Daily Dose Of Jazz…
Chris Barber was born Donald Christopher Barber in Welwyn Garden City, Hertfordshire, England on April 17, 1930. He started learning the violin when he was seven years old, got his education at Hanley Castle Grammar School, Malvern, Worcestershire, to the age of 15, where he started to develop an interest in jazz. After the end of World War II, he attended St Paul’s School in London, and began visiting clubs to hear jazz groups. He then spent three years at the Guildhall School of Music, and started playing music with friends.
The 1950s saw Barber forming the New Orleans Jazz Band, with him on double bass, playing both trad jazz and blues tunes. By 1952 he became a professional musician. With clarinetist Monty Sunshine they formed a band in later that year, and began playing in London clubs, accepting an offer to play in Denmark in early 1953, making its debut in Copenhagen. The bands played Dixieland jazz, and later ragtime, swing, blues and R&B and the band became The Chris Barber Band.
In the late 1950s and early 1960s, Barber was mainly responsible for arranging the first UK tours of blues artists which would spark the British invasion of the U.S. charts in the 1960s. Stunning traditionalists in 1964, he introduced blues guitarist John Slaughter into the line up. This eleven-man “Big Chris Barber Band” offered a broader range of music including Duke Ellington, while reserving a spot in the programme for the traditional six-man New Orleans line-up.
He published his autobiography Jazz Me Blues in 2014, with co-author Alyn Shipton. He retired in 2019 after some 70 years of performing, with an OBE to his credit for services to music, an honorary doctorate from Durham University, and awarded the Blues Louis for his services to popularizing the blues in Europe, and the German Jazz Trophy.
Trombonist Chris Barber, who suffered from dementia in the period before his death, passed away on March 2, 2021 at 90.
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Daily Dose Of Jazz…
Theodore “Wingy” Carpenter was born on April 15, 1898 in St. Louis, Missour. Losing his left arm as the result of an accident during his early teens, the amputation was performed by a noted surgeon who was an uncle of jazz musician Doc Cheatham. Sometime later, he took up the trumpet and by 1920 he was working in traveling carnival shows. In 1921 he toured with Herbert’s Minstrel Band.
By 1926 he had settled in Cincinnati, Ohio, where he worked with Wes Helvey, Clarence Paige, Zack Whyte, and Speed Webb. In 1927, he played in Buffalo, New York, with Eugene Primus. Off and on from late 1926 through 1928, he was featured on the Whitman Sisters’ Show with pianist Troy Snapp’s band.
During the early 1930s, Wingy was featured with Smiling Boy Steward’s Celery City Serenaders and another Florida band led by Bill Lacey. In the mid-1930s, he began regular touring with bandleaders including Jack Ellis, Dick Bunch, and Jesse Stone. In the late 1930s, he settled in New York City, where he worked with Skeets Tolbert and Fitz Weston.
From 1939 on working as the leader of his own band, Carpenter had periods at well-known clubs such as The Black Cat, The New Capitol, Tony Pastor’s The Yeah Man, and other venues. He continued to lead his band through the 1960s, playing occasional dance dates. Several of his works are still accessible as MP3 downloads, including Look Out Papa Don’t You Bend Down, Preachin’ Trumpet Blues, Put Me Back in the Alley, Rhythm of The Dishes and Pans, and Team Up.
Trumpeter, vocalist and bandleader Wingy Carpenter, one of several one-armed trumpeters who worked in the music business, passed away on July 21, 1975, in New York City.
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Daily Dose Of Jazz…
Monty Sunshine was born on April 9, 1928 in Stepney, London, England. Along with Lonnie Donegan, Jim Bray and Ron Bowden, he formed the back line of what was the embryo Chris Barber Band. First trumpet Ken Colyer and the original 1953 band took the Colyer name until he left. Pat Halcox took over the spot and the band formally adopted the Chris Barber Jazz Band as its title.
The band quickly made an international reputation following their inaugural tour of Denmark, before their professional debut in the United Kingdom. Sunshine stayed with the band for several years, until he left in 1960, to be replaced by Ian Wheeler. He formed his own band, staying true to the original six-man line up, whilst Barber expanded his band membership to seven, then eight and finally to eleven.
Sunshine returned to play a reunion concert with the original Chris Barber Band at the Fairfield Halls, Croydon in 1975. Well received, the band reformed for an international reunion tour in 1994 and he retired from music around 2001. His discography is extensive, and compact discs have been issued of recordings with Colyer and Barber, as well as with his own band.
Clarinetist Monty Sunshine, known for his clarinet solo on the track Petite Fleur, passed away on November 30, 2010 at the age of 82.
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Daily Dose Of Jazz…
Kamil Běhounek was born March 29, 1916 in the Southern Bohemian section of Blatná, Czech Republic. An autodidact on accordion, having learned to play by imitating recordings and BBC broadcasts, he studied law in Prague, Czech Republic and began performing in clubs. His first recordings on solo accordion date from 1936 and in the late 1930s he worked with the Blue Music Orchestra, Rudolf Antonin Dvorsky, Jiří Traxler, and Karel Vlach.
In 1943, he was forcibly compelled by the Nazis to go to Berlin, Germany where he created arrangements for the bands of Lutz Templin and Ernst van’t Hoff. Upon returning to Czechoslovakia in 1945, he used some of these arrangements for his own band. Kamil returned to Germany the following year and continued arranging for bandleaders Adalbert Luczkowski, Willy Berking, Heinz Schönberger, and Werner Müller.
He played with his own ensemble in Bonn, Germany and, after 1948, in West Germany for American soldiers’ clubs. Between 1968 and 1977, Běhounek recorded several albums of folk music, but continued to play swing with his own groups. He wrote an autobiography, Má láska je jazz (Jazz Is My Love), which was published posthumously in 1986.
Accordionist, bandleader, arranger, composer, and film scorer Kamil Běhounek, who also occasionally played tenor saxophone, passed away on November 22, 1983 in Bonn.
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Daily Dose Of Jazz…
Hank D’Amico was born on March 21, 1915 in Rochester, NY and was raised in Buffalo, New York. He began playing professionally with Paul Specht’s band in 1936. That same year, he joined Red Norvo.
1938 saw Hank begin his radio broadcasts with his own octet before returning briefly to Norvo’s group in 1939. He played with Bob Crosby’s orchestra in 1940 and 1941, then had his own big band for about a year. He had short stints in the bands of Les Brown, Benny Goodman and Norvo again before working for CBS in New York.
D’Amico found time to play with Miff Mole and Tommy Dorsey, and spent ten years as a staff musician for ABC, before playing with Jack Teagarden in 1954. From that point he mostly worked with small groups, infrequently forming his own band. He played at the 1964 World’s Fair in New York with The Morey Feld trio.
Clarinetist Hank D’Amico passed away on December 2, 1965.
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