Daily Dose Of Jazz…

Mahlon Clark was born on March 7, 1923 and raised in Portsmouth, Virginia. He started out in vaudeville as a child, however, as a teenager he became a big band musician playing for the Ray McKinley and Will Bradley bands, among others.

Relocating to California during World War II and after serving in the armed forces, found employment at Paramount Pictures where he performed music on many movie soundtracks.

In 1962 Mahlon was hired by Lawrence Welk to join his orchestra and his television show. For six years he played both the clarinet and saxophone on the weekly show and on stage when the Musical Family went out on tour.

Leaving the Welk organization in 1968, Clark continued to perform on many more movie soundtracks and with numerous artists such as Frank Sinatra and Madonna.

Clarinetist and saxophonist Mahlon Clark transitioned on September 20, 2007 at the age of 84.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Peter Brötzmann was born on March 6, 1941 in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw Sidney Bechet while still in school at Wuppertal, and it made a lasting impression.

He taught himself to play clarinets, then saxophones and finally the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. His debut recording, For Adolphe Sax, released in 1967 featured Kowald and drummer Sven-Åke Johansson. In 1968 Machine Gun, an octet recording, was released and self-produced under his BRO record label which he sold at concerts. Atavistic reissued the album in 2007.

His 1969 album Nipples, wasn’t followed with another recording as a leader until 1976 which was followed by sixty-one more releases through 2020. Brötzmann was a member of Bennink’s Instant Composers Pool, a collective of musicians who released their own records and that grew into a 10-piece orchestra.

The logistics of touring with the ICP tentet or his octet resulted in Peter reducing the group to a trio with Han Bennink and Fred Van Hove. Bennink was a partner in Schwarzwaldfahrt, an album of duets recorded outside in the Black Forest in 1977 with Bennink drumming on trees and other objects found in the woods.

In 1981, Brötzmann made a radio broadcast with saxophonists Frank Wright and Willem Breuker, trumpeter Toshinori Kondo, trombonists Hannes Bauer and Alan Tomlinson, pianist Alexander von Schlippenbach, drums Louis Moholo, and bassist Harry Miller. This was released as the album Alarm.

During the Eighties, Brötzmann flirted with heavy metal and noise rock, recording with Last Exit and the band’s bass guitarist and producer Bill Laswell. His has released over fifty albums as a bandleader and has appeared on dozens more. His Die Like a Dog Quartet (with Toshinori Kondo, William Parker and drummer Hamid Drake) is loosely inspired by saxophonist Albert Ayler, a prime influence on his music. Since 1997, he has toured and recorded regularly with the Peter Brötzmann Chicago Tentet which he disbanded after an ensemble performance in November 2012 in Strasbourg, France.

He has recorded or performed with Cecil Taylor, Keiji Haino, Willem van Manen, Mats Gustafsson, Ken Vandermark, Conny Bauer, Joe McPhee, Paal Nilssen-Love and Brötzmann’s son, Caspar Brötzmann.

Saxophonist and clarinetist Peter Brötzmann, who has not abandoned his art training and has designed most of his album covers, continues to perform and record.

CALIFORNIA JAZZ FOUNDATION

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ANDERSON BROTHERS PLAY BENNY GOODMAN

Hailed as “virtuosos on clarinet and saxophone” by the New York Times, Peter & Will Anderson have performed concerts together since the age of 9. They’re Juilliard graduates, and have performed on Broadway, Carnegie Hall, The Kennedy Center, the New Orleans Jazz Festival, can be heard on the Grammy winning soundtrack to HBO’s Boardwalk Empire with Vince Giordano’s Nighthawks, and received a Drama Desk Nomination for their Off-Broadway Production “Le Jazz Hot” in 2012. They can be seen and heard as saxophonists in the upcoming Martin Scorsese film, “Killers of the Flower Moon.” Aside from leading performances in over 45 U.S. States, Japan, Brazil, Canada, and the United Kingdom, they’ve lectured at over a dozen Universities across the country.

BAND MEMBERS:
Peter Anderson – Tenor Saxophone, Clarinet
Will Anderson – Alto Saxophone, Clarinet, Flute

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Daily Dose Of Jazz…

William Thornton Blue was born on January 31, 1902 in St. Louis, Missouri and grew up playing in local bands in his hometown, where his father was a part-time music instructor.

He played with Wilson Robinson’s Bostonians, a territory band, where he was introduced to the rigors of the road. In 1924 he worked with Charlie Creath, then went to New Orleans, Louisiana and joined Dewey Jackson in the middle of the 1920s. This association eventually took Blue back to St. Louis as part of the touring schedule but Blue didn’t stay long. Heading to New York City later that decade he had an extended stint working with Andrew Preer’s Cotton Club Orchestra. This led to a European tour as a member of Noble Sissle’s ensemble.

Remaining for a brief time in Paris, France he collaborated with bassist John Ricks. When Bill returned to New York City, he joined The Missourians, led by Cab Calloway, then worked with pianist Luis Russell.

Due to failing health he played very little in the late Thirties and afterwards. Clarinetist and alto saxophonist William Thornton Blue, sometimes credited as Bill Blue, transitioned in 1968 after spending the last several years of his life in a New York sanatorium.

DOUBLE IMPACT FITNESS

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CHUCHO VALDES & PAQUITO D’RIVERA

Pianist Chucho Valdes and clarinetist Paquito D’Rivera come together for one night only of Afro-Cuban and Latin Jazz at The Town Hall.

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