The Quarantined Jazz Voyager
Idle Moments by guitarist Grant Green is this week’s jazz album that the quarantined jazz voyager has chosen to spotlight. It was recorded on November 4 and 15, 1963 at Van Gelder Studios in Englewood Cliffs, New Jersey, however, it wasn’t released until February 1965 on the Blue Note Records label.
The album was produced by Alfred Lion and is best known for the title piece, a slow composition in C minor which lasts for nearly 15 minutes. Pearson, who wrote the song, explains in his liner notes to the album that the tune was meant to be much shorter. Due to the musicians repeating the main melody twice, however, there was some confusion as to whether or not one chorus would consist of 16 or 32 measures.
Track Listing | 42:45
- Idle Moments (Pearson) ~ 14:56
- Jean De Fleur (Green) ~ 6:49
- Django (John Lewis) ~ 8:44
- Nomad (Pearson) ~ 12:16
Personnel
- Grant Green – guitar
- Joe Henderson – tenor saxophone
- Duke Pearson – piano
- Bobby Hutcherson – vibraphone
- Bob Cranshaw – double bass
- Al Harewood – drums
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The Quarantined Jazz Voyager
As the social distancing and my personal quarantine continues, the next album this jazz voyager is East To Wes by guitarist Emily Remler. Recorded in May 1988 on the Concord Records label. This is her last session to be recorded and released before her death. Having put together one of the finest rhythm sections, it has been hailed as her finest effort.
Track Listing | 51:18- Daahoud (Clifford Brown) ~ 5:19
- Snowfall (Claude Thornhill) ~ 6:39
- Hot House (Tadd Dameron( ~ 5:45
- Sweet Georgia Fame (Blossom Dearie/Sandra Harris) ~ 5:38
- Battle For A Music Box (Emily Remler) ~ 7:25
- Blues For Herb (Emily Remler) ~ 6:26
- Softly In A Morning Sunrise (Oscar Hammerstein II/Sigmund Romberg) ~ 8:14
- East To Wes (Emily Remler) ~ 6:14
- Emily Remler ~ guitar
- Hank Jones ~ piano
- Buster Williams ~ double bass
- Marvin “Smitty” Smith ~ drums
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The Quarantined Jazz Voyager
Stone Flower is the sixth studio album by Antônio Carlos Jobim. Recorded over a period of seven sessions in 1970 on March 16, April 23, 24, 29, and May 8, 20, and 22nd by Rudy Van Gelder at Van Gelder Studio in Englewood Cliffs, New Jersey. The album was produced by Creed Taylor, the album was released on July 7, 1970 on CTI Records. The album peaked at #18 on the Jazz Albums chart in 1971 and #196 on the Billboard 200.
Track Listing | 33:47 All tracks composed by Antônio Carlos Jobim, except where noted- Tereza My Love ~ 4:24
- Children’s Games ~ 3:30
- Choro ~ 2:10
- Brazil (Ary Barroso) ~ 7:25
- Stone Flower ~ 3:21
- Amparo ~ 3:41
- Andorinha ~ 3:32
- God and the Devil in the Land of the Sun ~ 2:23
- Sabiá ~ 3:58
- Antônio Carlos Jobim – piano, electric piano, guitar, vocals
- Harry Lookofsky – violin
- Joe Farrell – soprano saxophone
- Urbie Green – trombone
- Hubert Laws – flute
- Ron Carter – double bass
- João Palma – drums
- Airto Moreira – percussion
- Everaldo Ferreira – percussion
- Eumir Deodato – guitar, arranger
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Daily Dose Of Jazz…
Richard Tobin McDonough was born on July 30, 1904 in New York City and began playing banjo and mandolin in high school. While matriculating through Georgetown University, he performed professionally at weekend dances and two years later started a band. Attending Columbia Law School he played with bands in New York City.
McDonough played with Red Nichols in 1927 as a banjoist, and soon after played with Paul Whiteman. He began studying the guitar and eventually was in demand for session work, recording with The Dorsey Brothers, Red Nichols, and Miff Mole. In the 1930s, he performed in a duo with jazz guitarist Carl Kress and cut several sessions with an orchestra under his own name, in addition to backing numerous other recording artists.
