ANAT COHEN & MARCELLO GONÇALVES
The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air’s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”
Acclaimed clarinetist Anat Cohen and 7-string guitarist Marcello Gonçalves team together in a series of intimate, lyrical duets. Breathtaking melodies, Brazilian grooves, and elements of jazz highlight the intricate talents of both Cohen and Gonçalves. In their second duo album, Reconvexo, Brazilian 7-string guitar player Gonçalves and New York-based clarinetist Cohen turn their attention to music from the Música Popular Brasileira (MPB) songbook. Against the backdrop of a country and world turning inward, the duo set out to record an album inspired by the beauty of Brazil and the spirit of its people. The result is at once intimate and virtuosic, mournful and hopeful, soaked with the feeling expressed uniquely in the Portuguese language as saudade – bittersweet, at once deeply happy and sad, and full of emotion.
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Daily Dose Of Jazz…
Rozanne Levine was born on October 19, 1945 in New York City, New York. She was introduced to the jazz/new music community as a performer with William Parker and Patricia Nicholson Parker’s Centering Music/Dance Ensemble during the late Seventies.
Throughout the 1980’s and 1990’s Levine performed in saxophonist/clarinetist Mark Whitecage’s Glass House Ensemble, playing both clarinet and Whitecage’s sound sculptures. In 1993 she rejoined the Parkers as a founding member of their New York-based Improvisors Collective, performing in the Collective Orchestra and with Collective members in smaller ensembles. During her three year tenure with the Collective she formed two ensembles, Crystal Clarinets and the Clarinet Choir, which performed in New York City and Connecticut.
In 1999 Rozanne and Whitecage formed a touring duo, RoMarkable, to showcase their acoustic and electronic forays. They performed at numerous clubs and festivals around the country. She led Chakra Tuning, with Mark Whitecage, clarinetist Perry Robinson and violinist/vocalist Rosi Hertlein. Her compositions form the thematic material from which the musicians improvise, each artist adding their distinct voice to the mix. The group released their highly-praised debut album, Only Moment, in 2009, on her and Whitecage’s label, Acoustics.
Levine performed with Mark Whitecage and The Bi-Coastal Orchestra, Anthony Braxton, The New Reed Quartet, Jason Kao Hwang, Jackson Krall, Theo Jorgensmann, Blaise Siwula, and Who Knows?, among others.
Alto clarinetist, bamboo flutist and composer Rozanne Levine, who became a noted photographer that were incorporated into her performances, transitioned in Morristown, New Jersey on June 18, 2013.
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Daily Dose Of Jazz…
David Bee was born on October 17, 1903 in Brussels, Belgium. He was a multi-instrumentalist adept on clarinet, harp, piano, and alto and tenor saxophone. For a year in 1924 he played with the group Bistrouille ADO before co-founding an ensemble with Peter Packay called Red Beans. The group toured widely throughout western Europe.
After returning to Belgium, David joined Robert De Kers’s band, and also played in Paris, France at Chez Florencewith Benny Carter and Willie Lewis. He recorded with Gus Deloof in the early Forties and after World War II he played with Robert Bosmans and Chas Dolne later in the decade. He led his own bands and groups at various times in the 1950s and continued recording late into the decade and the 60s.
As a composer, Bee pennedr the tunes High Tension recorded by Luis Russell) and Obsession recorded by Ted Heath and Reg Owen.
Clarinetist, harpist, pianist, alto and tenor saxophonist, arranger and composer David Bee, also known as Ernest Craps, Ernie Sparks, and Manuel Travo, transitioned in 1992.
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Michael Evans Osborne was born in Hereford, England on September 28, 1941 and attended Wycliffe College in Gloucestershire and the Guildhall School of Music.
From 1962 to 1972, Osborne was a bandmate in the Mike Westbrook band. During this period he also worked with Michael Gibbs, Mike Cooper, Stan Tracey, Kenny Wheeler, Humphrey Lyttelton, Alan Skidmore, John Surman, Harry Miller, Alan Jackson, John Mumford and Lionel Grigson.
During 1974–75, Osborne was part of the saxophone trio S.O.S. with John Surman and Alan Skidmore. They recorded an album, BBC radio and television sessions, and toured extensively in Europe.
Health issues hastened the end of his career in 1982, and returning to Hereford, alto saxophonist, pianist, and clarinetist Mike Osborne, who was a member of Brotherhood of Breath, transitioned while living under care at the time on September 19, 2007, aged 65.
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Daily Dose Of Jazz…
Richard Malden Heckstall-Smith was born on September 26, 1934 in the Royal Free Hospital, in Ludlow, Shropshire, England. Raised in Knighton, Radnorshire, he learned to play piano, clarinet and alto saxophone as a child. He attended a York boarding school but refused a second term there, instead enrolling in Gordonstoun, where his father had accepted a job as headmaster of the local grammar school.
Completing his education at Dartington Hall School, before co-leading the university jazz band at Sidney Sussex College, Cambridge, from 1953, by the age of 15 Dick had taken up the soprano sax while at Dartington. He was captivated by the sound of Sidney Bechet, then Lester Young and tenor saxophonist bebop jazzman Wardell Gray proved to be major influences for him.
An active member of the London jazz scene from the late 1950s, Heckstall-Smith did a six-month stint in 1957 with the Sandy Brown band. He joined Alexis Korner’s Blues Incorporated, a groundbreaking blues group in 1962, recording the album R&B from the Marquee.
The following year, he was a founding member of that band’s breakaway unit, The Graham Bond Organisation. Then in 1967, he joined guitarist-vocalist John Mayall’s blues rock band, Bluesbreakers. He went on to jazz rock with Colosseum until ‘71, then recorded a solo album and ventured into jazz fusion with several groups, which sustained most of his performing through the remainder of his career.
In 1984 he published his witty memoirs, The Safest Place in the World, with an expanded version, retitled Blowing the Blues, published in 2004.
Diagnosed with acute liver failure, tenor, soprano, and baritone saxophonist Dick Heckstall-Smith, who also played piano, clarinet and alto saxophone, transitioned on December 17, 2004 at 70 in Hampstead, London, England.
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