ANAT COHEN QUARTETINHO
Following great success at some of the world’s great jazz festivals and venues with her Tentet, Grammy-nominated clarinetist and composer Anat Cohen shifts her focus to an intimate group sound with her newest band, the endlessly colorful Quartetinho (pronounced “quar-te-CHIN-yo,” i.e., little quartet).
The group of New York-based international multi-instrumentalist-virtuosos are all drawn from the ranks of her aforementioned Tentet. The idea of instrumental doubling to achieve a wide stylistic range comes from the larger group, and the spirit of this cross-cultural / stylistic ensemble ring true throughout their performances. They share a deep love for music in all its heterogeneity and it’s all amply represented in both recordings and the band’s own live show. The result is boundlessly melodic and lyrical, with a wide array of timbres and subtle details of orchestration.
The Group:
Clarinet: Anat Cohen
Bass: Tal Mashiach
Piano/Accordion: Vitor Gonçalves
Vibraphone/Percussion: James Shipp
Cover: $40.61 ~ $50.91
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Daily Dose Of Jazz…
Benjamin David Goodman was born on May 30, 1909 in Chicago, Illinois and was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. Growing up in the slums of the Maxwell Street neighborhood, his father would take him to free band concerts in a nearby park. When he was ten his father enrolled him and two of brothers in free music lessons at the synagogue, in addition he received lessons from clarinetist Franz Schoepp of the Chicago Symphony Orchestra. He went on to join a boy’s club band and by the time he turned thirteen he got his first union card,
He made his professional debut in 1921 at the Central Park Theater on the West Side of Chicago. He entered Harrison Technical High School in Chicago in 1922 and with card in tow Benny worked in a band featuring Bix Beiderbecke. Two years later, in 1926, he joined the Ben Pollack Orchestra and made his first recordings. Moving to New York City he became a session musician for radio, Broadway musicals, and in studios. In addition to clarinet, he sometimes played alto and baritone saxophones.
The Thirties saw him charting for the first time with He’s Not Worth Your Tears. He would go on to have top ten hits and from 1936 until the mid-1940s, with arrangements written during the Depression by Fletcher Henderson. Goodman hired Henderson’s musicians to teach his musicians how to play the music. He went on to lead one of the most popular swing big bands in the United States. His bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his trio and quartet.
Clarinetist Benny Goodman, while pursuing an interest in classical music, continued performing until the end of his life on June 13, 1986 in New York City.
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Daily Dose Of Jazz…
Theodore McCord was born May 17, 1907 in Birmingham, Alabama and was the twin brother of Castor McCord, also a reedist. While both brothers played tenor saxophone and clarinet, in addition Ted played alto saxophone.
As a student at Wilberforce University in the 1920s, he played in a student group led by Horace Henderson. He also played in Edgar Hayes’s group, the Blue Grass Buddies, and the McKinney’s Cotton Pickers and the Mills Blue Rhythm Band.
He can be heard playing on their sessions with Louis Armstrong. Other credits include recordings with King Carter and the singer Ollie Shepard.
Roping out of music in the Forties, saxophonist Ted McCord, who was principally active in the 1920s and 1930s, his date and place of his death is unknown.
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Matt Lavelle was born on April 11, 1970 in Paterson, New Jersey and began his music career with Hildred Humphries, a swing era veteran who played with Count Basie and Billie Holiday.
Playing in ensembles led by Sabir Mateen since 2002, three years later Matt began study with Ornette Coleman. He has been a member of the Bern Nix Quartet since 2010 and recorded with Giuseppi Logan the same year.
In 2011 he created the 12 Houses Orchestra. Lavelle is also a visual artist inspired by his Grandfather Fritz Kluber. He is author of the Substack No Sound Left Behind. Matt published a book titled New York City Subway Drama and Beyond, in 2011. In 2013 he published a short story titled The Jazz Musician’s Tarot Deck.
He has recorded nineteen albums as a leader, and another forty-five as a sideman with Nix and Logan as well as Sumari, Eye Contact, Daniel Carter, Bern Nix, Giuseppi Logan, Matana Roberts, William Hooker, Francois Grillot, Steve Swell, Sabir Mateen, Ras Moshe, Assif Tsahar, William Parker, Charles Waters, Barry Chabala, Earth People, Allen Lowe, D3, Julie Lyon, Tom Cabrera, The Cooperative Sound, Stars Like Fleas, Eric Plaks, and Pete Dennis.
Trumpeter Matt Lavelle, who also plays flugelhorn, alto and bass clarinet, continues to perform, record and tour.
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Harvey Wainapel was born in Ellenville, New York on March 31, 1951. Growing up in the small town in the Catskills, he started his musical journey on clarinet at the age of eight. By high school he discovered jazz by playing along with tunes on New York City radio stations. Longing to play saxophone he didn’t get his first horn, an alto, until his freshman year at the University of Pennsylvania. Working at the college radio station, he discovered the music of Cannonball Adderley, John Coltrane and Joe Henderson.
Initially intending to follow the family tradition of pursuing a career in medicine or science, he ended up taking the plunge into music at Berklee in 1971. It was a heady era, and Wainapel played with fellow students, guitarist John Scofield, pianist Kenny Werner, trumpeter Claudio Roditi, and tenor saxophonist Joe Lovano.
During his Boston years Harvey recorded and performed in Carnegie Hall with vibraphonist Gary Burton. After two years at Berklee he toured Tunisia with drummer Jamey Haddad, and made the trip to North Africa. Settling in Amsterdam, Netherlands he made a living before moving to Frankfurt, Germany with the HR Radio Big Band.
By 1979 he returned stateside, landing in New York City, and became enamored with Brazilian music. He quickly landed a gig playing with Thiago de Melo, alongside drummer Duduka da Fonseca, trumpeter Roditi and pianist Marcos Silva, the latter turning Wainapel on to other Brazilian artists. Not cut out for the city, he relocated to the San Francisco Bay Area, after a year on the road with Ray Charles. He became one of the most in-de-mand players in the region while keeping his European presence. Back at home, Wainapel can often be found playing Brazilian music, performing with Rio-born vocal improviser Claudia Villela.
Saxophonist and clarinetist Harvey Wainapel, who debuted as a leader with 1994’s At Home/On the Road, leads his own post-bop combos, freelances extensively, and performs with Beth Custer’s Clarinet Thing.
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