Daily Dose Of Jazz…
Paul Smith also known as Paul T. Smith was born on April 17, 1922 in San Diego, California. After playing early on with Johnny Richards in 1941 and spending a couple of years in the military, the pianist played with Les Paul from 1946–1947 and Tommy Dorsey from 1947–1949, them moved to L.A. and became a studio musician.
Smith has recorded frequently as a leader both with his trios and as a soloist. As a sideman he worked with Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louis Bellson, Steve Allen, Sammy Davis Jr., Rosemary Clooney, Stan Kenton Mel Torme and Ella Fitzgerald, the later with whom he was her conductor and pianist from 1956 to 1978.
Throughout his career Smith has worked in television with Bing Crosby, Red Skelton, Dinah Shore, Nat King Cole, Carol Burnett and many more, has toured around the world and has authored a number of educational books and CDs, most of which focus on explaining his particular approach to jazz piano.
Often praised for his brilliant technique and lyrical playing, he has performed in various genres of jazz, most typically bebop but has delved into cool jazz, swing, and traditional pop. Pianist Paul Smith passed away of heart failure at the age 91 in Torrance, California on June 29, 2013.
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Daily Dose Of Jazz…
Bennie Green was born on April 16, 1923 in Chicago, Illinois. After playing locally around Chicago, at nineteen he teamed up with the Earl Hines Orchestra alongside Dizzy Gillespie and Charlie Parker from 1942-1948, gained some fame for his work with Charlie Ventura, played with Gene Ammons-Sonny Stitt, Charlie Ventura then joined Earl Hines’ small group in the early Fifties.
Following this last tenure with Hines, Bennie led his own groups for the rest of the decade. In the Sixties he played with sidemen Charlie Rouse, Paul Chambers, Louis Hayes, Sonny Clark, Jimmy Forrest and many others. He recorded as a leader for Decca, Blue Note, Bethlehem, Jazzland, Vee-Jay and Prestige during this same period.
By the end of the 60s, Green worked with Duke Ellington but then moved to Las Vegas where he spent his final years playing in hotel bands emerging only to play the Newport Jazz Festival and New York jam sessions. He was one of the few trombonists of the 1950s who played in a style not influenced by J.J. Johnson. He possessed a witty sound and full tone that was reminiscent of the swing era phrasing with an influence of R&B.
It has been speculated that Green was the first trombonist to consort with beboppers and whose ear enabled him to adopt aspects of their harmonic approach. On March 23, 1977 swing and bop trombonist Bennie Green passed away in San Diego, California at age 53.
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Daily Dose Of Jazz…
Lawrence “Bud” Freeman was born on April 13, 1906 in Chicago, Illinois and became one of the most influential and important jazz tenor saxophonists of the Big Band era. During high school in 1922 he became one of the original Austin High School Gang playing the C-melody saxophone alongside Jimmy McPartland and Frank Teschemacher. Two years later he switched to tenor and influenced by the New Orleans Rhythm Kings and Louis Armstrong the Gang would formulate their own style that would become part of the emerging Chicago jazz sound.
In 1927 Freeman moved to New York and worked as a session player and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack Joe Venuti and Eddie Condon in 1933 producing one of his most notable performances on the recording of “The Eel” which would later become Bud’s nickname for his long snake-like improvisations.
Bud’s smooth and full-tenor sax style with a heavy robust swing was the signature that got him gigs with the Tommy Dorsey and Benny Goodman orchestras along with leading his own Summa Cum Laude Orchestra. During WWII he joined the Army and led the band in the Aleutian Islands. Returning to New York after his discharge, for the next couple of decades he led his own groups, worked with Eddie Condon, Buck Clayton, ruby Braff, Vic Dickerson and Jo Jones. He was a member of the World’s Greatest Jazz Band off and on, moved to England in 1974, performing, touring and recording throughout Europe. He returned to Chicago and continued to work well into his eighties.
Tenor saxophonist, clarinetist, composer and bandleader Bud Freeman passed away on March 15, 1991 in his hometown of Chicago. He was posthumously inducted into the Big Band and Jazz Hall Of Fame in 1992.
Daily Dose Of Jazz…
Russell Garcia was born April 12 1916 in Oakland, California but for most of his life has resided in New Zealand. The self-taught musician with only a few lessons in high school could read music from a very young age. He began his career at age five when one of his brothers bought him a $5 cornet. In school he started up a jazz band so he could play his horn and it became an outlet for his compositions and arrangements.
When Garcia was eleven the Oakland Symphony Orchestra performed his arrangement of Stardust and by high school was playing five nights a week. After a year at San Francisco State University he dropped out and went on the road with several big bands. Finding no satisfaction in his progress he went to Hollywood and studied composition, harmony, orchestration, counterpoint and form with the best teachers and took lessons on every instrument so he could write for each with a deeper awareness. During that time while still in his twenties he conducted the West Hollywood Symphony Orchestra, preparing him for things to come.
Russell’s big break came in 1939 when he took the job of composer/conductor for “This Is Our America” and impressed then director Ronald Reagan, who in turn, recommended him to NBC. From that point on worked poured in. He worked with Henry Mancini on the Glenn Miller Story, Charlie Chaplin, Universal Studios, arranged and conducted Louis Armstrong and Ella Fitzgerald’s “Porgy & Bess”, then followed up with three more albums with Armstrong.
Always the innovator Garcia left Hollywood for jazz and using experimental frameworks assembled his groundbreaking four-trombone band with famed brass players Frank Rosolino, Tommy Pederson, Maynard Ferguson and Herbie Harper and Marty Paich. He recorded over sixty albums under his own name, as well as composing for Stan Kenton’s cutting edge Neophonic Orchestra. He collaborated with Frances Faye, Anita O’Day, Mel Torme, Andy Williams, Judy Garland, Orson Welles, Julie London and Oscar Peterson.
In 1966 he walked away from his success in music to advocate world peace, a promise he made to himself after surviving World War II’s Battle of the Bulge. He continues to lecture and record around the globe and has authored what is considered the definitive textbooks on composition, “The Professional Arranger Composer Books I and II” used in universities and conservatories worldwide. Composer and arranger Russell Garcia passed away on November 19, 2011.
Daily Dose Of Jazz…
Tenor saxophonist Julian Dash was born on April 9, 1916 in Charleston, South Carolina. He first played the alto saxophone and made his debut in the Charleston Nighthawks in 1935, then switched to tenor that year playing with the Revellers and the Bama State Collegians at Alabama State Teachers College from 1935-36 followed with a move to New York to study embalming.
Dash headed his own group from 1936 to 38 then replaced Paul Bascomb in the Erskine Hawkins Orchestra, an association that lasted into the 50’s. After the group disbanded Julian became a part-time player, worked with Buck Clayton in 1953, worked with Marlowe Morris in the sixties, led his own quintet in 1970-71 prior to retiring in 1971. Julian Dash, tenor saxophonist who was based in swing music and co-wrote the classic hit Tuxedo Junction, passed away on February 25, 1974.
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