CHARLES MCPHERSON QUINTET

For more than 60 years, saxophonist Charles McPherson has been one of the most expressive and highly regarded voices in jazz. His rich musical style, rooted in the blues and bebop, has influenced and inspired generations of musicians and listeners. Wynton Marsalis, a longtime admirer says: “Charles is the very definition of excellence in our music.

He is the definitive master on this instrument. He plays with exceptional harmonic accuracy and sophistication. He performs free-flowing, melodic and thematically developed solos with unbelievable fire and an unparalleled depth of soul.”

The Band

Charles McPherson ~ also saxophone
Terell Stafford ~ trumpet | July 25th & 26th only
Javon Jackson ~ saxophone | July 24th only
Jeb Patton ~ piano
David Wong ~ bass
Billy Drummond ~ drums

Showtimes: Thursday @ 7:00pm | Friday & Saturday @ 6:00pm & 8:30pm

Cover: $45.00 ~ $55.00 +fee | Streaming $15.00 +fee

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Daily Dose Of Jazz…

Eduard “Eddie” Brunner was born on July 19, 1912 in Zürich, Switzerland. He learned to play clarinet, piano, and tenor and alto saxophone before beginning to perform professionally. In the early 1930s he worked with Rene Dumont, Jack and Louis de Vries, and Marek Weber.

By 1936 he moved to Paris, France and recorded under his own name as well as with Goldene Sieben and Louis Bacon. He returned to Switzerland once World War II broke out. Brunner joined Teddy Stauffer’s band, and in 1941 took over leadership of the group until 1947, when it dissolved.

He led a new six-piece ensemble in 1948, and recorded for radio and television broadcasts in the 1950s.

Reedist and bandleader Eddie Brunner died on July 18, 1960 in his city of birth.

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Daily Dose Of Jazz…

Nicole Glover was born on July 18, 1991 in Portland, Oregon. Her musical journey began when her father introduced her to improvised music at a young age. She started playing the clarinet at the age of ten, transitioning to tenor saxophone the following year. Her interest and curiosity for music blossomed in high school, becoming involved in a variety of performance groups, both within her school and in the community.

Nicole was chosen to be one of nineteen students from across the nation for the Next Generation Jazz Orchestra, who embarked on a national tour that involved performances with Bobby Watson and Julian Lage, and concluded with a performance at the Monterey Jazz Festival with Wynton Marsalis.

After studying at William Paterson University, in 2011 Nicole returned to Portland where she was invited to record on Esperanza Spaulding’s Grammy-award winning album Radio Music Society. She now performs in multiple groups with multi-instrumentalist George Colligan, as well as her own jazz trio and several other improvisational ensembles, such as, the Alan Jones Storyline Sextet, Thomas Barber’s Spiral Road, and the Kerry Politzer Quintet.

2015 saw Glover releasing her debut album First Record, featuring pianist and trumpeter George Colligan, bassist Jonathan Lakey and drummer Alan Jones. She leads her own trio with bassist Tyrone Allen II and drummer Kayvon Gordon. This was followed with the release of Plays, and HighNote-Savant Records Memories, Dreams, Reflections.

Throughout her musical career, Nicole has performed with Mulgrew Miller, Esperanza Spalding, Kenny Garrett, George Colligan, Geoffrey Keezer, Bennie Maupin, Bobby Watson, Mike Clark, Carl Allen, Kenny Washington, Al Foster, Victor Lewis, Lenny White, Joe Farnsworth, Reggie Workman, Dee Dee Bridgewater, Ben Wolfe, Bill Stewart, Essiet Essiet, Mel Brown, Julian Lage, Obo Addy, Rob Scheps, Red Holloway, Terell Stafford, Helen Sung, Dana Hall, Scotty Barnhart, and Thara Memory, to name a few.

Glover is a member of Ural Thomas and Pain, Artemis led by Renee Rosnes, Ursa Major led by Christian McBride, and has toured with Jazz at Lincoln Center Orchestra.

Tenor saxophonist, bandleader, composer, and educator Nicole Glover, who is on faculty at the Manhattan School of Music and has taught masterclasses and private lessons to students around the world, continues to fit performance in her busy schedule.

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TONY HIGHTOWER

Tony is a veteran professional. As a seasoned percussionist, songwriter, recording artist, vocalist, and producer, he has worked with many artists on a variety of projects. Tony has played drums for the following: Jomandi Productions, the Atlanta production of “Queen of the Blues” – The Life Story of Dinah Washington, Goodie Mob, Outkast, Pebbles, and Xscape. He has also done session work for several Organized Noize Production artists, including Goodie Mob and Outkast. Tony has contributed vocals to the successful projects of Gerald Levert, Jimmy Jam and Terry Lewis, the soundtrack for “Money Train,” Goodie Mob’s certified gold album “Soul Food,” Society of Soul’s album “Brainchild,” Pebbles’ album “Straight From My Heart,” Lionel Richie’s album “Louder Than Words,” and Outkast’s certified double platinum album “Aquemini.” Tony was also an artistic contributor to the song “Together We Can,” which was a project by The National Academy of Recording Arts & Sciences (also known as the N.A.R.A.S. or The Recording Academy) to raise funds for the victims of the Columbine shooting.

Cover: $40.00

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Daily Dose Of Jazz…

Joseph Albert Morello was born July 17, 1928 in Springfield, Massachusetts of French and Italian ancestry. Suffering from partial vision from birth, he devoted himself to indoor activities. He began studying the violin when he was six and three years later, he was a featured soloist with the Boston Symphony Orchestra, playing Mendelssohn’s Violin Concerto, and again three years later.

By fifteen he met the violinist Jascha Heifetz, decided that he would never be able to equal Heifetz’s sound and switched to drumming. He first studied with show drummer Joe Sefcik and then with educator and author George Lawrence Stone. He was so impressed with Morello’s ideas that he incorporated them into his next book. Further study led him to Radio City Music Hall percussionist, Billy Gladstone.

Moving to New York City, he worked with Johnny Smith, Tal Farlow, Stan Kenton, Phil Woods, Sal Salvador, Marian McPartland, Jay McShann, Art Pepper, and Howard McGhee. After a period of playing in McPartland’s trio, Joe declined invitations from Benny Goodman and Tommy Dorsey, favoring a two-month tour with the Dave Brubeck Quartet in 1955. This turned into a performing and recording residency that lasted for well over a decade, departing in 1967.

As an educator Morello became an in-demand clinician, teacher and bandleader, whose many of his former students went on to become well known in their chosen genres. He authored several drum books, including Master Studies, published by Modern Drummer Publications, made instructional videos and received many awards, and was inducted into several Halls of Fame.

Drummer Joe Morello, who appeared on over 120 albums, died at his home in Irvington, New Jersey on March 12, 2011 at the age of 82.

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