tune Lara’s Theme from the 1965 film Dr. Zhivago. It featured the 12 female and 13 male Ray Conniff Singers. The album went platinum, hit the top of the American and European charts and grabbed a Grammy Award.
The next three decades were equally lucrative for Ray recording mainly out of Los Angeles and finding fame touring Latin and South America. He recorded an average of two instrumental and one vocal album a year and sold over 70 million albums worldwide. He continued to record and perform until his death on October 12, 2002 in Escondido, California.
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Daily Dose Of Jazz…
Jean-Baptiste Illinois Jacquet was born October 30, 1922 in Broussard, Louisiana to a Sioux mother and Creole father and bandleader. They moved to Houston, Texas when he was just an infant and grew up performing in his father’s band primarily on the alto saxophone.
At 15, Jacquet began playing with the Milton Larkin Orchestra, a Houston-area dance band. In 1939, he moved to Los Angeles, California where he met Nat King Cole and would sit in with the trio on occasion. In 1940, Cole introduced Jacquet to Lionel Hampton who hired him and asked him to switch to tenor.
In 1942, at age 19, Illinois soloed on the Hampton Orchestra’s recording of “Flying Home”, one of the very first times a honking tenor sax was heard on record. The song and solo became such a hit that every sax player who followed, notably Arnett Cobb, Dexter Gordon, Jimmy Forrest, Eddie “Lockjaw” Davis and Sonny Rollins, memorized them.
Quitting the Hampton band in 1943 and joined Cab Calloway’s Orchestra appearing with the band in Lena Horne’s movie Stormy Weather. Returning to California in 1944 he started a small band with his brother Russell and a young Charles Mingus.
It was at this time that Jacquet appeared in the Academy Award-nominated short film Jammin’ the Blues with Lester Young. He also appeared at the first Jazz at the Philharmonic concert and in 1946 he moved to New York City and joined Count Basie, replacing Young.
Through the 1960s and ‘70s he continued to perform mostly in Europe in small groups through the 1960s and 1970s, then led the Illinois Jacquet Big Band from 1981 until his death. He was the first jazz musician to be an artist-in-residence at Harvard University in 1983, played “C-Jam Blues” with President Clinton on the White House lawn during Clinton’s inaugural ball in 1993.
Illinois Jacquet, a skilled and melodic improviser, and a pioneer of the honking tenor saxophone that became the hallmark of early rock and roll, passed away of a heart attack in his home in Queens, New York on Thursday, July 22, 2004. He was 81 years of age.

Daily Dose Of Jazz…
Harry “Sweets” Edison was born on October 10, 1915 in Columbus, Ohio but spent his early childhood in Kentucky, getting his first introduction to music by his uncle. Moving back to Columbus at age 12, he started playing trumpet with local bands.
In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland, went on to play with the Mills Blue Rhythm Band followed by Lucky Millinder. In 1937 he moved to New York joining Count Basie’s Orchestra playing alongside Buck Clayton, Lester Young (who named him Sweets), Buddy Tate and Jo Jones among others.
Edison came to prominence in the Basie band as a soloist and as a composer and arranger for the band. He spent 13 years with Basie until the band was temporarily disbanded in 1950. He then pursued a varied career as leader of his own groups, freelancing with other orchestras and traveling with Jazz At The Philharmonic.
In the early 1950s, he settled on the West Coast and became a highly sought-after studio musician, making important contributions to recordings by such artists as Billy Holiday, Frank Sinatra and Ella Fitzgerald. In 1956 he recorded the first of three albums with tenor great Ben Webster.
Through the 60s and 70s Harry worked in many orchestras on TV shows, including Hollywood Palace and The Leslie Uggams Show, specials with Sinatra; prominently featured on the sound track and album of Lady Sings The Blues, was musical director for Redd Foxx, toured Europe and Japan.
Jazz trumpeter Harry “Sweets” Edison, the first tribute Honoree from the Los Angeles Jazz Institute, and twice Los Angeles Jazz Society’s tribute Honoree in 1983 and 1992, passed away on July 27, 1999.
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Daily Dose Of Jazz…
J. C. Heard was born James Charles Heard on October 8, 1917 in Dayton, Ohio. A very supportive drummer, versatile enough to fit comfortably into swing, bop and blues settings, he landed his first important professional job with Teddy Wilson in 1939. This kicked off a long and fruitful career.
By 1946 he was recording with top bop musicians such as Charlie Parker, Dizzy Gillespie and Dexter Gordon. Heard would go on to lead his own groups and in the Fifties spent a few years in Japan. Late in the decade he returned to New York and freelanced, even reuniting with Teddy Wilson in ’61.
Throughout his career J. C. would play, record and tour with Lena Horne, Coleman Hawkins, Cab Calloway, Benny Carter, Erroll Garner, Jazz At The Philharmonic, Pete Johnson, Sir Charles Thompson and Roy Eldridge among others.
In 1966 J.C. Heard moved to Detroit, worked as a bandleader and a mentor to younger musicians into the mid-’80s and passed away on September 27, 1988 in Royal Oak, Michigan.
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