Daily Dose Of Jazz…
Frank Meester was born in Amsterdam, Netherlands on April 14, 1970 and studied philosophy and general literature at the University of Amsterdam and Erasmus University in Rotterdam, Netherlands. From 2010 to 2016 he was assistant lecturer in Philosophy and Professional Practice at The Hague University of Applied Sciences .
He went on to become the youngest of the writing duo Gebroeders Meester and wrote columns in Filosofie Magazine and de Volkskrant, among others. With Stine Jensen, they also wrote two books together about parenting and toured the country in 2018 and 2019 with the theater performance Het opvoedcircus.
Meester also plays in the Hot Club de Frank, founded in 1990 when he was just 20 years old. Two years later they expanded to a quartet and played in local cafes. In 1994 personnel changes took a turn at vocal swing and became a permanent salon band at the Amstel Hotel and the Amerstadam Bamboo Bar. They dropped their debut cd in 1996, De Heren van het Circus, to critical acclaim, and expanded once again to a quintet. Their sophomore release in 1999 hit success again being broadcast across the radio waves.
Another personnel transition has the band currently consisting of Meester, solo guitarist Harold Berghuis, violinist Jelle van Tongeren and saxophonist Wim Lammen. The band creates a new sound within gypsy jazz with different rhythms, other instruments and special arrangements. They have played festivals and European tours.
Double bassist Frank Meester, who has been published thirteen times, continues to perform with his sons Midas and Gilles in The Maestros.
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Daily Dose Of Jazz…
Lisa Lindsley was born March 27, 1957 in Ogden, Utah. Growing up she listened to her father’s records of jazz greats like Bill Evans, Dave Brubeck, Ella Fitzgerald and Sarah Vaughan. Her mother, a film actress who had to leave Hollywood in the 1950s because of the McCarthy-era blacklist, imbued in her a love of theater.
While as a young teen attending Wasatch Academy in Mt. Pleasant, Utah Lindsley gravitated to the rock and pop music of the day, she discovered musical theater in high school, a passion that carried through to college. After graduating from the California Institute for the Arts theater program, she spent a decade touring and performing with The Imagination Company. However, raising two daughters put her performing ambitions on hold for years, but she developed a successful career as a voice over artist, cast in national ad campaigns, radio shows and video games.
Comin to jazz singing in mid-life, she earned national attention with her stellar 2010 debut release Everytime We Say Goodbye, featuring bassist Fred Randolph and pianist George Mesterhazy. At the behest of her high school contortionist daughter’s desire to hone her French while studying at the Fratellini Circus School, she moved to Paris, France in 2013. This was the next natural step in her musical evolution. Settling in the 19th arrondissement filled with cultural vitality Lisa quickly developed a network of regular gigs with skilled accompanists. These relationships on her sophomore album, Long After Midnight, with pianist Laurent Marode, drummer Mourad Benhammou, Esaie Cid on flute, clarinet and tenor saxophone, and Bay Area bassist Jeff Chambers.
Back in the States and living in the San Francisco Bay area, Lindsley has been working steadily around the Bay Area over the past decade. She has honed her skills with Roger Letson at Contra Costa College, and studied with Maye Cavallero, Laurie Antonioli and Pamela Rose at the California Jazz Conservatory in Berkeley.
Vocalist Lisa Lindsley, who received essential on the job training from Bay area pianist/drummer Kelly Park, continues her career of performance and recording.
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Daily Dose Of Jazz…
Maria Viana was born on March 17, 1958, Lisbon, Portugal and was the daughter of famous actor and painter, José Viana; and Brazilian singer and actress Jujú Baptista. A meeting with jazz critic and missionary José Carlos Monteiro Costa introduced her Ella Fitzgerald, Billie Holiday, Sarah Vaughan and Anita O’Day. He also introduced her to the producers of Cascais Jazz Festival, Luis Villas-Boas and Duarte Mendonça who took an immediate interest in her, arranging for rehearsals and jam sessions.
It was not until 1983 that she vigorsly pursued her professional ambitions in Jazz, because previously she had been an actress and a famous popsinger. She became the host-singer at the jazz bar, Drogaria Ideal, where dozens of soloists, amateurs and professionals performed. Within months Maria’s career progressed and revealed unquestionable talent and abilities.