His session work with Mildred Bailey, Smith Ballew, The Boswell Sisters, Rube Bloom, Chick Bullock, The Charleston Chasers, Cliff Edwards, Gene Gifford, Benny Goodman, Adelaide Hall, Annette Hanshaw, Billie Holiday, Baby Rose Marie, Glenn Miller, Irving Mills, Red McKenzie, Johnny Mercer, Red Norvo, Fred Rich, Adrian Rollini, Pee Wee Russell, Ben Selvin, Artie Shaw, Frank Signorelli, Jack Teagarden, Claude Thornhill, Frankie Trumbauer, Joe Venuti, Don Voorhees, and Ethel Waters. He played in the Jam Session at Victor with Fats Waller, Bunny Berigan, and George Wettling.
Struggling with alcohol abuse during his adult life and guitarist Dick McDonough passed away of pneumonia on May 25, 1938 in New York City.
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Daily Dose of Jazz…
George Warren Barnes was born on July 17, 1921 in South Chicago Heights, Illinois. His father being a guitarist taught him to play the acoustic guitar at the age of nine. A year later, in 1931, Barnes’s brother made a pickup and amplifier for him. Barnes said he was the first person to play electric guitar.
From 1935~1937 he led a band that performed in the Midwest, 1938 he recorded the songs Sweetheart Land and It’s a Lowdown Dirty Shame with blues guitarist Big Bill Broonzy.
In doing so, it has been claimed that he became the first person to make a record on electric guitar, fifteen days before Eddie Durham recorded on electric guitar with the Kansas City Five, though the claim has been contested. In 1938, when he was seventeen, Barnes was hired as a staff guitarist for the NBC Orchestra, staff guitarist and arranger for Decca and recorded with Blind John Davis, Jazz Gillum, Merline Johnson, Curtis Jones, and Washboard Sam.
In 1940, Barnes released his first solo recording, I’m Forever Blowing Bubbles and I Can’t Believe That You’re in Love with Me on Okeh Records. Drafted in 1942 and serving in the Pentagon, after his discharge in 1946, he formed the George Barnes Octet and was given a fifteen-minute radio program on the ABC network.
In 1951, he was signed to Decca by Milt Gabler and moved from Chicago to New York City. In 1953, he joined the television orchestra on the show Your Hit Parade that was conducted by Raymond Scott and featured Barnes as a featured soloist. Working as a studio musician in New York City, playing on hundreds of albums and jingles from the early 1950s through the late 1960s. He played guitar on Patsy Cline’s New York sessions in April 1957.
In the Sixties, he recorded three albums for Mercury: Movin’ Easy (1960) with his Jazz Renaissance Quintet, Guitar Galaxies (1960), and Guitars Galore (1961). The latter two contained his orchestrations for ten guitars, known as his guitar choir, which used guitars in place of a horn section. The two albums employed a recording technique known as Perfect Presence Sound.
Barnes received the most attention as a jazz guitarist when he recorded as a duo with Carl Kress from 1961–1965. In 1969 Barnes formed a duo with jazz guitarist Bucky Pizzarelli that lasted until 1972. In 1973, he and cornetist Ruby Braff formed the Ruby Braff–George Barnes Quartet and recorded several albums.
He recorded seventeen albums as a leader and as a sideman, Barnes recorded another thirty-nine not limited to Louis Armstrong, Steve Allen, Tony Bennett, Jackie Cooper, Bob Dylan, Bud Freeman, Johnny Guarnieri, Dick Hyman, Betty Madigan, Wingy Manone, Carmen McRae, Jimmy McPartland, Sy Oliver, Don Redman, Buddy Rich, Gene Krupa, Jimmy Scott, Cootie Williams, and Joe Venuti.
As a studio musician, he also participated in hundreds of pop, rock, and R&B recording sessions. He played on many hit songs by the Coasters, on This Magic Moment by the Drifters, and on Jackie Wilson’s Lonely Teardrops. His electric guitar can be heard in the movie A Face in the Crowd.
He left New York City after his last European tour in 1975 to live and work in the San Francisco Bay area. Guitarist George Barnes, who was primarily a swing guitarist, passed away from a heart attack in Concord, California on September 5, 1977 at the age of 56.
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