Daily Dose Of Jazz…
Mario Rivera was born on July 22, 1939 in Santo Domingo, Dominican Republic and learned to play during his childhood. Moving to New York City in 1961 at 22 he started working with singer Joe Valle as his accompanist. He spent two years with bandleader Tito Rodríguez. During his career he worked with Mongo Santamaria, Eddie Palmieri, and Machito.
From the 1970s to the 1990s he worked with Tito Puente. Both appeared in the films Calle 54 and The Mambo Kings. In 1988 he became a member of the United Nations Orchestra led by Dizzy Gillespie. He was also a member of the Afro-Cuban Jazz Band led by Chico O’Farrill. His only solo album, El Commandante, was released in 1996.
He recorded seventy-six albums as a sideman with Willie Colon, Cheo Feliciano, Dizzy Gillespie, Kip Hanrahan, Conrad Herwig, Giovanni Hidalgo, Chico O’Farrill, Eddie Palmieri, Tito Puente, Tito Rodriguez, Típica 73, Africando, Alfredo “Chocolate” Armenteros, Soledad Bravo, George Coleman, Junior Cook, Rafael Cortijo, Tito Gomez, Jerry Gonzalez, Juan Luis Guerra, La Lupe, Machito, Arturo O’Farrill, Pat Patrick, Bobby Paunetto, Daniel Ponce, Louie Ramirez, Paquito D’Rivera, Alfredo Rodriguez, Mongo Santamaria, Laba Sosseh, Juan Pablo Torres, Stanley Turrentine, Dave Valentin, Fernando Villalona, and Pete Yellin.
Saxophonist Mario Rivera, who also played trumpet, flute, piano, vibraphone, congas, and drums, died from cancer on August 10, 2007 in New York City.
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Daily Dose Of Jazz…
Kirk Whalum was born July 11, 1958 in Memphis, Tennessee into a musical family, singing in his father’s church choir. He got his love of music from his piano teacher grandmother and two uncles who performed with jazz bands around the country. After graduating from Melrose High School he attended Texas Southern University where he was a member of the renowned Ocean of Soul Marching Band.
By 1986 he performed at Jean-Michel Jarre’s giant concerts Rendez-Vous Houston and Rendez-Vous Lyon. Whalum would go on to record with Jevetta Steele, Luther Vandross and tour with Whitney Houston, soloing on her single I Will Always Love You.
Kirk has worked on a number of film scores, including for The Prince of Tides, Boyz n the Hood, The Bodyguard, Grand Canyon, Cousins and contributed to the 2008 documentary film Miss HIV. As a leader he has recorded a series of well received albums and has twelve Grammy nominations and his first Grammy award in 2011 for Best Gospel Song.
He is the inaugural Jazz Legend honoree of the National Museum of African American Music in Nashville, Tennessee, joined the faculty of Visible Music College and received a Brass Note on Historic Beale Street, both in Memphis.
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Daily Dose Of Jazz…
Christiaan Herbert “Chris” Hinze was born June 30, 1938 in Hilversum, Netherlands. He initially performed publicly as a pianist until the mid-Sixtiess, when he began studying flute at the Royal Conservatory of The Hague and then came to America and Berklee College of Music.
As a pianist, he played with Boy Edgar until 1966, but by 1967 was playing flute professionally with the bassist Dick van der Capellen. His first releases as a leader were issued in 1969, and in 1970, and was awarded the Best Soloist prize at the Montreux Jazz Festival.
The 1970s saw him forming his own ensemble, the Chris Hinze Combination, which included Gerry Brown and John Lee, which produced some success with arrangements of Baroque music in a jazz setting. He founded the record label Keytone Records in the mid-1970s.
In the 1980s, Hinze played for several years in a duo with Sigi Schwab and continued touring with a new version of his Combination. He began studying the music of Tibet and South Asia in the middle of the decade, forming a world music ensemble which shifted toward more new age and electronic music styles rather than jazz.
Flautist Chris Hinze continues to compose and perform.
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ALTHEA RENÉ
Born on December 25th in Detroit, Michigan Althea René began her musical journey at the tender age of four. She studied classical music while attending Howard University. She gained musical inspiration from her father Dezie McCullers (one of Motown’s original Funk Brothers). She has since developed her own creative style. Some regard her as a “master of her craft” and one of the world’s most exciting solo improvisational flutists. The multi-platinum and Grammy-nominated saxophonist Najee playfully refers to her as the “Maceo of the flute”.
With a passionate mission to mentor women in the entertainment industry, Althea René authored an autobiography entitled “Becoming Chocolate Barbie – a guide for professional women in the music business” in June 2018. The book was written in an interview format so that readers may easily use it as a reference resource. Women who aspire for a life in business can appreciate the insights she shares.
Althea René gained musical inspiration from her father Dezie McCullers (one of Motown’s original Funk Brothers). She has since developed her own creative style. Some regard her as a “master of her craft” and one of the world’s most exciting solo improvisational flautists. The multi-platinum and Grammy-nominated saxophonist Najee playfully refers to her as the “Maceo of the flute”.
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Daily Dose Of Jazz…
Arthur Doyle was born June 26, 1944 in Birmingham, Alabama and was inspired to play music as a child after watching Louis Armstrong and Duke Ellington on television. During his high school years, he began listening to Miles Davis, John Coltrane and Sonny Rollins, and picked up gigs as a saxophonist. While still a teenager, he played with saxophonist Otto Ford, trumpeter Walter Miller and in R&B and blues groups.
After graduating high school, Doyle attended Tennessee State University in Nashville, receiving a degree in Music Education. While there he played with trumpeter Louis Smith and singers Gladys Knight and Donny Hathaway. He briefly went to Detroit, Michigan to play with hard bop trumpeter Charles Moore. He gravitated toward free jazz after playing at a Black Panthers festival.
Moving to New York City in 1968, Doyle worked with Sun Ra and Bill Dixon, and met and befriended saxophonist Pharoah Sanders and guitarist Sonny Sharrock. The following year, he recorded with Noah Howard and while in the city he met drummer Milford Graves, who encouraged him to pursue his natural affinity for pure sound. In 1977 he recorded his debut album Alabama Feeling, his first as a leader. He began playing with guitarist Rudolph Grey, and in 1980 along with Grey and drummer Beaver Harris, they became known as The Blue Humans and recorded Live NY 1980.
At around this time, Arthur began struggling with anxiety issues, and moved to Endicott, New York, where he worked as a counselor. In 1981, he moved to Paris, France where he began an association with multi-instrumentalist Alan Silva and his Celestrial Communication Orchestra, and participated in the recording of the album Desert Mirage in 1982. The following year, while in France, he was accused of rape and imprisoned. Maintaining his innocence he was pardoned and released in 1988 and during his time in prison, he wrote over 150 songs and assembled what he called the Arthur Doyle Songbook.
In the early Nineties Doyle returned to the United States, moving back to Endicott, and restarted his involvement in music. He resumed his association with Grey, playing at CBGB and releasing Arthur Doyle Plays and Sings from the Songbook Volume One on Grey’s Audible Hiss label. Over the next decade, he played and recorded with drummers Hamid Drake, Sabu Toyozumi, and Sunny Murray, among others, and formed The Arthur Doyle Electro-Acoustic Ensemble.
Saxophonist, bass clarinetist, flutist, and vocalist Arthur Doyle, who was best known for playing what he called free jazz soul music, died on January 25, 2014 in his hometown.
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