Daily Dose Of Jazz…

Denman Maroney was born on July 25, 1949 in Durfort-et-Saint-Martin-de-Sossenac, Occitanie, France. He went on to receive his Bachelor of Arts from William College and his Masters of Fine Arts in composition and piano from the California Instute of the Arts.

He plays what he calls hyperpiano involves stopping, sliding, bowing, plucking, striking and strumming the strings with copper bars, aluminum bowls, rubber blocks, plastic boxes and other household objects. This is sometimes done with one hand while the other hand is used to play the keys.

He received a grant from the National Endowment for the Arts for his work and worked on a new soundtrack to go with German horror film The Cabinet of Dr. Caligari. As an educator he held a position of adjunct professor at Ramapo College of New Jersey in 2010 and is currently at Fairleigh Dickinson University.

Pianist and composer Denman Maroney continues to explore and create music.

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Daily Dose Of Jazz…

Benoît Quersin was born in Brussels, Belgium on July 24, 1927 into a family with a classical tradition. He met personalities like the composer Béla Bartókor and the pianist Stefan Askenaseat at a very young age. Shortly before the war, he discovered jazz secretly in his bedroom while listening to the records of Fats Waller and Louis Armstrong, then Belgian jazz bandleader Fud Candrix.

His beginnings as a musician were with the kids in his Brussels neighborhood. At the Liberation, Quersin set up his first orchestra. In 1947 he hired Jean Thielemans, who later became known as Toots, with whom he played for some time. He abandoned the piano for the double bass and obtained his first engagements. Toots took him to the Paris, France festival at a time when the headliners were Charlie Parker and Miles Davis.

Moving to Paris in 1950 he played and recorded with Sidney Bechet, Lionel Hampton, Sarah Vaughan, Dizzy Gillespie, Chet Baker, Lucky Thompson, Zoot Sims, Lee Konitz, Jimmy Gourley, Blossom Dearie, Mary Lou Williams, Kenny Clarke, and Jonah Jones among others. The French musicians were Stéphane Grappelli, Maurice Vander, Barney Wilen, Henri Renaud, René Urtreger, Sacha Distel, and Martial Solal,  the Belgians were René Thomas, Bobby Jaspar, Francy Boland, Leo Mouse, Jacques Pelzer, and Jack Sels.

Returning to Belgium in 1957 he opened a jazz club in Brussels, the Blue Note, where people like Lou Bennett, Jackie McLean, Martial Solalor and Marc Moulin. In 1961, Quersin became host of jazz programs on Belgium radio RTB and interviewed Charles Mingus, Thelonious Monk, Ray Charles, Fats Domino and John Coltrane. Late in life he became an ethno-musicologist, passionate about world civilizations and the music of West and Central Africa, and collected traditional music from the Mbam ethnic group inCameroon. He would go on tomove to Zaire, Democratic Reublic of Congo and release several albums of traditional instruments.

Double bassist Benoît Quersin, who was an important double bassist on the international jazz scene during the 1950s and Sixties, died on May 31, 1992 in Vaison-la-Romaine, France.

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Jazz Poems

STRANGE FRUIT

Blood on the leaves and blood at the root

Black body swinging in the Southern breeze

Strange fruit hanging from the poplar trees

Pastoral scene of the gallant South

The bulging eyes and the twisted mouth

Scent of magnolia sweet and fresh

And the sudden smell of burning flesh

Here is a fruit for the crows to pluck,

For the rain to gather, for the wind to suck

For the sun to rot, for a tree to drop,

Here is a strange and bitter crop.

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Emmett Berry was born on July 23, 1915 in Macon, Georgia and  began to study classical trumpet, but by 18 had switched to jazz and moved to New York City. Becoming a member of Fletcher Henderson’s band he later replaced Roy Eldridge as soloist.

In the 1940s he worked in Eldridge’s Little Jazz Trumpet Ensemble. He also played in Count Basie’s band. He is known as an accompanist for Billie Holiday, was in the photograph known as A Great Day in Harlem, and the special The Sound of Jazz.

He recorded 39 albums as a sideman with Buck Clayton, Johnny Hodges, Sammy Price, Jimmy Rushing, Cannonball Adderley, Count Basie, Sidney Bechet, Ruby Braff, Bobby Donaldson, Dizzy Gillespie, Edmond Hall, Coleman Hawkins, Fletcher Henderson, Claude Hopkins, Jo Jones, Red Prysock, Buddy Rich, Pee Wee Russell, Maxim Saury, Buddy Tate, Joe Williams, and Jimmy Witherspoon.

Trumpeter Emmett Berry, who also played flute, piano, vibraphone, congas, and drums, died in Cleveland, Ohio on June 22, 1993.

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Daily Dose Of Jazz…

Mario Rivera was born on July 22, 1939 in Santo Domingo, Dominican Republic and learned to play during his childhood. Moving to New York City in 1961 at 22 he started working with singer Joe Valle as his accompanist. He spent two years with bandleader Tito Rodríguez. During his career he worked with Mongo Santamaria, Eddie Palmieri, and Machito.

From the 1970s to the 1990s he worked with Tito Puente. Both appeared in the films Calle 54 and The Mambo Kings. In 1988 he became a member of the United Nations Orchestra led by Dizzy Gillespie. He was also a member of the Afro-Cuban Jazz Band led by Chico O’Farrill. His only solo album, El Commandante, was released in 1996.

He recorded seventy-six albums as a sideman with Willie Colon, Cheo Feliciano, Dizzy Gillespie, Kip Hanrahan, Conrad Herwig, Giovanni Hidalgo, Chico O’Farrill, Eddie Palmieri, Tito Puente, Tito Rodriguez, Típica 73, Africando, Alfredo “Chocolate” Armenteros, Soledad Bravo, George Coleman, Junior Cook, Rafael Cortijo, Tito Gomez, Jerry Gonzalez, Juan Luis Guerra, La Lupe, Machito, Arturo O’Farrill, Pat Patrick, Bobby Paunetto, Daniel Ponce, Louie Ramirez, Paquito D’Rivera, Alfredo Rodriguez, Mongo Santamaria, Laba Sosseh, Juan Pablo Torres, Stanley Turrentine, Dave Valentin, Fernando Villalona, and Pete Yellin.

Saxophonist Mario Rivera, who also played trumpet, flute, piano, vibraphone, congas, and drums, died from cancer on August 10, 2007 in New York City.

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