Daily Dose Of Jazz…
Conrad Lanoue was born on October 18, 1908 in Cohoes, New York. He started on piano when he was ten years old and attended the Troy Conservatory.
Beginning his career in his 20s, he played piano at hotels in his hometown. Conrad recorded with Red McKenzie in 1935, and under the combined leadership of trumpeter Eddie Farley and trombonist Mike Riley in 1935–36. During the 1930s he worked for Louis Prima, then Wingy Manone from 1936 to 1940 followed by playing with pianist Joe Haymes.
From the 1940s to the 1960s, he was a member of bands led by Lester Lanin, Charles Peterson, and Hal Landsberry. He also wrote big band arrangements. Pianist and arranger Conrad Lanoue, who never recorded as a leader, retired in 1968 due to illness and transitioned in Albany, New York on October 15, 1972.
Daily Dose Of Jazz…
George Horace Webb was born on October 8, 1917 in London, United Kingdom to a former music hall artiste. He grew up with a love of early jazz recordings, principally those made by the New Orleans musicians. A keen jazz enthusiast, he was a self-taught amateur pianist.
Working as a machine gun fitter in the Vickers-Armstrong factory at Crayford, he organized lunchtime entertainment at the factory, assembling scratch bands from among the workers. With his band, George Webb’s Dixielanders, he played regularly and famously at The Red Barn public house at Barnehurst, Kent, beginning in the early 1940s. They made several recordings and BBC radio broadcasts but by 1948 they had disbanded.
Webb was then part of Humphrey Lyttelton’s band from 1948 to 1951. After a short-term reformation of the Dixielanders in 1952, he concentrated on running a jazz club. In the mid-Sixties he was a musician agent and manager. Early in the following decade, he returned to more frequent playing and toured Europe as a soloist. Another version of the Dixielanders operated for a year and then ran a pub for 12 years.
A move back to Kent had him guest performing in various bands into the 2000s with Humphrey Lyttelton, Wally Fawkes and Eddie Harvey. In his playing he tried to re-create the style of such bands as King Oliver’s.
Pianist George Webb, who is considered by many as the father of the traditional jazz movement in Britain, transitioned on March 10, 2010.
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Daily Dose Of Jazz…
Jimmy Strong was born August 29, 1906 in Chicago, Illinois. As a teenage clarinetist he performed in Lottie Hightower’s Nighthawks. Around 1925, he did a national tour with a traveling revue and stayed in California for a time, freelancing with several groups.
Returning to Chicago he joined Carroll Dickerson’s orchestra, where he worked with Louis Armstrong, appearing on Armstrong’s Hot Fives recordings. In 1928, he also worked briefly with Clifford King. The 1930s saw him playing with Cassino Simpson, Zinky Cohn, and Jimmie Noone, as well as his own bands.
Around 1940 relocating to Jersey City, New Jersey he performed with local bands until his death. Clarinetist and tenor saxophonist Jimmy Strong transitioned in April 1977.
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Daily Dose Of Jazz…
Thomas Mansergh Pickering was born on August 8. 1921 in Burra, South Australia, Australia. When the family moved to Australia’s island state of Tasmania from Burra in the mid-l930s and settled in the house next door to where Ian Pearce lived, the stage was set for the beginning of what was to become a significant part of Tasmania’s jazz history.
In his mid teens, he and Ian discovered British dance bands and over timethey embraced Benny Goodman, Louis Armstrong and the Swing Era musicians. Pee Wee Russell and Bud Freeman came later. At sixteen Tom received his first clarinet, doubling on saxophone and with his brother Cedri on drums, friend Ian playing cornet, pianist Rex Withers-Green, they gave birth to The Barrelhouse Four. He started playing in local bands and the four hit at local jam sessions. With the oncoming of WWII in 1939 they went their separate ways, reuniting in 1946 to record their first commercial pressing.
Pickering played traditional jazz in various parts of Australia during the late 30s and 40s. He continued working throughout succeeding decades, continuing his preference for older styles but also playing effective tenor saxophone in mainstream settings. His playing and recording career continued apace into the 80s, and his contribution to the musical life of his country has been rewarded with a number of honours.
Pickering went on to form his Good Time Jazz Band, which found success until the rising popularity of rock music led to the band’s eventual break up. A trio followed untilhe and Ian put together the Pearce- Pickering Ragtime Five. They had two very long and successful runs at the Tattersall’s Bar and Bistro, and then at Wrest Point Casino.
Ill-health led to Tom’s eventual retirement from music and the end of his playing career. Having qualified as a librarian in 1948, he would go on to work in the State Library of Tasmania, then became Parliamentary Librarian in 1974. He was made a member of the Order of Australia (AM), won the Australian Jazz Convention Composition Competition twice, and received the Satchmo Award.
Clarinetist Tom Pickering transitioned in Hobart, Tasmania on October 26, 2001.
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Daily Dose Of Jazz…
Leonard “Ham” Davis was born July 4, 1905 in St. Louis, Missouri and began his career in his hometown playing with the Odd Fellows Boys’ Band as a teenager and landing a spot in Charlie Creath’s band.
>Late in the 1920s, Ham relocated to New York City, where he played in the bands of Edgar Hayes and Arthur Gibbs. His first recording was with Eddie Condon’s ensemble in 1929, and then he sat in with McKinney’s Cotton Pickers that same year. In the 1930s he played with Benny Carter, Don Redman, and Elmer Snowden, and did a two-year stint in Louis Armstrong’s orchestra starting in 1935.
Toward the end of the decade he toured Europe with Edgar Hayes and played in the Blackbirds revue in New York City. Davis joined Sidney Bechet’s revival group in 1940, and also played in bands led by Maurice Hubbard, Albert Socarras, and George James. He continued performing in small-time settings in New York through the mid-1950s.
Trumpeter Ham Davis transitioned in 1957.
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