Daily Dose Of Jazz…
Big Eye Louis Nelson was born Louis Nelson Delisle on January 28, 1885 in New Orleans, Louisiana into a family who were Creoles of color. He spent most of his life in his hometown and studied clarinet with the elder Lorenzo Tio.
By the age of 15, Big Eye was working professionally in the music venues of Storyville, an area of brothels and clubs in New Orleans where Black musicians could find work. He developed a style of hot jazz, also known as Dixieland, and was an influence on clarinetists Johnny Dodds and Jimmie Noone.
In 1917, Nelson joined the reconstituted Original Creole Orchestra that included Freddie Keppard and Bill Johnson. Disbanded in Boston in the spring of that year, it was reassembled in New York City later in the fall. After a short while, he was replaced by Jimmie Noone. He was the regular clarinetist with the Jones & Collins Astoria Hot Eight but did not play on their 1929 recording sessions.
He made his only recordings in his later years in the 1940s, by which time he was often in poor health. Dixieland clarinetist Big Eye Louis Nelson, who also played double bass, banjo, and accordion, transitioned on August 20, 1949.
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Daily Dose Of Jazz…
Benjamin Waters was born on January 23, 1902 in Brighton, Baltimore, Maryland. He began on organ, then switched to clarinet and later added saxophone. The first band he joined in 1918 was Charly Miller’s band. In 1922 he attended the New England Conservatory of Music where he gave lessons to Harry Carney.
From 1926 until 1931, Waters was a member of Charlie Johnson’s band. He would later work with King Oliver, Fletcher Henderson, Claude Hopkins, and others. During these years he made several recordings with King Oliver and Clarence Williams.
In the years 1941 and 1942 he played with the Jimmie Lunceford Orchestra, and later in the 1940s with Roy Milton. He went on to form his own band, playing at the Red Mill in New York City. After this stint in the city he moved to California for four years.
From 1952 to 1992 Benny lived in Paris, France. In 1996, he received the Legion of Honour from the French Ministry of Culture. He continued to perform regularly up to his 95th birthday.
Saxophonist and clarinetist Benny Waters, who became blind in 1992 due to cataracts, transitioned on August 11, 1998 in Columbia, Maryland.
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YE HUANG QUINTET: A LUNAR NEW YEAR CELEBRATION
Fresh off a special guest appearance for The Shanghai Suite with the Jazz at Lincoln Center Orchestra with Wynton Marsalis, clarinetist, saxophonist, and composer Ye Huang brings his quintet to Dizzy’s Club to celebrate the Chinese Lunar New Year. His engaging and diverse repertoire features elements of traditional jazz, Afro-Latin, fusion, and traditional Chinese music. Listeners can expect a resonant and celebratory evening.
Showtimes ~ 7:30pm | 9:30pm
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Daily Dose Of Jazz…
Edward Emanuel Barefield was born on December 12, 1909 in Scandia, Iowa, and grew up in Des Moines, Iowa. His father was a guitarist, his mother a pianist. He began playing the saxophone at the age of twelve when his mother bought him the instrument as a Christmas gift, and he took it apart to see how it worked.
He started playing throughout the Midwest, and gained his first major big-band experience with the Bennie Moten Orchestra of 1932. This led to work with Zach Whyte’s band and at 24 was offered a position in Cab Calloway’s orchestra in 1933. Eddie arranged and wrote music for Calloway for over 40 years.
Barefield conducted the orchestra for Ella Fitzgerald after Chick Webb passed away in 1939. In addition, he performed with McKinney’s Cotton Pickers, Les Hite, Fletcher Henderson, Don Redman, and Benny Carter. After the end of the big band era he continued to work by conducting shows, free-lancing, and playing in Europe.
He was the musical director for the original Broadway production of Streetcar Named Desire in 1947. He spent a decade in the band of the Ringling Brothers and Barnum & Bailey Circus, and composed and arranged for Benny Goodman, Glenn Miller, Paul Whiteman, and Jimmy Dorsey. Later in his life, Barefield worked with the Illinois Jacquet big band. Eddie appeared in films, including Cab Calloway’s Hi-De-Ho, Al Jolson’s The Singing Kid, Every Day’s a Holiday, and The Night They Raided Minsky’s.
Saxophonist, clarinetist and arranger Eddie Barefield, who arranged for the ABC Orchestra, transitioned from a heart attack at Mount Sinai Hospital in New York on January 4, 1991.
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Daily Dose Of Jazz…
Jesper Thilo was born on November 28, 1941 in Copenhagen, Denmark to a pianist-actress mother and architect father. He started to play clarinet at age 11 and from 1955 to 1960 he played clarinet and trombone in various amateur Dixieland jazz bands with the occasional paid jobs as a musician. Early he knew that he wanted to become a professional jazz musician but to get an education he chose to study classical clarinet at the Royal Danish Academy of Music.
While at the Academy, Thilo joined Arnved Meyer’s orchestra from 1960 to 1964 and again from 1967 to 1974 and it was Meyer who convinced him to shift to saxophone. He would go on to play with Ben Webster, Benny Carter, Harry Edison, Roy Eldridge and Coleman Hawkins. During this part of his career his virile swing style was chiefly inspired by Webster and Hawkins and his own quintet which he put together in 1965 and co-lead with Torolf Mølgaard and Bjarne Rostvold.
From 1966 to 1989, he was a member of the DR Big Band under bandleaders Palle Mikkelborg and Thad Jones. He mainly played alto saxophone but occasionally also tenor saxophone, soprano saxophone, baritone saxophone, concert flute, clarinet or bass clarinet. Through the Eighties, Jesper played in Ernie Wilkins’ Almost Big Band. Other collaborators have included Wild Bill Davison and Niels Jørgen Steen.
By 1989, leaving the DR Big Band and Ernie Wilkins’s orchestra he led his own bands with Søren Kristiansen, Olivier Antunes, Hugo Rasmussen og Svend-Erik Nørregaard. He first recorded as a leader for Storyville Records in 1973 and in the 1980s on Storyville his sidemen at various times included Kenny Drew, Clark Terry and Harry “Sweets” Edison, and appeared on the Miles Davis album Aura.
Considered to be one of the top European straight-ahead jazz musicians of the post-1970 period, tenor saxophonist, alto saxophonist, clarinetist and flutist Jesper Thilo continues to perform and record.
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