She would go on to do television, festivals, record, and work with Al Grey, Bernardo Sasseti, and David Gausden. She created the Maria Viana Quintet, and toured the country for the National Secretary of Culture. 1995 Produces / features in concert, Around the World, Around the Forties, for the celebration of fifty years since the Second World War ending; an initiative of C.M. de Cascais. Tours Portugal with her quintet, and tours with Bill Goodwin quintet.
Maria’s work is rewarded with a Declaration of Manifest Cultural Value, has guested on several recordings and concerts, and became the Artistic Director for Hotels with Jazz. She produced Jazz na Casa da Guia, and Blues for Cascais, benefiting an ecological organization in Cascais.
Through the years vocalist Maria Viana has been featured on over sixty national television shows and concerts and continues to perform and tour.
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Daily Dose Of Jazz…
Patty Waters was born on March 11, 1946 in Iowa and started singing semi-professionally in high school. After school, she sang for the Jerry Gray Hotel Jazz Band, then her family moved to Denver, Colorado. There she started listening to Billie Holiday, whose life and singing had a profound influence on her.
The early 1960s saw her following the recommendation of friends to move to New York City. Albert Ayler heard her in a dining club and introduced her to Bernard Stollman, the owner of the experimental jazz label ESP-Disk. Her most influential albums, Sings released in 1965) and College Tour in 1966 were recorded on this label.
In the late 1960s, she spent time in Europe and then left the music world in 1969 to raise her son in California. Almost 30 years later she recorded the album Love Songs in 1996 and began performing in public again. In 2004 she released You Thrill Me: A Musical Odyssey, a collection of rare and unissued recordings from the years 1962–1979.
She returned in 2019 with the album Live recorded at the First Unitarian Congregational Church in Brooklyn. The album was followed in 2020 by another live recording entitled An Evening In Houston. That same year she released an unissued 1970 LP titled Plays via her own label.
Vocalist Patty Waters, best known for her free jazz recordings in the Sixties and her recording of the nearly fourteen minute version of the traditional song Black Is the Colour (Of My True Love’s Hair from Sings, which is rendered in a haunting, anguished wail, continues to record, perform and tour.
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Daily Dose Of Jazz…
Laurie Antonioli was born on March 9, 1958 in Marin County. California. At the age of sixteen she began playing guitar and performing primarily her own original music as well as that of the singer-songwriters of the era. In 1975 she won the American Songwriters Contest for high school students, studied jazz at Mt. Hood Community College in Gresham, Oregon and Cal State Long Beach. She took private lessons from Mark Murphy and Joe Henderson.
After graduation, Laurie continued composing and performing. In 1980 she toured Europe for eight months with New Orleans saxophonist Pony Poindexter. When he suffered a stroke, a record date in Paris with pianist Kenny Drew was canceled and they were unable to finish out their tour. Laurie brought Pony back to California where she lived and led her own bands based out of San Francisco.
1985 saw Antonioli signing with Catero Records and her first album was the live two-track Soul Eyes, with the title song given to her by composer Mal Waldron. She was accompanied by pianist George Cables. After a hiatus from music, she settled in Vienna, Austria from 2002 to 2006 and began recording again.
Her Nabel Records album Foreign Affair was a Balkan jazz hybrid recorded in Slovenia with musicians from Serbia, Albania, Germany, and the U.S. It was well received in Europe. Her next album The Duo Session enlisted Richie Beirach where she wrote lyrics to his compositions. Laurie also wrote lyrics to some Miles Davis tunes and free improvisation pieces. This recording was also well-received but like Foreign Affair was known primarily to European audiences.
As an educator she held the position of Professor of the Vocal Department at KUG University’s Jazz Institute in Graz, Austria from 2002 to 2006 while living and performing in Europe. Antonioli was offered a position at the California Jazz Conservatory in Berkeley, California as the school’s vocal program director and created an eight-semester vocal performance curriculum. Singer and record producer Laurie Antonioli, who between 1985 and 2018 she has recorded seven albums, continues to perform and record.
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