Daily Dose Of Jazz…

Kirk Whalum was born July 11, 1958 in Memphis, Tennessee into a musical family, singing in his father’s church choir. He got his love of music from his piano teacher grandmother and two uncles who performed with jazz bands around the country. After graduating from Melrose High School he attended Texas Southern University where he was a member of the renowned Ocean of Soul Marching Band.

By 1986 he performed at Jean-Michel Jarre’s giant concerts Rendez-Vous Houston and Rendez-Vous Lyon. Whalum would go on to record with Jevetta Steele, Luther Vandross and tour with Whitney Houston, soloing on her single I Will Always Love You.

Kirk has worked on a number of film scores, including for The Prince of Tides, Boyz n the Hood, The Bodyguard, Grand Canyon, Cousins and contributed to the 2008 documentary film Miss HIV. As a leader he has recorded a series of well received albums and has twelve Grammy nominations and his first Grammy award in 2011 for Best Gospel Song.

He is the inaugural Jazz Legend honoree of the National Museum of African American Music in Nashville, Tennessee, joined the faculty of Visible Music College and received a Brass Note on Historic Beale Street, both in Memphis.

GRIOTS GALLERY

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Daily Dose Of Jazz…

Christiaan HerbertChrisHinze was born June 30, 1938 in Hilversum, Netherlands. He initially performed publicly as a pianist until the mid-Sixtiess, when he began studying flute at the Royal Conservatory of The Hague and then came to America and Berklee College of Music.

As a pianist, he played with Boy Edgar until 1966, but by 1967 was playing flute professionally with the bassist Dick van der Capellen. His first releases as a leader were issued in 1969, and in 1970, and was awarded the Best Soloist prize at the Montreux Jazz Festival.

The 1970s saw him forming his own ensemble, the Chris Hinze Combination, which included Gerry Brown and John Lee, which produced some success with arrangements of Baroque music in a jazz setting. He founded the record label Keytone Records in the mid-1970s.

In the 1980s, Hinze played for several years in a duo with Sigi Schwab and continued touring with a new version of his Combination. He began studying the music of Tibet and South Asia in the middle of the decade, forming a world music ensemble which shifted toward more new age and electronic music styles rather than jazz.

Flautist Chris Hinze continues to compose and perform.

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ALTHEA RENÉ

Born on December 25th in Detroit, Michigan Althea René began her musical journey at the tender age of four. She studied classical music while attending Howard University. She gained musical inspiration from her father Dezie McCullers (one of Motown’s original Funk Brothers). She has since developed her own creative style. Some regard her as a “master of her craft” and one of the world’s most exciting solo improvisational flutists. The multi-platinum and Grammy-nominated saxophonist Najee playfully refers to her as the “Maceo of the flute”.

With a passionate mission to mentor women in the entertainment industry, Althea René authored an autobiography entitled “Becoming Chocolate Barbie – a guide for professional women in the music business” in June 2018. The book was written in an interview format so that readers may easily use it as a reference resource. Women who aspire for a life in business can appreciate the insights she shares.

Althea René gained musical inspiration from her father Dezie McCullers (one of Motown’s original Funk Brothers). She has since developed her own creative style. Some regard her as a “master of her craft” and one of the world’s most exciting solo improvisational flautists. The multi-platinum and Grammy-nominated saxophonist Najee playfully refers to her as the “Maceo of the flute”.

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Daily Dose Of Jazz…

Arthur Doyle was born June 26, 1944 in Birmingham, Alabama and was inspired to play music as a child after watching Louis Armstrong and Duke Ellington on television. During his high school years, he began listening to Miles Davis, John Coltrane and Sonny Rollins, and picked up gigs as a saxophonist. While still a teenager, he played with saxophonist Otto Ford, trumpeter Walter Miller and in R&B and blues groups.

After graduating high school, Doyle attended Tennessee State University in Nashville, receiving a degree in Music Education. While there he played with trumpeter Louis Smith and singers Gladys Knight and Donny Hathaway. He briefly went to Detroit, Michigan to play with hard bop trumpeter Charles Moore. He gravitated toward free jazz after playing at a Black Panthers festival.

Moving to New York City in 1968, Doyle worked with Sun Ra and Bill Dixon, and met and befriended saxophonist Pharoah Sanders and guitarist Sonny Sharrock. The following year, he recorded with Noah Howard and while in the city he met drummer Milford Graves, who encouraged him to pursue his natural affinity for pure sound. In 1977 he recorded his debut album Alabama Feeling, his first as a leader. He began playing with guitarist Rudolph Grey, and in 1980 along with Grey and drummer Beaver Harris, they became known as The Blue Humans and recorded Live NY 1980.

At around this time, Arthur began struggling with anxiety issues, and moved to Endicott, New York, where he worked as a counselor. In 1981, he moved to Paris, France where he began an association with multi-instrumentalist Alan Silva and his Celestrial Communication Orchestra, and participated in the recording of the album Desert Mirage in 1982. The following year, while in France, he was accused of rape and imprisoned. Maintaining his innocence he was pardoned and released in 1988 and during his time in prison, he wrote over 150 songs and assembled what he called the Arthur Doyle Songbook.

In the early Nineties Doyle returned to the United States, moving back to Endicott, and restarted his involvement in music. He resumed his association with Grey, playing at CBGB and releasing Arthur Doyle Plays and Sings from the Songbook Volume One on Grey’s Audible Hiss label. Over the next decade, he played and recorded with drummers Hamid Drake, Sabu Toyozumi, and Sunny Murray, among others, and formed The Arthur Doyle Electro-Acoustic Ensemble.

Saxophonist, bass clarinetist, flutist, and vocalist Arthur Doyle, who was best known for playing what he called free jazz soul music, died on January 25, 2014 in his hometown.

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Daily Dose Of Jazz…

Jan Leder was born May 19, 1958 and raised in New York City and pursued her love for improvisation after twelve years of studying classical music. She studied for three years with pianist Lennie Tristano and then continued her jazz studies with pianist Connie Crothers for over ten years. A self-styled course of study in jazz history at SUNY Purchase led to her compilation of the first comprehensive history of women in jazz titled Women in Jazz: A Discography of Instrumentalists 1913-1968.

In February 1997 Monad Records released her first recording, Passage To Freedom, which was recorded live at the Five Spot in New York City. In 1999 Jan recorded Nonchalant, a collection of mostly original melodies.

Ms. Leder leads her own jazz ensembles in the New York City area, appearing at nightclubs, festivals, cultural functions and other public and private engagements. Her repertoire includes standard bebop, swing, blues and bossa novas as well as her own unique jazz compositions and those of her musical colleagues, including drummer/big band leader Art Lillard, with whom Jan collaborated on numerous compositions, mostly writing lyrics to his catchy songs.

From 1987 to 2012 Jan was a member of the flute section in Art Lillard’s Heavenly Band. Jan was also a member of a group of jazz flutists called the NY Jazz Flutet that included Dotti Anita Taylor, Elise Wood, Michele Smith and Chip Shelton along with drummer Art Lillard.

She entertains at healthcare facilities, teaches workshops and seminars, plays at fundraisers and jazz festivals. She has toured around the world, and composed pop, r&b, theater and film music. Leder has worked with the 9th Street Stompers, a popular local jazz band, playing their unique variety of jazz styles in parades, street fairs and other venues.

Flutist Jan Leder, who is a writer and publisher member of the American Society of Composers, Authors and Publishers and a member of the National Association of Music Publishers, continues to perform, compose and teach jazz improvisation.

SUITE TABU 200

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