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Saudade is an album by Brazilian composer Moacir Santos recorded in 1974 and released on the Blue Note label. The album was recorded at United Artists Studios in West Hollywood, California on March 5, 6 & 12, 1974.
The compositions that make up the album are Early Morning Love (Santos, Yanna Cotti) – 3:25, A Saudade Matta a Gente (Antonio Almeida, J. de Barro) – 6:10, Off and On (Santos, Cotti) – 3:37, The City of LA (Mark Levine) – 3:38, Suk Cha (Santos) – 4:06, Kathy (Santos, Ray Evans, Jay Livingston) – 3:37, Haply-Happy (Santos, Petsye Powell) – 2:59, Amphibious (Santos, Assis) – 3:25, This Life (Santos, Cotti) – 2:33 and lastly What’s My Name (Santos, Evans, Livingston) – 3:07.
The players were Moacir Santos – alto saxophone, baritone saxophone, conductor, arranger, Steve Huffsteter – trumpet, flugelhorn, Benny Powell – trombone, Morris Repass – bass trombone, Sidney Muldrow – french horn, Ray Pizzi – bassoon, alto saxophone, tenor saxophone, flute, piccolo, Jerome Richardson – soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, flute, alto flute, Mark Levine – piano, electric piano, arranger, Lee Ritenour – guitar, electric guitar, John Heard – bass, electric bass, Harvey Mason – drums, Mayuto Correa, Carmelo Garcia – conga, percussion, and Donald Alves, Mike Campbell, Jose Marino, Petsye Powell, Carmen Saveiros, Regina Werneck on background vocals.
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Requisites
The album by Claus Ogerman and His Orchestra, Watusi Trumpets, was recorded and released in 1965 on the RCA Victor label. All the compositions were arranged, written and conducted by Ogerman, produced by Andy Wiswell and the session engineer was Mickey Crofford. The liner notes were written by Arnold Falleder.
The tracklist includes It’s Not Unusual, Stingray, Watusi Trumpets, El Watusi, Downtown and Right Now on Side A. Along with the B side featuring Harlem Watch, One Step Above, The Joker, Poinciana, La Bamba and Land Of 1,000 Dances. Filled with jazz, rock, soul, lounge and Latin rhythms this is an inspired look at a number of pop, rock, Brazilian and a classic tunes.
Steeped in the music of the Sixties this finger-popping disc may not change your life but just may take you back to those mod years and have you shaking on the dance floor.
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Karel Vlach, born in Prague, Czech Republic on October 8, 1911 and founded his first orchestra in 1938. Over the years many important composers, instrumentalists and arrangers of the Czech jazz scene went through his band.
From 1947 to 1948 Vlach’s orchestra performed at the V+W Theatre, recorded prolifically with Supraphon and his albums include both light classical, orchestral, jazz and pop arrangements for big band with strings.
During the decades from 1940to 1980 Karel arranged and conducted many Czech film scores, launched the singing careers of Czech artists Yvetta Simonová and Milan Chladil. He and his musical colleagues Dalibor Brazda and Gustav Brom also arranged and recorded many titles that are now a part of the Great American Songbook for British singer Gery Scott in the late 1950s.
Dance orchestra conductor and arranger Karel Vlach passed away on February 26, 1986 in Prague.
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Henry Mancini was born Enrico Nicola Mancini on April 16, 1924 in the Little Italy neighborhood of Cleveland, Ohio and was raised in the steel town of West Aliquippa near Pittsburgh, Pennsylvania. He began piccolo lessons at age eight, by 12 began piano lessons and played flute in the Aliquippa Italian immigrant band, “Sons of Italy”. After graduating from high school he went to Juilliard School of Music and after one year of study was drafted into the Army, where in 1945 was part of the liberation force of a southern Germany concentration camp.
After the war years Mancini entered the music industry as a pianist and arranger for the newly re-formed Glenn Miller Orchestra. He went on to broaden his skills in composition, counterpoint, harmony and orchestration during subsequent studies. By 1952 he joined the Universal Pictures music department and over the next six years contributed music to over 100 movies, most notably The Glenn Miller Story, The Benny Goodman Story, Touch of Evil and The Creature from the Black Lagoon. It was also during this period that he wrote his first hit single for Guy Lombardo and His Royal Canadians titled I Won’t Let You Out of My Heart.
Henry left Universal International to work as an independent composer and arranger in 1958 and soon scored the television series Peter for writer and producer Blake Edwards. This was the genesis of a relationship in which Edwards and Mancini collaborated on 30 films over 35 years and was one of several pioneers introducing jazz elements in the late romantic orchestral film and TV scoring prevalent at the time.
Mancini’s scored film songs Moon River, Days of Wine and Roses, The Pink Panther, A Time For Us, Baby Elephant Walk, and the Love Theme from Romeo and Juliet as well as many TV shows and movies such as the Thorn Birds, Peter Gunn and Remington Steele. Among his many singers he worked with frank Sinatra, Tony Bennett, Julie London, Peggy Lee among a host of others. He recorded over 90 albums, eight certified gold by the RIAA, a twenty-year contract with RCA that culminated in 60 commercial albums. Many of his songs have become jazz standards, most notably, Charade, Moment To Moment, Two For The Road, Love Story, Slow Hot Wind, Moonlight Sonata, The Pink Panther, The Days of Wine and Roses and Moon River.
Composer, arranger and conductor Henry Mancini died of pancreatic cancer in Los Angeles, California on June 14, 1994. He was working at the time on the Broadway stage version of Victor/Victoria, which he never saw on stage. Mancini was nominated for an unprecedented 72 Grammys, winning 20; nominated for 18 Academy Awards, winning four; won a Golden Globe Award, nominated for two Emmys, was posthumously Grammy Lifetime Achievement Award and honored with a 37 cent postage stamp in 2004.
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Daily Dose Of Jazz…
Maria Schneider was born on November 27, 1960 in Windom, Minnesota and started playing piano as a child. She studied music theory and composition at the University of Minnesota, followed by earning a Masters of Music from the Eastman School of Music and studying for one year at the University of Miami.
After Eastman she became an apprentice arranger under Gil Evans, collaborating with him for the next several years, producing arrangements commissioned by Sting and scoring the films “The Color of Money” and “Absolute Beginners”. Schneider went on to study with Bob Brookmeyer from 1986 to 1991, concurrently worked as a freelance arranger in New York.
She formed The Maria Schneider Jazz Orchestra in 1993, appearing weekly at Visiones in Greenwich Village for five years, then hit the festival circuit and toured Europe. In 2005, her album “Concert In The Garden” won a Grammy for “Best Large Ensemble Album” and was the first Grammy for a work sold entirely via the Internet. Her second Grammy came for Cerulean Skies from her 2007 Sky Blue project for Best Instrumental Composition.
Maria was one of the first artists to use ArtistShare to produce an album, and the composer, arranger and big-band leader has garnered recognition from the Jazz Journalist Association as Composer of the Year, Arranger of the Year and Large Jazz Ensemble of the Year.
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