Three Wishes
Doug Watkins was asked for his three wishes by Nica and his answers were:
- “To be rich, prosperous, and a millionaire. Oh! I didn’t know you were serious. Change that – change that! To really be able to play.”
- “To live as a man should live.”
- “I want to go to Japan.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
Doug Watkins: March 2, 1934 – February 5, 1962 / Bass
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Three Wishes
Nica asked bassist Ali Jackson what his three wishes were and he told her:
- “To be on a hip, swinging gig. That’s all I need.”
- “To be inspired to practice – which I would be if the first wish came true!”
- “To find a bass fiddle I saw in Cleveland in 1951. That fiddle was so old, the wood was black on the outside – really black, you know? And the inside was yellow. It was brought from Russia in 1890. It was heavy, and when I tried it, man, what a sound! I ran all over town borrowing money from everybody – even my landlady – and I got together about $350. But when I got back it was gone. They sold it for $750. But it would be worth $2,000 now. I’d like to find that fiddle.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Three Wishes
Tasking Wilbur Ware to give up his three wishes by the Baroness he retorted:
- “That I could get my life straightened out, so that I could be accepted otherwise, as well as musically.”
- “To be able to play music. And, out of my musical ability, to be able to have security for my family as well as myself.”
- “For the world to live in peace and harmony.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Three Wishes
The answers to Pannonica’s question of three wishes from Jimmy Garrison were:
- “Help.”
- “Security.”
- “To be able to play this fellow.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter
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Requisites
Trumpeter Dizzy Gillespie recorded the live bebop album Jazz At Massey Hall on May 15, 1953 in Toronto, Canada. With him on this date were bassist Charles Mingus, drummer Max Roach, pianist Bud Powell and saxophonist Charlie Parker who is billed as Charlie Chan for contractual reasons, an allusion to the fictional detective and to Parker’s wife Chan. It was the only time these five men recorded as a unit and the last recorded meeting of Parker and Gillespie.
The session was produced by Charles Mingus, and was originally released on Mingus’s label Debut, from a recording made by the Toronto New Jazz Society. Due to under-recording of the bass lines, Mingus took the recording to New York where he and Max Roach dubbed in the bass lines on most of the tunes, exchanging Mingus soloing on All The Things You Are. However, a 2004 reissue, Complete Jazz At Massey Hall contains the full concert without the overdubbing.
The original issue was as a two 10” LPs, 46:54 in length and and the cover design had five playing cards, with Gillespie as the Joker. The set on Volume 1 contains the tracks Perdido, Salt Peanuts, All The Things You Are and 52nd Street Theme. Volume 3 has Wee, Hot House and A Night In Tunisia. Volume 2 consisted of the trio recordings of Powell, Mingus and Roach from the same date all but I’ve Got You Under My Skin and one track by Billy Taylor with Mingus and Roach from a later date.
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