
Daily Dose Of Jazz…
Joseph Rupert Benjamin was born on November 4, 1919 in Atlantic City, New Jersey. He played with many jazz musicians in a variety of idioms. Early in his career he played in the big bands of Artie Shaw, Fletcher Henderson, Sy Oliver, and Duke Ellington.
He went on to work with Hank Garland, Marian McPartland, Louis Armstrong, Jo Jones, Gary Burton, Roy Haynes, Art Taylor, and Brother Jack McDuff.
Never leading a recording session, Joe recorded three dozen albums as a sideman with Bob Brookmeyer, Kenny Burrell, Dave Brubeck, Harry Edison, Duke Ellington, Dizzy Gillespie, Barry Harris, Roy Haynes, Johnny Hodges, Budd Johnson, Roland Kirk, Gary McFarland, Carmen McRae, Gerry Mulligan, Jerome Richardson, Al Sears, Joya Sherrill, Rex Stewart, Sonny Stitt, Buddy Tate, Clark Terry, The Three Playmates, Sarah Vaughan, Mal Waldron and Kai Winding.
Double bassist Joe Benjamin transitioned on January 26, 1974.
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Daily Dose Of Jazz…
Glen Moore born October 28, 1941 in Portland, Oregon. His performing career began at age 14 with the Young Oregonians in Portland, where he met and played with Native American saxophonist Jim Pepper.
He graduated with a degree in History and Literature from the University of Oregon. His formal bass instruction started after college with Jerome Magil in Portland, James Harnett in Seattle, Washington and Gary Karr in New York, Plough Christenson in Copenhagen, Ludwig Streicher in Vienna, Austria and Francois Rabbath in Hawaii.
His main instrument is an upright bass which was made by Klotz in Tyrol, Austria around 1715. Moore is a founding member of Oregon, but also worked regularly with Rabih Abou-Khalil, Vasant Rai, Nancy King and Larry Karush.
Double bassist Glen Moore, who occasionally performs on piano, flute and violin, continues to perform and record.
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Daily Dose Of Jazz…
Manny Flores Jr. was born in El Paso, Texas on October 9, 1954. He spent his first eighteen years of life as an army brat, traveling and listening to music in a variety of different places. He began his playing career in the summer of 1971 at a gig at the Fort Huachuca NCO Club. At this time his inspiration for the bass was fellow left-handed bass player Paul McCartney. Graduating from Buena High School in Sierra Vista, Arizona in l972.
He also listened to jazz when he would buy Blue Note LPs at the bargain bin with Eric Dolphy and Charles Mingus among his favorites. He then graduated from Cochise College in Douglas, Arizona in 1974 with an Associates degree in Liberal Arts. By 1975 he was back in his hometown of El Paso and began playing in various groups including Top 40 and Country/Western groups in New Mexico, Wyoming and Arizona. Enrolling at the University of Texas at El Paso, he received his Bachelor of Music Education degree in 1982.
In 1983 he auditioned for and began playing with the El Paso Symphony Orchestra under the direction of Maestro Abraham Chavez Jr. He also began teaching instrumental music in the Ysleta Independent School District. During the decade Manny met many musicans who inspired him to make music a way of life including Frank Zappa, Jaco Pastorius, Ray Brown and Julliard cello teacher Harvey Shapiro.
In 1985 he began the first of a four-year trek to Victoria, British Columbia, Canada to attend the prestigious Johannesen International School of the Arts. He attended six-week master classes, and spent a summer in New York City studying jazz and listening to live performances of Charlie Haden, Marc Johnson, Harvie Swartz, and Eddie Gomez.
Flores has played with several big bands in addition to Bobby Saunders, Frank Dove and the Sundowners, Mario Otero, Crossroads, El Paso Brass Quintet, Bobby Booth Dixieland Band, M.D. Quartet, U.T.E.P. Lab Band I with Gene Lewis, Mike Francis Quartet, Gerald Hunter and the Quintones, Art Lewis and the Earthmen, Orchestra Puerto Rico, Spice of Life, Bing Browning Trio, Cecile Larochelle, The Platters, The Four Lads, The Four Aces, Jimmy Dorsey Orchestra, Mel Carter, Roger Miller, Johnny Mathis, Guy Lombardo’s Royal Canadians, Charlie Rouse and Boyz II Men.
By 1998 he made his first trip to Rio de Janeiro, Brazil to fulfill a lifelong desire to experience Brasilian music firsthand and to meet one of his favorite musicans Hermeto Pascoal. He hung out with his friends Albert Suhett, Itibere Zwarg, Marcio Bahia, and Hermeto. Marcio Bahia introduced him to bassist Adriano Giffoni with whom he studied with each summer in Rio.
Bassist Manny Flores Jr. is involved in the Universal Music movement and continues to perform locally in Austin and El Paso.
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CHRISTIAN MCBRIDE’S NEW JAWN
Christian McBride is an eight-time GRAMMY Award winning bassist, composer, and bandleader. McBride is the Artistic Director of the historic Newport Jazz Festival, New Jersey Performing Arts center (NJPAC) and the TD James Moody Jazz Festival, and the National Jazz Museum in Harlem. Christian is also a respected educator and advocate as the Artistic Director of Jazz House KiDS, and the Jazz Aspen Snowmass Summer Sessions. In addition to consistent touring, McBride hosts NPR’s “Jazz Night in America” and “The Lowdown: Conversations With Christian” on SiriusXM. Whether behind the bass or away from it, Christian McBride is always of the music. From jazz, to R&B, pop/rock, hip-hop/neo-soul, to classical, he is a luminary with one hand ever reaching for new heights, and the other extended in fellowship—and perhaps the hint of a challenge—inviting us to join him.
Doors ~ 6:30pm
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Daily Dose Of Jazz…
Thelma Terry was born Thelma Esther Combes on September 30, 1901 in Bangor, Michigan in 1901. After her parents divorced she moved with her mother and two sisters to Chicago, Illinois where she chose to study string bass. Her early years were spent on the road performing in Chautauqua assemblies. When she graduated from Austin Union High School, she earned first chair in the Chicago Women’s Symphony Orchestra. As this did not provide her with a living, she turned to jazz.
She found her way into Chicago nightlife, playing in and around the city with her all-women band, Thelma Combes and her Volcanic Orchestra, or her jazz string quartet, and was hired by Al Capone as the house band in his Colosimo’s Restaurant.
Withan article in Variety bringing national attention to her, the Music Corporation of America took notice of Combes and renamed her “Thelma Terry” and gave her an all-male band, Thelma Terry and Her Playboys, with a young Gene Krupa on drums.
MCA billed Terry as “The Beautiful Blonde Siren of Syncopation”, “The Jazz Princess”, and “The Female Paul Whiteman”. Bud Freeman was so enthusiastic about the band that he paid another musician to fill his seat in the Spike Hamilton Band so he could join the Playboys. The band toured nationally on the Eastern Seaboard and as far west as Kansas City. In 1929 she disbanded the Playboys, quit MCA to marry Willie Haar and settled in Savannah, Georgia.
After a failed comeback, and a divorce in 1936 she sold her string bass, turned her back on the music profession, and took a job as a knitting instructor. She spent her last years with family in her native Michigan.
Bandleader and bassist Thelma Tery, who was the first American woman to lead a notable jazz orchestra as an instrumentalist, transitioned on May 30, 1966 from esophageal cancer at the age of 64.
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