EUGENIE JONES
Jazz vocalist, songwriter, and producer Eugenie Jones has written original straight-ahead, swing, and soul-infused jazz lyrics and melodies.
Her recordings include four independently produced albums recorded on her label Open Mic Records. They are Black Lace Blue Tears, Come Out Swingin’, Players, The Originals, and the single One More Night to Burn.
The Quartet: Marcus Persiani~Piano, Lonnie Plaxico~Bass, Tommy Campbell~Drums, and Band Leader Eugenie Jones~Vocals
Tickets: $35.00 Each Set | Two Sets 8:00pm & 9:30pm
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Daily Dose Of Jazz…
Pamela Wise was born on January 8, 1956 in Steubenville, Ohio. She began composing and playing piano by ear at age five and started lessosn at nine. After studying the basics she began playing for her church choir, directed by her bassist father. While in high school she formed Ohio Movement, a r&b group performing throughout the Midwest and East Coast. Eight years later she left the band and moved to Cleveland, Ohio with her brother and entered Cuyahoga Community College to further study music.
A move to Detroit, Michigan with her brother led her to play with several r&b groups in the Detroit area, meeting her future husband Wendell Harrison and eventually composing and performing for Freddie Hubbard, Woody Shaw, Leon Thomas and Eddie Harris. In 1989 she formed a group that enlisted James Carter, Dwight Adams, Jaribu Shahid, Ali Muhammad and Andrew Daniels.
Pamela has collaborated with Regina Carter, Akua Dixon Turre, and with Jerry Gonzalez produced her cd Songo Festividad. She went on to release A New Message From The Tribe, Kindred Spirits, Negre Con Leche, and Pamela’s Club projects.
Composer, pianist and music director Pamela Wise continues to perform, record, collaborate and educate.
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Jazz Poems
IN PRAISE OF BUDDY BOLDEN
- You have shown me dissipation, the tome, the rhythm, and cool sonorous blue…
- The right consciousness is always dream, it wakes in us ideology and topos.
- Not only the blues like melic, like persimmon and soda.
- Not anything, just blonde sorrow.
- I can’t wait to choose my own fall, the bass and pica.
- Did you taste the drug, the white words of sound…
- Nothing will prepare me, not even drums and delusion. I wander in their halls, their tantrums. But mine was apparatus and rebellion. The plumb edifice of transgression.
- When we play, nothing else matters, not the placards on the train, not the yet and the how. We find plums and pendulums.
- I told them that this was not enough. No horses, no shoulders, no fields to drown, only blankcotton testimony and confession.
- When we leave, we leave the pipe and parts of the body. You whistle like a factory. Me, like an empty room.
- I would like to test myself, and remove these old tunings and feathers, these tulips.
- Do it then. Leave for the salty tincture of the city, the North.
- The leaves were all cankered when I returned. Like a salvo I burned. Not for them. Not for this place. But for this rotten reflection. The only true rejection of process.
- You meant to leave the phonetic terror of the moon, the New Orleans horn of sand and distraction.
- Leave me to fall. For this is all that I know. I accept, I accept this black stone of mine, mine own three lives, my crime.
LUCIEN QUINCY
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Jon Larsen was born on January 7, 1959 in Bærum, Norway and when he was in his early teens he learned rock and soul songs on an acoustic steel-string guitar. Through friends, he learned about blues, jazz, flamenco, and classical guitar. After he heard Tears by Django Reinhardt on the radio, he decided that this is how he wanted his guitar to sound. At seventeen he formed a string trio and had his first professional job.
The 1970s Jon worked mainly as a painter until 1980 when he started the Hot Club de Norvege with guitarists Per Frydenlund and bassist Svein Aarbostad. They had a hit record when they performed with pop singer Lillebjørn Nilsen. He has worked with Chet Baker, Philip Catherine, Stéphane Grappelli, Warne Marsh, Biréli Lagrène, Babik Reinhardt and Jimmy Rosenberg. He has produced more than 450 jazz records for the label he founded, Hot Club Records.
He has led a group of musicians who played with Zappa and started the label Zonic Entertainment to record musicians who played with him .including Arthur Barrow, Jimmy Carl Black, Bruce Fowler, Bunk Gardner, Tommy Mars, and Don Preston.
A documentary Symphonic Django was released in 2008 about Larsen and guitar virtuoso Jimmy Rosenberg titled Jon & Jimmy, and appeared in the documentary film Fireball: Visitors from Darker Worlds In 2012.
Gypsy jazz guitarist, record producer, painter, and amateur scientific researcher Jon Larsen, who founded the group Hot Club de Norvège and received the Buddy Award for his lifelong contribution to jazz, continues to perform, record and produce.
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Daily Dose Of Jazz…
Bobby Stark was born on January 6, 1906 in New York City and started playing music at age 15. He played piano, clarinet, saxophone, and alto horn before deciding on trumpet. In the mid-1920s he played with June Clark, Edgar Dowell, Leon Abbey, Duncan Mayers, Bobbie Brown, Bobby Lee, Billy Butler, Charles Turner, McKinney’s Cotton Pickers, and Chick Webb, the last in 1926-27.
From 1927 to 1933, he played in the Fletcher Henderson Orchestra as a featured soloist. He returned to duty under Chick Webb behind Taft Jordan from 1934 to 1939. After Webb’s death, he remained in the orchestra, now under the direction of Ella Fitzgerald.
In 1940, he left the group to freelance, however, from 1942 to 1943 he served in the Army. Discharged in 1944 he then played with Garvin Bushell and Benny Morton shortly before his death.
Trumpeter Bobby Stark, who never led a recording session, transitioned on December 29, 1945 in New York City at the age of 39.
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