Daily Dose Of Jazz…
Don D.T. Thompson was born in Drumheller, Alberta on September 19, 1932. He played saxophone and clarinet at twelve and began promoting his own jazz concerts, Jammin’ the Blues, in Edmonton at 17. Moving to Toronto, Canada in 1952, he toured Canada and the United States from 1954 to 1958 with Anne Marie Moss.
Save for a period in 1965 and 1966 with the Lionel Hampton Orchestra in the United States, Thompson was a mainstay of the Toronto jazz scene through the 1960s. During the early 1960s, he led singer Tommy Ambrose in a big band ensemble. He appeared regularly at the First Floor Club with small groups and a big band from 1959 until 1965, and was seen in the NFB’s Toronto Jazz with a quintet.
He performed on many CBC TV pop music shows, Club Six and Music Hop and played in several Toronto studio orchestras. In 1961 he recorded as a member of the Pat Riccio Big Band in Ottawa and 1963 saw him with pianist Wray Downes and trombonist Rob McConnell. He also released a record as part of a quintet that included trumpeter Fred Stone.
After touring for ten years beginning in 1971 and recording with pop singer Anne Murray, he returned to jazz. In 1981 moving away from his early bebop-based style he landed on a simpler, full-toned, melodic approach in the manner of a Stanley Turrentine. D.T. wrote and recorded several jazz themes; his pop-song arrangements appear on albums by Murray, John Allan Cameron and Gordon Lightfoot.
Saxophonist, composer, and arranger Don D.T. Thompson passed away in Vancouver, Canada on March 21, 2004.
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Daily Dose Of Jazz…
John L.Thomas was born September 18, 1902 in Louisville, Kentucky, but relocated to Chicago, Illinois as a child, receiving his formal education in the Windy City. Sliding into on-stage trombone performances with the Clarence Miller Orchestra around 1923. Between 1927 and 1928 he worked with Erskine Tate, which led to his entry into Louis Armstrong’s legendary Hot Seven, replacing Kid Ory in Armstrong’s band and also played with Erskine Tate, among others, becoming associated with the Chicago jazz scene.
He was briefly with McKinney’s Cotton Pickers for jobs in the Northeast in the ’30s; in 1937 he was part of a touring revue fronted by pianist and singer Nat King Cole. He was once again with Tate as well as drummer Floyd Campbell’s outfit prior to switching his trombone case for the tool kit of a defense plant worker during the Second World War. That hiatus from playing took place prior to dropping out completely during the ’50s, as he did gig once again in a group led by guitarist Walter Dysett in 1944.
He had a wonderful repertory band led by Franz Jackson with which Thomas performed and recorded through the first half of the ’60s. The ’50s, on the other hand, may have simply depressed the trombonist with its onslaught of rock & roll, because he simply stopped playing completely representing the first major halt in musical action for this performer since his professional activities began in the Roaring Twenties.
The trombonist continued working with a wide range of classic jazz bandleaders, including trumpeter Freddie Keppard. Preferring to move in and out of groups such as that of the aforementioned Tate and Reuben Reeves, in one lineup and then out of the next. Trombonist John L. Thomas passed away on November 7, 1971 in Chicago, Illinois.
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Daily Dose Of Jazz…
Albert Morgan was born on August 19, 1908 in New Orleans, Louisiana into a musical family. He started on clarinet, then learned baritone saxophone, tuba, and bass. After taking lessons with Simon Marrero around 1919, he played with his brother Isaiah. Relocated briefly to Pensacola, Florida he played with Mack Thomas and Lee Collins.
Returning to New Orleans to play on riverboats with Fate Marable and Sidney Desvigne. Al went on to play with Davey Jones and Cecil Scott and recorded with the Jones & Collins Astoria Hot Eight.
In the 1930s, Morgan led his own band and played as a sideman with Fats Waller, Les Hite, Zutty Singleton, Louis Jordan, and Sabby Lewis. This period saw him performing with Otto Hardwick and then spent four years with Cab Calloway from 1932 to 1936.
After leaving the Calloway orchestra, Al settled in California, playing live, on record, and on film. His film appearances include a feature on “Reefer Man” with the Calloway band in International House, Cab Calloway’s Hi-De-Ho, with Louis Armstrong in Going Places, and in The Gene Krupa Story.
From the 1950s to the 1970s, Morgan played extensively with Buddy Banks in a duo. Morgan recorded with Chu Berry, Coleman Hawkins, Don Byas, Jack Teagarden, Jay McShann, Red Allen, and T-Bone Walker.
Double bassist Al Morgan passed away on April 14, 1974 in Los Angeles, California.
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Daily Dose Of Jazz…
Don Albert was born Albert Anité Dominique, on August 5, 1908 in New Orleans, Louisiana. His uncle was Natty Dominique, and he was also a relative of Barney Bigard. He got his start playing in parade brass bands in New Orleans at the beginning of the 1920s. He toured with the territory band of Alphonse Trent through the Southwest United States in 1925, then played with Troy Floyd at the Shadowland Ballroom in San Antonio from 1926 to 1929.
Leading his own territory bands out of Texas in the 1930s and 1940s, Albert had in his band sidemen that included Alvin Alcorn, Louis Cottrell, Jr., and Herb Hall. After 1932 he acted more in a manager’s capacity than as a performer. His bands played in Mexico, Canada, and New York City in 1937 and won rave reviews from newspapers, but the band only recorded eight sides for Vocalion Records.
Disbanding this group around 1939 due to economic conditions, Don found work in civil service and managing a San Antonio nightclub in the early to mid-1940s, only to be shut down in 1948 by local authorities. By 1949 his group played the Palace Theater in New York.
The 1950s saw him returning to active performance, playing with Buddy Tate in 1966, the New Orleans Jazz Festival in ‘69, and in small groups through the 1970s. Trumpeter and bandleader Don Albert passed away on March 4, 1980 in San Antonio, Texas.
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Daily Dose Of Jazz…
Anatie “Natty” Dominique was born on August 2, 1896 in New Orleans, Louisiana of Afro-Italian descent. Claiming to be a direct descendant of Dominique You, the half-brother of the pirate Jean Lafitte, he studied with Manuel Perez.
Moving to Chicago, Illinois in 1913, over the course of more than three decades there, Dominique played with a number of New Orleans jazzmen, including Louis Armstrong, Jimmie Noone, and especially Johnny Dodds, who employed him from 1928 until his death in 1940.
Shortly afterward, Natty was forced to retire due to a heart condition, keeping him out of the music business for almost a decade. Returning to part-time work with a small combo in the 1950s, he played up till his death.
Trumpeter Natty Dominique, who recorded for American Music Records, Challenge Records, and Black Swan Records, passed away on August 30, 1982 in Chicago.
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