Daily Dose Of Jazz…
Lisa Lindsley was born March 27, 1957 in Ogden, Utah. Growing up she listened to her father’s records of jazz greats like Bill Evans, Dave Brubeck, Ella Fitzgerald and Sarah Vaughan. Her mother, a film actress who had to leave Hollywood in the 1950s because of the McCarthy-era blacklist, imbued in her a love of theater.
While as a young teen attending Wasatch Academy in Mt. Pleasant, Utah Lindsley gravitated to the rock and pop music of the day, she discovered musical theater in high school, a passion that carried through to college. After graduating from the California Institute for the Arts theater program, she spent a decade touring and performing with The Imagination Company. However, raising two daughters put her performing ambitions on hold for years, but she developed a successful career as a voice over artist, cast in national ad campaigns, radio shows and video games.
Comin to jazz singing in mid-life, she earned national attention with her stellar 2010 debut release Everytime We Say Goodbye, featuring bassist Fred Randolph and pianist George Mesterhazy. At the behest of her high school contortionist daughter’s desire to hone her French while studying at the Fratellini Circus School, she moved to Paris, France in 2013. This was the next natural step in her musical evolution. Settling in the 19th arrondissement filled with cultural vitality Lisa quickly developed a network of regular gigs with skilled accompanists. These relationships on her sophomore album, Long After Midnight, with pianist Laurent Marode, drummer Mourad Benhammou, Esaie Cid on flute, clarinet and tenor saxophone, and Bay Area bassist Jeff Chambers.
Back in the States and living in the San Francisco Bay area, Lindsley has been working steadily around the Bay Area over the past decade. She has honed her skills with Roger Letson at Contra Costa College, and studied with Maye Cavallero, Laurie Antonioli and Pamela Rose at the California Jazz Conservatory in Berkeley.
Vocalist Lisa Lindsley, who received essential on the job training from Bay area pianist/drummer Kelly Park, continues her career of performance and recording.
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Daily Dose Of Jazz…
Alfred Winters was born March 24, 1931 and raised in New York City, New York. He completed his Bachelors and Masters degrees from Hofstra University and began working professionly since 1957.
He studied with the Metropolitan Opera Orchestra principal trombonist Roger Smith. He went on to play with Bobby Hackett, Gene Krupa, Phil Napolean, Wild Bill Davison, Benny Goodman. Recorded with numerous artists including Gene Krupa and Bobby Hackett.
Relocating in 1966 to the Detroit, Michigan area he performed and recorded with the Austin-Moro Big Band and the New Mckinney’s Cottonpickers as well as local artists like Tom Saunders.
He led his own band beginning in 1988 and performed at numerous jazz festivals including Newport Jazz Festival, Montreaux Jazz Festival and the Sacramento Jazz Jubilee.
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Daily Dose Of Jazz…
Andrzej Trzaskowski was born on March 23, 1933 in Kraków, Poland. He began playing piano at age four and founded his first jazz band, Rhythm Quartet. He attended Jan III Sobieski High School, passed his final exams cum laude, and eventually was admitted to Jagiellonian University where he earned his masters degree with his thesis being on Charlie Parker. Prior to his admittance he earned his living by playing in Kraków, Łódź and Zakopane night clubs.
By 1956 he was performing at jazz festivals and being recognized as the best jazz pianist by a Przekrój poll. From 1958, he played together with Jan Ptaszyn Wróblewski in the band Jazz Believers. The following year Trzaskowski moved permanently to Warsaw, established his own hard bop band, The Wreckers, that drew inspiration from the music of Charlie Parker, Dizzy Gillespie, and Horace Silver. In 1960, the Trzaskowski’s Trio accompanied saxophonist Stan Getz, and they recorded together the album Stan Getz & Andrzej Trzaskowski Trio.
At the end of the 1950s he began working with Polish cinema, arranging and recording music for the film Night Train, composed or created soundtracks for films and appeared on the screen, playing piano in Innocent Sorcerers in 1960 and Feliks Falk’s Był jazz in 1981. Andrzej moved to the United States in 1961 with a new configuration of The Wreckers and toured the country.
The Andrzej Trzaskowski Quintet would go on to perform with Don Ellis, Ted Curson, and in 1963 the Quintet gave concerts in Germany, Italy, Switzerland, Yugoslavia, East Germany and Belgium over the next year. By 1963, he began to move away from bop music towards free jazz.
