GABRIELLE CAVASSA

Gabrielle Cavassa is an American vocalist-composer of Italian descent who is garnering attention for her distinctive voice and intimate expression. She was crowned a winner of the International Sarah Vaughan Jazz Vocal Competition in 2021 after the independent release of her critically acclaimed debut album. Gabrielle is featured on celebrated saxophonist Joshua Redman’s inaugural album with Blue Note Records, Where Are We.

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Róbert Rátonyi was born December 13, 1953 in Budapest, Hungary. At the age of six he started to learn solfeggio before turning to the piano. He later became a student of Klára Géczy Fazekas, however, following his art studies and the grammar school graduation, he attended the Bartók Béla Music Conservatory, specializing in jazz.

His style of playing is influenced by Bill Evans, Ahmad Jamal, Bob James, Kenny Barron, Andy Laverne and Herbie Hancock. Beginning in 1975 he has played together with all leading Hungarian jazz musicians in concerts and festivals at home and abroad.

Besides jazz, he is one of the most frequently engaged studio musicians. He has written and composed music for numerous films, theatre, shows and advertisements. He is also a consummate accompanist for many vocalists.

Pianist, arranger, and composer Róbert Rátonyi, known for his work in jazz and studio music, while also teaching jazz piano and electronic instruments, has been awarded the Artisjus Award and continues to perform and record.

CALIFORNIA JAZZ FOUNDATION

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Isabel Hernandez-Cata was born on December 9 and raised in the Washington, D.C. metropolitan area. She completed undergraduate studies in music at University of Rochester, a Masters degree in Music Education from Boston University and Jazz Studies – Vocal Performance from the University of North Texas.

She founded the Isabel Hernandez-Cata quintet featuring a fluid lineup with guitarist Greg Loman. They met while working at a community theatre. They have performed with numerous DC jazz musicians Ricky Loza, Eric Byrd, Alison Miller, and Marcus Johnson.

A classical contralto, Isabel has sung in choirs, among them the National Philharmonic Chorale and Singers. Her diverse musical interests always return her to a love of the jazz art form to perform standards and jazz treatments of tunes from other modern music genres.

As an educator she teaches vocal music and piano in Montgomery County Public Schools. She has also served as vocal director, pit conductor keyboardist, and choreographer for dozens of school and community musical productions. She has been a choral director, combo leader, and teacher of Piano & AP Music Theory in Maryland Public Schools since 2001.

Hernandez-Cata composes, arranges, and performs as a jazz vocalist and bandleader. Her choirs have performed for US Presidents fifty times and she has had backing vocal stints for Al Green and Lionel Richie.

Vocalist Isabel Hernandez-Cata continues to perform, compose, conduct and educate.

CALIFORNIA JAZZ FOUNDATION

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Fabrizio Mocata was born on December 8, 1977 in Sicily, Italy. He established himself as a maestro in the music business thanks to his knowledge of the primary jazz genre and proficiency in the subgenre of smooth jazz.

His music seamlessly combines the rich traditions of jazz, classical music with smooth jazz. His creativity is distinguished by his combining complex melodies and harmonies.

Mocata is a well-known talent in the jazz world and has had an enduring impression on the jazz community.

Pianist, arranger and composer Fabrizio Mocata continues to create and perform.

CALIFORNIA JAZZ FOUNDATION

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Miroslav Ladislav Vitouš was born on December 6, 1947 in Prague, Czechoslovakia. He began the violin at age six, switching to piano after about three years, and then to bass at age fourteen. As a young man in Europe, he was a competitive swimmer but one of his early music groups was the Junior Trio with his brother Alan on drums and Jan Hammer on keyboards.

He studied music at the Prague Conservatory and won a music contest in Vienna, Austria in 1966 that gave him a scholarship to the Berklee College of Music in Boston, Massachusetts which he attended one year before going to Chicago, Illinois to play with trombonist Bob Brookmeyer and flugelhorn pioneer Clark Terry.

When Miles Davis saw him playing in Chicago with Brookmeyerin 1967 and invited him to join his group playing at the Village Gate in New York City. It was with Davis that Vitouš first encountered saxophonist Wayne Shorter, keyboardist Herbie Hancock and the Davis-centric scene that was transforming mainstream jazz from late hard bop into what would be known as jazz fusion.

1968 saw the first of Vitouš’s partnerships with Roy Ayers, and Herbie Mann, Bennie Maupin, and Stanley Cowell. The following year, Vitouš recorded his debut album as a bandleader, Infinite Search for Mann’s Embryo label. He recorded with Larry Coryell’s Spaces with John McLaughlin, Corea, and drummer Billy Cobham.

In 1969 he recorded with Shorter, McLaughlin, Jack DeJohnette, Corea, and Brazilian percussionist Airto Moreira. The following year he continued as bandleader as he recorded Purple for Columbia, supported by McLaughlin, Cobham and the keyboardist Joe Zawinul. Then Shorter, Zawinul, and Vitouš formed the founding core of the jazz group Weather Report. Creative differences between him and Zawinul facilitated his departure from the group. Leaving the group he moved on to an illustrious career leading his own band and winning respect as a composer.

Double bassist, bass guitarist and composer Miroslav Vitouš continues his performing, recording and composing to this day.

CALIFORNIA JAZZ FOUNDATION

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