Daily Dose Of Jazz…

James Last was born Hans Last on April 17, 1929 in Bremen, Germany. He grew up in the suburb of Sebaldsbrück and began studying the piano at ageten, although he could play simple tunes when he was nine. He switched to the double bass as a teenager and entered the Bückeburg Military Music School of the German Wehrmacht at the age of fourteen and continued learning to play bass, piano and tuba.

After the end of World War II he joined Hans Günther Oesterreich’s Radio Bremen Dance Orchestra. In 1948 he became the leader of the Last-Becker Ensemble, which performed for seven years. He was voted as the best bassist in the country in a German jazz poll for 1950, 1951 and 1952. When they disbanded, he became the in-house arranger for Polydor Records, as well as a number of European radio stations. During the next decade he helped arrange hits for artists such as Helmut Zacharias, Freddy Quinn, Lolita, Alfred Hause and Caterina Valente.

He won numerous popular and professional awards, including Billboard magazine’s Star of the Year trophy in 1976, and was honoured for lifetime achievement with the German ECHO prize in 1994. In addition, Last sold an estimated 200 million records worldwide in his lifetime of which 80 million were sold by 1973 and won numerous awards including 200 gold and 14 platinum discs in Germany.

In February 2015, after almost 50 years on tour he announced that he was finally bidding adieu to the stage and the last concert of his farewell tour took place in Lanxess Arena in Cologne on April 26, 2015. Composer, bassist and big band leader of the James Last Orchestra, wose “happy music” made him a bestseller in Germany, died on June 9, 2015 in Florida at the age of 86.

ROBYN B. NASH

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Daily Dose Of Jazz…

Marc Hoffman was born April 16, 1961 in Salisbury, North Carolina. He attended the North Carolina School of the Arts and received a degree in composition. He continued his education at The Dartington International Summer School of Music in Devon, England then studied film composition at the University of Southern California. He studied with David Ott, Sherwood Shaffer, Leo Arnaud and Neil Hefti.

Up until the early 1990s Hoffman wrote concert music, music for theater, pop, Christian music and film composition. Then he focused his attention on jazz and began writing original compositions, both instrumental and vocal, creating his own arrangements of jazz standards. Establishing his own label, Virillion Music, he recorded Long Way Home in 2003 followed by his sophomore album Christmas Time. In 2010 he released Curioso of all-original jazz.

As an educator and author he teaches and lectures on classical, pop and film music and has published two books. He also is an instructor of piano, composition, and voice at Bold Music in the Charlotte, NC area.

Pianist, composer and vocalist Marc Hoffman continues to write concert music, instrumental and vocal jazz pieces, film scores, as well as performing works solo, or with his trio, quartet or quintet and with four- or five-piece bands in a variety of venues.

ROBYN B. NASH

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Daily Dose Of Jazz…

JerzyDuduśMatuszkiewicz was born on April 10, 1928 in Jasło, Poland and began playing jazz as a youth. He founded a jazz club at the YMCA in Kraków, Poland at age 20. and played with the orchestra of Kazimierz Turewicz.

A music enthusiasts club, Melomani, was founded in 1947 at the Łódź YMCA, a hang-out of nonconformist thinkers during the late 1940s. Moving to Łódź, Poland to study at the new Łódź Film School, he became part of the club and joined the sessions. After only a few concerts, the YMCA was closed due to promoting imperialist ideology using jazz music.

Jerzy founded and led a band in 1950, playing saxophones and clarinet with Marek Szczerbiński-Sart, trumpeter Andrzej “Idon” Wojciechowski, drummer Witold “Dentox” Sobociński, Marian and Tadeusz Suchocki  and pianist Andrzej Trzaskowski and bassist Witold Kujawsk. Being separated from Western jazz by the Stalinist regime, they played a repertoire that did not compare to Western standards.

The band was offered space to practise at the Film School, performed informal concerts at the Film School, as well as in bars and private events, once a week. When they received an invitation to play a concert in Warsaw, Poland at the Academy of Fine Arts, they named themselves Melomani.

In 1952, pianist Krzysztof Komeda joined the band and expanded their performance reach. They played at the first jazz festival in Sopot, Poland in 1956. 1958 saw them as the first Polish jazz band invited to perform at the National Philharmonic in Warsaw. The group disbanded that same year.

Until 1964 he performed both in Poland and abroad. The following year he began to mainly compose and conduct music for movies and commercials. Moving to Warsaw with his wife, Grażyna, saxophonist, pianist, composer and bandleader Jerzy Matuszkiewicz died on July 31, 2021 at 93.

ROBYN B. NASH

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Daily Dose Of Jazz…

George Mesterhazy was born April 8, 1954 in Hungary and came to the United States with his family when they fled Hungary following their country’s 1956 revolution. Settling first in upstate New York, they later moved to Atlantic City, New Jersey where he first played guitar and trumpet.

Switching to piano he became a professional musician, relocated to Los Angeles, California but eventually became well known in the area of Cape May, New Jersey.

Mesterhazy had recently released a new album with singer Paula West, Live at Jazz Standard, and the pair was scheduled to play the New York club together in May.

He was nominated for a Grammy for his arranging work on Shirley Horn’s 1997’s Loving You album, on which he also played. George also played with Les Paul, Bernadette Peters and others.

At Rowan University he ran the jazz piano program, taught privately and managed Cape May’s Merion Inn. Pianist and composer George Mesterhazy died quietly in his sleep at his home in Cape May on April 11, 2019 of natural causes. He was 59.

ROBYN B. NASH

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Daily Dose Of Jazz…

Tony Vella was born on April 4, 1937 in Terrasini, a Sicily commune in the metropolitan city of Palermo, Itlay. In 1957 he gained immense experience working with big and small configurations. In Italyhe was the main arranger, for numerous important record houses.

From 1972 he dedicated his efforts to cultural activities and the formation of young talents holding theory courses, and practical instrumental and ensemble music applied to jazz music. By 1975 Tony participated in the Pescara the Jazz Festival with the New Jazz Society of Palermo, the only Italian group invited to perform along with the Zoot Sims Quartet, Antony Braxton, Elvin Jones Quintet, Red Norvo Trio, Chet Baker Quartet, Charles Mingus Group, Roland Kirk Quintet and Don Cherry Organic Music Theatre.

Three years later he formed and directed L’Orchestra in collaboration with the Reinhardt Center for their concert season. Organized by the Associazione Siciliana Amici della Musica and introduced to Auditorium SS. Salvatore of Palermo.

In the Eighties Vella was a partr of the Messina Jazz Meeting with the Brass Group Big Band, as orchestra director and arranger. With the band he has collaborated with international musicians Archie Shepp, Hernie Wilkins, Mel Lewis, Sam Rivers, Toshiko Akiyoshi, Paolo Lepore, Franco Cerri, and Danilo Terenzi.

The next decade he established The Tony Vella Fusion Jazz Band entirely composed from young Sicialian musicians. A big band, modeled on some of the great American orchestras like Quincy Jones. The Fusion Jazz Band presented remarkable arrangements of a repertoire that includes Brazilian and popular jazz. They accompanied singers Beppe Vella, Gaetano Riccobono, and Tony Piscopo, as well as numerous musicians such asCalderone Ignazio, Aldo Oliveri, Benedetto Modica, Giovanni Mazzarino, Sergio Munafò, Aldo Messina, and Sebastiano Alioto, among others.

Pianist, organist, composer, arranger and orchestra director Tony Vella continues to perform, conduct and record.

ROBYN B. NASH

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