Daily Dose Of Jazz…
Albert “Abbie” Brunies was born on January 19, 1900 in New Orleans, Louisiana into a famous musical family, which counted among its members George Brunies and Merritt Brunies.
He was the leader of the Halfway House Orchestra from 1919 to about 1927, playing at the Halfway House Club in New Orleans. This ensemble recorded for Okeh Records in 1925. Among the musicians who played in this group were New Orleans Rhythm Kings members Charlie Cordella, Mickey Marcour, Leon Rappolo, Sidney Arodin, Bill Eastwood, Joe Loyacano and Leo Adde.
He played in New Orleans into the mid-1940s, after which time he moved to Biloxi, Mississippi. There he played with Merritt in the Brunie Brothers Dixieland Jazz Band. Unfortunately, this ensemble recorded sparsely. Cornetist Abbie Brunies transitioned on October 2, 1978.
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Daily Dose Of Jazz…
James Douglas “Trump” Davidson was born on November 26, 1908 in Sudbury, Ontario, Canada. He formed one of Canada’s earliest jazz bands in 1925, under the name The Melody Five. From 1929 to 1936 he played in Luigi Romanelli’s orchestra, then led a dance band from 1937 to 1942, which broadcasted on NBC and toured in the United Kingdom with Ray Noble in 1938–39.
In 1942 during World War II he worked in Horace Lapp’s orchestra in 1942, then led a dance band in Toronto, Canada at the Palace Pier from 1944 until 1962. This group appeared often on CBC radio and recorded several times during the 1960s. He led a big band from 1974 to 1978, also singing with this group.
Cornetist, singer and bandleader Trump Davidson passed away on May 2, 1978 at the age of 69 in his hometown.
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Daily Dose Of Jazz…
Singleton Palmer was born on November 13, 1912 in St. Louis, Missouri and began playing cornet at age 11, and was actively playing gigs with the Mose Wiley Band in St. Louis by 14. 1928 saw him playing tuba, and joined Oliver Cobb’s Rhythm Kings in 1929. His first recordings were with Cobb in 1929, and he continued to perform with the band through 1934.
Following Cobb’s death in 1931, Eddie Johnson took over leadership for the band, renaming it the St. Louis Crackerjacks. He recorded with the band under Johnson’s leadership in 1932, and switched to string bass in 1933. The following year Palmer joined Dewey Jackson on the riverboats, performing with him until 1941.
Singleton took a job at Scullin Steel, where he joined the company’s 45-piece big band, which performed for the employees in the cafeteria during the daily lunch hour. Additionally he began performing with George Hudson’s first band in 1941, continuing until 1947. Toward the end of the decade he got higher-profile performing and recording opportunities, including with Clark Terry in 1947 and Jimmy Forrest in 1948. In 1947 he joined Count Basie’s 18-piece jazz band, touring for 3 years and recording 11 sides.
In 1950 Palmer left Basie’s group and started his own band, the Dixieland Six. He led this Dixieland jazz ensemble in jam sessions at the Universal Dance Hall on the DeBaliviere Strip, performed at Gaslight Square at the Opera House, and recorded six albums between 1960 and 1967. Late in his life he became a source for jazz historians, offering oral history testimonies of his early years in the music industry.
Multi-instrumentalist Singleton Palmer, who played bass, cornet and tuba, and recorded with blues musicians Big Joe Williams and Sonny Boy Williamson, passed away on March 8, 1993, St. Louis.
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Daily Dose Of Jazz…
Steve Lane was born on November 7, 1921 in London, England where his father was a concertina player who recorded with the Rio Grande Tango Orchestra in the 1920s. Having heard his first jazz in the Rhythm Clubs of the late 1930s, his first choice of instrument was guitar, but, following wartime service, he switched to the cornet on which he soon developed a jazz style based on the hot trumpeters of the 1920s he so much admired, with particular emphasis on his role leading the collective ensemble.
A gifted composer of vocal and instrumental pieces, he deftly incorporated female vocalists as an integral part of the band, thus presenting a range of songs carefully chosen to showcase the singer, and the supporting musicians strictly trained in the art of accompaniment. A taskmaster offering little compensation and weekly rehearsals, his personnel changed often but allowed him the ability to discover young talent such as pianists Martin Litton and Bruce Boardman and trombonist Bob Hunt.
Steve led his own Southern Stompers jazz band in the early 1950, and also led and recorded with his Red Hot Peppers and the VJM Washboard Band for over 50 years. In 1952 he established the Ealing Jazz Club, and in the Sixties establishe the West End Jazz Club and was a founding partner of VJM Records.
Cornetist, guitarist, composer, arranger and bandleader Steve Lane, who was a traditional jazz player, passed awya on August 22, 2015 at age 93.
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Daily Dose Of Jazz…
Thomas Mossie McQuater was born on September 4, 1914 in Maybole, Ayrshire, Scotland. Showing early signs of musical talent and largely self-taught, he began on the cornet but by the age of 11 was a regular member of the Maybole Burgh Band. The brass band won several competitions in the late 1920s and they played at local events and dances.
Turning professional in his teens, Tommy got a regular position with Louis Freeman’s Band, which played at Greens Playhouse in Glasgow. In 1934, at 20, he was offered a job with one of London, England’s most renowned bands, the Jack Payne Orchestra, playin in London and Paris, France. His next stint was with the Lew Stone Band and made the classic recording of Pardon Me, Pretty Baby.
In the 1940s, after joining The Squadronaires, he worked with the BBC Showband in 1945. He often performed with John McLevy in the 1970s and 1980s. In his later years, he concentrated his energy playing around the Ealing Jazz Festival. Trumpeter, flugelhornist and cornetist Tommy McQuater passed away on January 20, 2008 in London, England at the age of 93.
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