Daily Dose Of Jazz…
Bill DeArango was born William Louis DeArango on September 20, 1921 in Cleveland, Ohio. A self-taught on guitar, while attending Ohio State University, he played with Dixieland bands at night. After serving in the Army from 1942–44, he moved to New York City and worked first with Don Byas and Ben Webster.
A year later, Bill was playing on an album with Sarah Vaughan, Charlie Parker, and Dizzy Gillespie. Working as a sideman with Eddie “Lockjaw” Davis, Ike Quebec, Slam Stewart, he then led his own band with Terry Gibbs.
In 1947, DeArango returned to Cleveland and performed locally for two decades, recorded an album with pianist John Williams in 1954. By the 1960s had opened up a guitar store, taught guitar lessons, and late in the decade, he managed the rock band Henry Tree. Performing regularly in the Seventies at Cleveland’s Smiling Dog Saloon working with Ernie Krivda and Skip Hadden, mixing hard rock and free jazz.
His next recording was on the album Another Time/Another Place by Barry Altschul, then 298 Bridge Street by Kenny Werner, and Names by Jamey Haddad. In 1993, he released his second solo album, Anything Went, with Joe Lovano.
He entered a nursing home in 1999 and suffered dementia until his death seven years later, although he continued performing locally until late 2001. Guitarist William DeArango passed away on December 26, 2005 in his hometown.
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The Quarantined Jazz Voyager
Idle Moments by guitarist Grant Green is this week’s jazz album that the quarantined jazz voyager has chosen to spotlight. It was recorded on November 4 and 15, 1963 at Van Gelder Studios in Englewood Cliffs, New Jersey, however, it wasn’t released until February 1965 on the Blue Note Records label.
The album was produced by Alfred Lion and is best known for the title piece, a slow composition in C minor which lasts for nearly 15 minutes. Pearson, who wrote the song, explains in his liner notes to the album that the tune was meant to be much shorter. Due to the musicians repeating the main melody twice, however, there was some confusion as to whether or not one chorus would consist of 16 or 32 measures.
Track Listing | 42:45
- Idle Moments (Pearson) ~ 14:56
- Jean De Fleur (Green) ~ 6:49
- Django (John Lewis) ~ 8:44
- Nomad (Pearson) ~ 12:16
Personnel
- Grant Green – guitar
- Joe Henderson – tenor saxophone
- Duke Pearson – piano
- Bobby Hutcherson – vibraphone
- Bob Cranshaw – double bass
- Al Harewood – drums
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The Quarantined Jazz Voyager
As the social distancing and my personal quarantine continues, the next album this jazz voyager is East To Wes by guitarist Emily Remler. Recorded in May 1988 on the Concord Records label. This is her last session to be recorded and released before her death. Having put together one of the finest rhythm sections, it has been hailed as her finest effort.
Track Listing | 51:18- Daahoud (Clifford Brown) ~ 5:19
- Snowfall (Claude Thornhill) ~ 6:39
- Hot House (Tadd Dameron( ~ 5:45
- Sweet Georgia Fame (Blossom Dearie/Sandra Harris) ~ 5:38
- Battle For A Music Box (Emily Remler) ~ 7:25
- Blues For Herb (Emily Remler) ~ 6:26
- Softly In A Morning Sunrise (Oscar Hammerstein II/Sigmund Romberg) ~ 8:14
- East To Wes (Emily Remler) ~ 6:14
- Emily Remler ~ guitar
- Hank Jones ~ piano
- Buster Williams ~ double bass
- Marvin “Smitty” Smith ~ drums
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The Quarantined Jazz Voyager
Stone Flower is the sixth studio album by Antônio Carlos Jobim. Recorded over a period of seven sessions in 1970 on March 16, April 23, 24, 29, and May 8, 20, and 22nd by Rudy Van Gelder at Van Gelder Studio in Englewood Cliffs, New Jersey. The album was produced by Creed Taylor, the album was released on July 7, 1970 on CTI Records. The album peaked at #18 on the Jazz Albums chart in 1971 and #196 on the Billboard 200.
Track Listing | 33:47 All tracks composed by Antônio Carlos Jobim, except where noted- Tereza My Love ~ 4:24
- Children’s Games ~ 3:30
- Choro ~ 2:10
- Brazil (Ary Barroso) ~ 7:25
- Stone Flower ~ 3:21
- Amparo ~ 3:41
- Andorinha ~ 3:32
- God and the Devil in the Land of the Sun ~ 2:23
- Sabiá ~ 3:58
- Antônio Carlos Jobim – piano, electric piano, guitar, vocals
- Harry Lookofsky – violin
- Joe Farrell – soprano saxophone
- Urbie Green – trombone
- Hubert Laws – flute
- Ron Carter – double bass
- João Palma – drums
- Airto Moreira – percussion
- Everaldo Ferreira – percussion
- Eumir Deodato – guitar, arranger
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Daily Dose Of Jazz…
Richard Tobin McDonough was born on July 30, 1904 in New York City and began playing banjo and mandolin in high school. While matriculating through Georgetown University, he performed professionally at weekend dances and two years later started a band. Attending Columbia Law School he played with bands in New York City.
McDonough played with Red Nichols in 1927 as a banjoist, and soon after played with Paul Whiteman. He began studying the guitar and eventually was in demand for session work, recording with The Dorsey Brothers, Red Nichols, and Miff Mole. In the 1930s, he performed in a duo with jazz guitarist Carl Kress and cut several sessions with an orchestra under his own name, in addition to backing numerous other recording artists.
His session work with Mildred Bailey, Smith Ballew, The Boswell Sisters, Rube Bloom, Chick Bullock, The Charleston Chasers, Cliff Edwards, Gene Gifford, Benny Goodman, Adelaide Hall, Annette Hanshaw, Billie Holiday, Baby Rose Marie, Glenn Miller, Irving Mills, Red McKenzie, Johnny Mercer, Red Norvo, Fred Rich, Adrian Rollini, Pee Wee Russell, Ben Selvin, Artie Shaw, Frank Signorelli, Jack Teagarden, Claude Thornhill, Frankie Trumbauer, Joe Venuti, Don Voorhees, and Ethel Waters. He played in the Jam Session at Victor with Fats Waller, Bunny Berigan, and George Wettling.
Struggling with alcohol abuse during his adult life and guitarist Dick McDonough passed away of pneumonia on May 25, 1938 in New York City.
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