Daily Dose Of Jazz…
Barney Jean Wilen was born on March 4, 1937 in Nice, France. His mother was French, his father was an American dentist turned inventor. He began performing in Nice nightclubs after receiving encouragement from Blaise Cendrars who was a friend of his mother.
His career was boosted in 1957 when he worked with Miles Davis on the soundtrack Ascenseur pour l’Échafaud. In 1959, Wilen wrote his two soundtracks Un Témoin Dans la Ville and Jazz sur scène with Kenny Clarke, and two years later composed the soundtrack for Roger Vadim’s film Les Liaisons Dangereuses working with Thelonious Monk. In the mid-to-late 1960s he became interested in rock, and recorded an album dedicated to Timothy Leary.
Returning to composing for French films in the 1980s and 1990s, touring Japan for the first time in 1990. He ventured into the world of punk rockers before returning to jazz in the early 1990s. Barney played with modern jazz musicians until his death in 1996.
In 1987, French comic book artist Jacques de Loustal and author Philippe Paringaux paid homage to Wilen in their “bande dessinée” Barney et la note bleue (Barney and the Blue Note).
Tenor and soprano saxophonist and jazz composer Barney Wilen, passed away from cancer in Paris, France on May 25, 1996.
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Daily Dose Of Jazz…
Dupree Bolton was born in Oklahoma City, Oklahoma on March 3, 1929. His father was a musician who earned a meager living working in the defense industry.
The Bolton family later moved to Southern California where Dupree spent most of his childhood and teenage years. He picked up the trumpet at an early age, becoming a professional by the time he was around 15, It was at theat point in his life that he ran away from home to join Jay McShann’s band.
Trumpeter Dupree Bolton, known for his recordings with Harold Land and Curtis Amy, passed away on June 5, 1993.
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Daily Dose Of Jazz…
Bernard “Bunny” Brunel was born in Nice, France on March 2, 1950 and took up the electric and acoustic bass when he was fifteen. A self taught musician, he did attend for a time a classical conservatory to learn the basic technique of playing with the bow on the bass.
Brunel is a founding member of the jazz fusion band CAB along with Dennis Chambers, and Tony MacAlpine. Since their formation in 2000, they have released four studio albums and two live albums. Their second album, CAB 2, received a nomination for Best Contemporary Jazz Album at the 2002 Grammy Awards. Other musicians who have been members of CAB include Patrice Rushen, Virgil Donati, David Hirschfelder, and Brian Auger.
Bassist Bunny Brunel, who has played with Chick Corea, Herbie Hancock, and Wayne Shorter, and who has recorded ten albums as a leader, is involved in musical instrument design, film and television scoring, continues to perform and record.
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Daily Dose Of Jazz…
Chris Anderson was born on February 26, 1926 in Chicago, Illinois and self-taught, began playing in Chicago clubs in the mid-1940s and played with Von Freeman and Charlie Parker, among others. Hired as Dinah Washington’s accompanist, his tenure with her was brief, as Washington changed accompanists frequently. She fired him in New York six weeks after hiring him, but he chose to remain in the city.
In 1960 he recorded what might be his best regarded album My Romance on the VeeJay label with bassist Bill Lee and drummer Art Taylor. Despite the respect of his peers, Anderson had difficulty finding work or popular acclaim due in large part to his disabilities. He was blind and his bones were unusually fragile, causing numerous fractures, which at times compromised his ability to perform at the times or places requested.
He continued to record until he was well into his 70s. A DownBeat profile indicated he had Osteogenesis, probably meaning osteogenesis imperfecta.
Pianist Chris Anderson, who was best known for his influence on his student Herbie Hancock, passed away of a stroke on February 4, 2008 in Manhattan, New York. He was 81.
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Daily Dose Of Jazz…
Ray Perry was born on February 25, 1915 in Boston, Massachusetts to a musical family and began playing the violin at a young age, and didn’t pick up the alto saxophone till he was twenty. He organized his first band, the Arabian Knights, in 1932.
Working the bread and butter gigs, he performed with the best in the business from 1935 to 1943, among numerous others, Dean Earl in the Little Harlem Orchestra, Clarence “Chick” Carter Orchestra with Gerald Wilson, then with Joe Nevils band when it masqueraded as the Blanche Calloway Orchestra, before joining the Lionel Hampton band. In the mid-thirties Ray developed a technique of simultaneously singing an octave below his playing as he bowed his violin. Hearing him, bassist Slam Stewart adopted the same technique, except he sang an octave above his playing.
Poor health forced him to return to Boston in late 1942, where he found work with Sherman Freeman, Sabby Lewis, and his fraternal band, the Perry Brothers Orchestra with Joe on tenor saxophonoe and Bey on drums, Performing more frequently on alto saxophone, despite his short career, Perry worked with Shadow Wilson, Illinois Jacquet Vernon Alley, J. C. Heard, Joe Newman, Fred Beckett, Sabby Lewis, Sir Charles Thompson, and Irving Ashby.
Health problems continued to dog him for almost a decade leading to the passing away of violinist and alto saxophonist Ray Perry from kidney disease at age 35 in November 1950 in New York City. However, his final record date was with Illinois Jacquet earlier that year. Some of his best surviving violin work was recorded with a Hampton septet in late 1940.
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