In the Seventies he performed and recorded at the Polskie Radio Jazz Studio, and became the head of Polish Radio Symphony Orchestra Studio S-1. From 1992 he lectured at the Jazz Department of the State Music School of Warsaw and during the last years of his life he composed almost exclusively for cinema and television. In 1995, he was awarded the Cross of Merit for his artistic career.
Pianist, composer and musicologist Andrzej Trzaskowski, who from the mid-1950s onward was regarded as an authority on syncopated music, died in Warsaw on September 16, 1998, aged 65.
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Daily Dose Of Jazz…
Lawrence Joseph Elgart was born on March 20, 1922 in New London, Connecticut and grew up in Pompton Lakes, New Jersey. His mother was a concert pianist and his father also played piano, though not professionally. With his brother Les they attended Pompton Lakes High School.
Both brothers began playing in jazz ensembles in their teens, and young Larry played with jazz musicians such as Charlie Spivak, Woody Herman, Red Norvo, Freddie Slack and Tommy Dorsey. In the mid-1940s, Les and Larry started up their own ensemble, hiring Nelson Riddle, Bill Finegan and Ralph Flanagan to arrange tunes for them. Their ensemble was not successful, and after a few years, they scuttled the band and sold the arrangements they had commissioned to Tommy Dorsey. Both returned to sideman positions in various orchestras.
In 1953, Larry met Charles Albertine and recorded two of his experimental compositions, Impressions of Outer Space and Music for Barefoot Ballerinas. The recordings were not commercially successful but became collector items for fans of avant-garde jazz. With Albertine they put together an ensemble and using precise microphone placements produced what came to be known as the Elgart Sound. Proved to be very commercially successful, throughout the 1950s they enjoyed a run of successful albums and singles on the Columbia label.
Their initial LP, Sophisticated Swing, released in late 1953, was credited to The Les Elgart Orchestra, because, according to Larry, Les was more interested than his brother in fronting the band. In 1954, the Elgarts left their permanent mark on music history in recording Albertine’s Bandstand Boogie, for the legendary television show American Bandstand. In 1955, the band became The Les and Larry Elgart Orchestra, but the brothers split in 1959, each subsequently releasing his own series of albums.
Larry signed with RCA Victor and his 1959 album New Sounds At the Roosevelt was nominated for a Grammy. From 1960 to 1962, he released music on MGM Records. The brothers reunited in 1963 and recorded several more albums until 1967 they again went their separate ways.
In 1981 he departed from the Elgart Sound for jazz funk and fusion genres, producing Flight of the Condor for the RCA Victor. His biggest exposure came in 1982, with the success of Hooked on Swing. The instrumental was a medley of swing jazz hits In the Mood, Cherokee, Don’t Sit Under the Apple Tree, American Patrol, Sing, Sing, Sing, Don’t Be That Way, Little Brown Jug, Opus #1, “ake the A Train, Zing Went the Strings of My Heart and A String of Pearls.
Alto saxophonist and bandleader Larry Elgart, who was a resident of Longboat Key, Florida died on August 29, 2017 at a hospice center in Sarasota, Florida at the age of 95.
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Daily Dose Of Jazz…
Samuel Koontz Donahue was born on March 18, 1918 in Detroit, Michigan and put together his first band when he was only 15 years old. He played in the bands of Gene Krupa, Harry James, and Benny Goodman. During World War II, he took over the US Navy band of Artie Shaw. After the war, he assembled and led a group that recorded extensively for Capitol Records.
He went on to create a new band enlisting trumpeters Harry Gozzard, Doc Severinsen, Wayne Herdell, arranger Leo Reisman, vocalists Frances Wayne, Jo Stafford and where Frank Sinatra Jr. spent time learning how to sing before it was dissolved in 1951. Then he re-enlisted in the Navy to serve in the Korean War.
His compositions included Quiet and Roll ‘Em with Gene Krupa, Convoy, LST Party, Scuttlin’, Love Scene, Please Get Us Out, Root Toot, Constellation, Conversation at Lindy’s, Saxa-Boogie, and Saxophone Sam. He went on to record with RCA Victor, Acrobat, Arista record labels.
Saxophonist Sam Donahue died from pancreatic cancer on March 22, 1974.
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