Requisites

Crossings ~ Red Garland, Ron Carter and Philly Joe Jones | By Eddie Carter

It happened like this: after hearing Introducing Carl Perkins, I spent the remainder of the evening listening to several other trio albums while reading when I heard a title I hadn’t played in a while, which inspired this morning’s discussion. Crossings (Galaxy GXY-5106) is a 1978 release bringing together a dream team to record their first trio album. Red Garland is on piano, Ron Carter is on bass, and Philly Joe Jones is on drums. All three were members of the Miles Davis Quintet and have given jazz fans many incredible albums throughout their careers as leaders and sidemen. My copy is the original U.S. Stereo release.

Side One starts with a brief trio introduction, setting the stage for the melody of Solar by Chuck Wayne and Miles Davis. Red leads the way with a statement that sparkles with energy. Ron delivers precisely articulated choruses in the second solo. The pianist and Philly share the finale in an inspired interpretation, leading to the theme’s reprise. Railroad Crossing by Ron Carter is a smooth, easy-flowing tune. The bassist sets the tone with a concise introduction that seamlessly transitions to the trio’s melody. Carter begins with a leisurely opening statement; then, Garland gets into a down-home groove on the following solo ahead of the bassist’s return for the ending theme.

Never Let Me Go is a beautiful Jay Livingston and Ray Evans song. It was featured in the 1956 film noir The Scarlet Hour. Red opens with a short unaccompanied introduction that segues into the trio’s gorgeous theme. The pianist goes first with a delicately sultry performance, then hands the torch to Ron, who delivers a heart-warming presentation before the close. Oleo by Sonny Rollins gets underway with a short workout by Jones, leading to the ensemble’s quick theme. Garland ignites the fire in the first solo, and then Carter keeps the fires burning next. Jones adds more heat in the closer, preceding a captivating conclusion.

George and Ira Gershwin introduced But Not For Me in the 1930 Broadway musical Girl Crazy. The jazz standard starts Side Two with Ron leading the trio through the melody. The bassist masterfully manages the opening statement before making room for Red, who swings in the following reading. Ron returns to converse briefly with Philly ahead of the finish. Cole Porter’s classic Love For Sale begins with a lengthy solo piano introduction before the trio steps on the gas for the lively theme. Garland ignites the first solo with fiery choruses. Carter steps into the spotlight next and slows things down, and Garland returns for a vigorous exchange with Jones into the climax.

Orrin Keepnews produced Crossings, and Bruce Walford recorded and mixed the album at Fantasy Studios. David Turner mastered the album. The record’s sound quality possesses a vibrant soundstage, placing the musicians in your listening room with excellent fidelity. If you’re a fan of these jazz giants and enjoy a good piano trio album, I invite you to check out Crossings by Red Garland, Ron Carter, and Philly Joe Jones. The group’s musicianship shows three masters’ at work, and the six selections complement each other perfectly. The result is an album you can sit back, listen to and enjoy from the first note to the finale!

~ But Not For Me, Love For Sale, Oleo – Source: JazzStandards.com

~ Solar – Source: Wikipedia.org

© 2024 by Edward Thomas Carter

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Daily Dose Of Jazz…

Gustavo Casenave was born on November 10, 1971 in Montevideo, Uruguay where he studied classical piano from age 6 with Maestro Hector Tosar, who was Aaron Copland’s student. He led the group Kongo Bongo and recorded two albums, however, following a conversation with Hugo Fattoruso he decided to study in Boston, Massachusetts. In 1994 received a full scholarship from O.A.S. to study at the Berklee College of Music and two years later he graduated magna cum laude.

During this period he was awarded the Professional Music Achievement, and his composition Fragiltimer for the Past Future for piano was selected as one of the ten best original compositions coming out of Berklee in the last 30 years, 1966-1996. In 1995 he was accepted as a private student by the legendary jazz vibraphonist Gary Burton.

1997 saw Gustavo settling in New York City and creating a name for himself. He has been awarded three Grammys as a producer, composer and performer, Best Latin Jazz Album (producer), Best Tango Album, and Best Instrumental Album that showcased his ability to create compositions that resonate with audiences worldwide. He has also had six Latin Grammy nominations and three nods for Best Contemporary Classical Composition.

As an educator, Casenave has held positions as Jazz Department Director at the Harbor Conservatory for the Performing Arts and has conducted Tango Master Classes as well as being a guest artist lecturer at The Juilliard School, Yale University, Eastman School of Music, Oberlin Conservatory and Indiana University.

Pianist Gustavo Casenave continues to contribute to jazz as a performer, composer, educator, and scholar, having published his first music theory book, “The Harmonic Structure Levels.

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BRYAN ANTHONY QUARTET

Celebrating Sinatra!

Charismatic crooner Bryan Anthony keeps the legacy of the Great Gentlemen of Song (especially Sinatra) alive and well in his immensely satisfying and sweetly nostalgic performances. A veteran vocalist of the Glenn Miller Orchestra, Tommy Dorsey Orchestra, and Nelson Riddle Orchestra, Anthony provides stunning homages to the Swing Era for contemporary audiences. Parker Jazz Club is 21+ music venue

Cover: $20.00 ~ $30,00

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TEXAS STATE UNIVERSITY JAZZ FACULTY

The Texas State University Jazz Studies program prides itself on providing an intensive, nurturing environment that emphasizes student-faculty interaction and encourages its diverse student population to find their own voices as performers.​ Proximity to both Austin and San Antonio enables students to pursue external performance opportunities that enhance their education. The jazz faculty comprises first-call players who help students network as they transition into a full-time careers in performance, composition, and education. The Texas State Jazz Faculty performs advanced arrangements of contemporary popular music in various styles, under the direction of Dr. Utah Hamrick. All ages welcome.

Cover: $15.00 ~ $25.00

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EMMETT COHEN

Emmet Cohen is committed to the intergenerational transfer of artistic knowledge, history, and traditions. His signature professional undertaking is the “Masters Legacy Series,” a celebratory set of recordings and interviews honoring legendary jazz musicians. He serves as both producer and pianist for each album in the series. The goal of this landmark, ongoing project is to provide musicians of multiple generations a forum to transfer the unwritten folklore that is America’s unique musical idiom.  Cohen has observed that playing jazz “is enriched immeasurably by connecting and studying with jazz masters, forging backward to the very creation of the art form.” Volume one of the “Masters Legacy Series” features drummer Jimmy Cobb, and volume two spotlights bassist Ron Carter. Future “Masters Legacy Series” releases will include Cohen’s recordings with Benny Golson, Tootie Heath, and George Coleman.

Cover: $20.00 – $45.00 + $3.50 fee

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