Daily Dose Of Jazz…

Tom Brown was born in Uptown New Orleans, Louisiana on June 3, 1888. He played trombone with the bands of Papa Jack Laine and Frank Christian, and by 1910 he was usually working with leading bands under his own name. The band played in a style then locally known as “hot ragtime” or “ratty music”. In early 1915, his band was heard by Vaudeville dancer Joe Frisco who then arranged a job for Brown’s band in Chicago, Illinois.

Tom Brown’s Band from Dixieland opened up at Lamb’s Cafe in Chicago, this band seems to be the first to be popularly referred to as playing Jass. The term jass, at that time, had a sexual connotation, which drew more people to come to hear the band out of curiosity. Realizing the publicity potential he started calling his group Brown’s Jass Band.

Heading to Chicago, Illinois he enjoyed over four months of success there  before moving to New York City, where they played for an additional four months more prior to returning to New Orleans in 1916. Once home, Tom immediately put together another band with Larry Shields, Alcide Nunez, and Ragbaby Stevens, then went to work for Bert Kelly in New York City, replacing the Original Dixieland Jass Band at Reisenweber in 1918. He started doing freelance recording work with New York dance and novelty bands, then joined the band of Harry Yerkes.

Brown also played the Vaudeville circuit in the acts of Joe Frisco and Ed Wynn. Late 1921 he returned to Chicago and joined Ray Miller’s Black & White Melody Boys, with whom he made more recordings. During this period he also co-lead a dance band with his brother Steve. Back in New Orleans he played with Johnny Bayersdorffer and Norman Brownlee’s bands, making a few excellent recordings.

During the Great Depression he supplemented his income from music by repairing radios. He opened up a music shop and a junk shop on Magazine Street. He played string bass in local swing and dance bands. With the revival of interest in traditional jazz he played in various Dixieland bands in the 1950s. Making his last recording just weeks before his death, his trombone playing apparently did not suffer from the fact that he had neither teeth or dentures at the time. Trombonist Tom Brown, who also played string bass, passed away in New Orleans on March 25, 1958.

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Daily Dose Of Jazz…

Orie Frank Trumbauer was born on May 30, 1901 in Carbondale, Illinois, Trumbauer grew up in St Louis, Missouri, the son of a musical mother who directed saxophone and theater orchestras. His first important professional engagements were with the Edgar Benson and Ray Miller bands, shortly followed by the Mound City Blue Blowers, a local group that became nationally famous through their recordings on Brunswick.

Trumbauer recruited Bix Beiderbecke for Jean Goldkette’s Victor Recording Orchestra, of which he became musical director. After leaving Goldkette, he and Beiderbecke worked briefly in Adrian Rollini’s short lived New Yorkers band, then joined Paul Whiteman in 1927. In 1927, he signed a contract with OKeh and released a 78 recording of Singin’ the Blues. Originally recorded and released by the Original Dixieland Jass Band in 1920, the Okeh recording became a smash hit. Fletcher Henderson and His Orchestra would record it in 1931 in the Trumbauer-Beiderbecke version.

He played with Whiteman for eight of the following nine years. Frank had a separate contract with OKeh from 1927 through 1930, where he recorded some of the most legendary small group jazz recordings of the era with Brunswick, Columbia, and Victor.

Leading The Three T’s, featuring the Teagarden brothers in 1936, two years later  he and Mannie Klein co-led a band. In 1940 he left music to use his pilot skills to join the Civil Aeronautics Authority.  Frank became a test pilot during World War II he was a test pilot with North American Aviation, and trained military crews in the operation of the B-25 Mitchell bomber. He continued to work for the CAA after the war, and also played in the NBC Orchestra. After 1947, although he continued to play and record, he earned most of his income in aviation.

Saxophonist, bassoonist, clarinetist and composer Frank Trumbauer, who was the influence for Lester Young, passed away of a sudden heart attack on  June 11, 1956 in Kansas City, Missouri, age 55.

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Daily Dose Of Jazz…

Lou Stein was born on April 22, 1922 in Philadelphia, Pennsylvania and joined Ray McKinley’s band in 1942. He played with Glenn Miller when the latter was stateside during World War II.

After the war he worked with Charlie Ventura from 1946 to 1947 and became a session musician. He performed with the Lawson-Haggart Band, Benny Goodman, Sarah Vaughan, the Sauter-Finegan Orchestra, Louie Bellson, Red Allen, Coleman Hawkins, and Lester Young.

Recording as a bandleader, in 1957 he had a U.S. Top 40 hit with Almost Paradise, as well as a Top 60 hit with his cover version of Got a Match the following year. From 1969 to 1972 he played with Joe Venuti.

Pianist Lou Stein passed away on December 11, 2002.

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Daily Dose Of Jaz…

Cyril Laurie was born on April 20, 1926 in London, England of Latvian/Jewish immigrant stock. A self-taught clarinetist he put together a band in 1947. George Melly debuted in this ensemble in 1948. He played with Mike Daniels in 1949-50 and led the Cy Laurie Four in 1950 with Fred Hunt and Les Jowett.

He ran his own club in Windmill Street, Soho, London from 1951 and headed a seven-member ensemble with Chris Barber, Alan Elsdon, Al Fairweather, Graham Stewart and Colin Smith. Cy Laurie’s Club was in a basement in Ham Yard in Great Windmill Street, opposite the Windmill Theatre.

Quitting music from 1960 to 1968, he travelled to India to study meditation with the Maharishi Mahesh Yogi. Returning in 1968 to lead another ensemble at the end of the decade his career saw a resurgence late in the 1970s. He toured in ensembles as a soloist and sometimes led his own groups. Cy played with Eggy Ley and Max Collie in the 1980s. He continued performing into the 1990s. In 1996 to celebrate his 70th birthday he put together a celebratory reunion gig at London’s 100 Club.

Clarinetist Cy Laurie, who was a leading figure in the post 1945 Trad Jazz boom in the UK, passed away on April 18, 2002 at the age of 75 in Stapleford Abbotts, Essex, England.

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Daily Dose Of Jazz…

Kenneth Colyer was born on April 18, 1928 in Great Yarmouth, Norfolk, England, but grew up in Soho, London, and served as a member of his church choir. Listening to his elder brother’s jazz records which influenced him. He joined the Merchant Navy at 17, travelled around the world and heard famous jazz musicians in New Orleans, Louisiana^.

In the UK, Colyer played with various bands and joined the Crane River Jazz Band in 1949  with Ben Marshall, Sonny Morris, Pat Hawes, John R. T. Davies, Julian Davies, Ron Bowden and Monty Sunshine. Rejoining the Merchant Navy, and jumping ship in Mobile, Alabama, he travelled to New Orleans, where he played with his idols in George Lewis’ band. Though offered the job of lead trumpeter on a tour, he was caught by the authorities, detained and deported.

Ken went on to join the Chris Barber Band and made their first recordings on the Storyville in 1953. Parting company the following year, then briefly joined a band in the mid-1950s with clarinetist Acker Bilk and trombonist Ed O’Donnell.

Then he put together his own band with Mac Duncan, Ian Wheeler, Johnny Bastable, Ron Ward, Colin Bowden and Ray Foxley. This band played together until the early 1960s before incorporating a new lineup.

After a bout with stomach cancer in 1972 he stopped being a bandleader but continued to work, occasionally associated with Chris Blount’s New Orleans Jazz Band. A biography, Goin’ Home, was compiled by Mike Pointon and Ray Smith. Trumpeter and cornetist Ken Colyer, who was known for skiffle interludes and devoted to New Orleans jazz, passed away on March 8, 1988.

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