Daily Dose Of Jazz…

Tony Carr was born George Caruana on October 24, 1927 in Malta. Moving to the United Kingdom in 1953, he joined bandleader Billy Eckstine for a tour in Europe. He played regularly at the Bull’s Head in Barnes SW London, accompanying the cream of British and American jazz musicians.

He eventually became a most sought-after session player in London, England between 1954 and the early 1980s. During the Sixties pianist, conductor and arranger John Cameron recruited Carr as his first-call session player. His career would see him working with Ella Fitzgerald, Sixto Rodriguez, Donovan, Alan Price, Paul McCartney among others.  In Malta, he also played with Frank Bibi Camilleri, Joe Curmi il-Puse, Juice Wilson, Freddie Mizzi and Sammy Galea, to name a few.

He has been a member of  Daylight, Directions In Jazz Unit, Harold McNair Quartet, John Cameron Quartet, Mike Batt And Friends, Señor Funk and Frog, the latter put together for a horror film soundtrack.

Drummer and percussionist Tony Carr, at 96, no longer performs in public

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Daily Dose Of Jazz…

Rick DellaRatta was born October 23, 1961 in Schenectady, New York. The oldest of five children, he studied at the New England Conservatory, earning a bachelor’s degree in Piano Performance and a master’s degree in Jazz Composition. He studied jazz piano with Jackie Byard, Kenny Werner, Charlie Banacos, and Richie Bierach and classical piano with Thomas Stumpf.

In 1997 Rick along with Eddie Gomez, Dave Liebman, and Lenny White released the album Thought Provoking. In 2000 he was nominated for a MAC award for Recording of the Year.

Witnessing the 9/11 attacks from a New York City rooftop Rick was inspired while watching the unfolding tragedy to write a poem which became known as Jazz for Peace. The poem would later become a worldwide movement promoting peace through jazz.

Pianist and singer Rick DellaRatta, who has recorded five albums, continues to perform, tour and record.

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Daily Dose Of Jazz…

Søren Reiff born October 22, 1962, in Holbæk, Denmark to painter Tove Reiff and potter Erik Reiff. When he was ten years old he went to an Eric Clapton concert which sealed his fate to become a guitarist. A few years later he was invited to a recording session and that cemented his career choice.

In the mid-Eighties was the guitarist in house bands and as musical director on Danish National television, which led him to play with Toots Thielemans, Randy Crawford, Robert Palmer, Bonnie Tyler and others. The Nineties saw Reiff working as musical director for Chaka Khan, David Sanborn, Mark King, and many others on these television shows.

As an author Søren has published five books, released three albums as a recording artist. He has played on several American television shows, Studiojams and co-hosted the show The Color of Jazz. He was the founder of Den Rytmiske Højskole’s course for Songwriters and Producers.

Guitarist, producer, composer and author Søren Reiff, who was included in the International Who’s Who in Music, Volume Two, Popular Music, continues to perform and record.

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Daily Dose Of Jazz…

Gus Clark was born Gustave De Clercq on October 21, 1913 in Antwerp, Belgium. While still in his teens he led local dance bands and also played in the groups of musicians such as Harry Pohl, Maurice Pinto, and Jack Hoedemaeker.

In the 1930s Gus played with his own group in Brussels, Belgium, and Coleman Hawkins performed with this ensemble. He later set up a new ensemble of all-Black musicians in Belgium, which included Lauderic Caton as a sideman.

Clark performed with Jean Omer, Jean Robert, and Gus Deloof as a sideman, and continued recording as a leader in the 1940s and 1950s.

Pianist Gus Clark died in his native city on April 10, 1979.

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JOHNNY O’NEAL TRIO

After more than 45 years as a professional pianist, vocalist and entertainer, Johnny O’Neal has earned the title of “master” with fellow musicians and audiences around the world. Highlights of his awe-inspiring career include stints with Ray Brown, Milt Jackson and Art Blakey’s Jazz Messengers, as well as a Carnegie Hall debut in 1985 on solo piano opening for Oscar Peterson and induction into the Alabama Jazz Hall of Fame in 1998. While playing with Blakey, he accompanied some of the great jazz divas, including Sarah Vaughan and Carmen McRae. O’Neal has also been tapped for appearances by Dizzy Gillespie, Joe Pass, Nancy Wilson, Anita O’Day, Lionel Hampton, Kenny Burrell, Sonny Stitt, Benny Golson, Eddie “Lockjaw” Davis and Clark Terry, among others.

Performances in Canada, Europe, Australia, Japan, China, Israel and South Africa have gained him an international following, and he is beloved by audiences around the U.S. Yet, he remains a fixture on the New York jazz scene, regularly playing in local clubs or stopping by a jam session to check out the young talent. A stint in his band has become a coveted apprenticeship among young players, comparable to that of Betty Carter or Art Blakey. He is the tie that binds the classic jazz traditions to the evolution of the form, making him legendary in his own right.

The Detroit native considers himself a piano player first, but was encouraged to sing in his sets more by Joe Williams. He recalls Williams advising him, “If you’ve got it, flaunt it!” Astonishingly, he is largely self-taught. His playing evokes the influences imbued in him by his idols Oscar Peterson and Art Tatum, with a nod to bebop master Barry Harris (who first heard O’Neal play as a teenager in Detroit). He has reshaped these elements into his own very swinging and melodic approach.

In live performances, he is apt to catch his audience off-guard with his blues shouting, soulfully rendered yet unpretentious vocalizations or seemingly effortless scatting. No two sets are ever alike. O’Neal explains, “I’m a tune guy. I know 1,500 songs. My father was a pianist and singer who emphasized that learning lyrics creates dynamics and a better interpretation of melody. I rehearse so that the bassist, drummer and I can get familiar with each other’s styles—not to set the songs we’ll play.”

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