Three Wishes

Pannonica finally got the opportunity to ask Lionel Hampton what he would wish for and his retort was:

1. 1. “To be in tune with jazz. Jazz to me is like the human emotion of the Negro. From the time he was in bondage praying to God to give him freedom – that was the blues then, coming from the spiritual vein – and when he was freed some, he would make jazz more happy. It was coming from the Negroes. From the time of the slave in the cotton fields, swinging up, you dig? From the time it got popularized and commercial, and left the cotton fields and railroad tracks, and they were putting it in the cafes. It was the days of King Oliver and Sidney Bechet..”
   2. “The colored man always has been the one to change the color of jazz. As the country advanced, they changes the music. It’s always been moving along, integrated by Negroes, turning to his feelings as he advanced. From Louis Armstrong up to Fletcher Henderson, Don Redman, Edgar Sampson, and Sy Oliver. They started changing the picture of jaz. It was their orchestrations, their chart that made jazz. They began writing arrangements for Benny Goodman, Tommy Dorsey, and so on – for the ofay bands. fats Waller, Jimmie Lunceford, those guys were all great arrangers. Then Monk, Dizzy, Prez, Don Byas, and Charlie Parker, they came in, all influencing the music, all great instrumentalists. As the Negro got free he added more ingredients. You’d need an encyclopedia to tell it all. I hope I’ll always be tuned so I can dig the transitions in jazz. Because there are more transitions coming.”
   3. “Lots of white folks write about jazz, but they don’t know the pains of it. You should be the one to write about it, because you understand. And musicians will talk to you. Gotta get down on that stand now, but I’ll be over to your pad tomorrow, and we’ll do this with the tape recorder. It’ll take another three of four hours, at the very least. I’ve not done more than get started on the first answer yet, you dig?”

More Posts: bandleader,baroness,history,instrumental,jazz,music,pannonica,percussion,piano,three,vibraphone,wishes

Daily Dose Of Jazz…

Raymond Crane was born on October 31, 1930, Skegness, Lincolnshire, England. Refusing to become discouraged with a music instructor who regarded his tooth unsuitable for his designed profession, he started playing trumpet around his city. After being employed in the East Midlands for several years, playing in groupings like the Mercia Jazz Music group, in 1963 he became a member of Bruce Turner’s Leap Music group. This brought him to the attention of the much wider market through concerts and information, such as Heading Places.

Afterwards he played in groups led by Brian Lemon, with whom he previously proved helpful while they had been still in the Midlands, and Stan Greig. Crane frequently accompanied American jazzmen, including Henry “Crimson” Allen, Ray Nance and Costs Coleman.

He occasionally performed as a pianist, which proved helpful to his being a musical pedagogue, teaching and leading a youth jazz band which graduated Martin Taylor and Guy Barker.

Trumpeter Ray Crane, who was a fiery, swing-era-rooted player, transitioned on June 29, 1994 at the age of 63.

More Posts: history,instrumental,jazz,music,trumpet

Daily Dose Of Jazz…

Saul Rubin was born in New York, New York on October 30, 1950. He studied at Hartt College in Hartford, Connecticut and was taught by jazz masters. He graduated with a Undergraduate Degree in Composition in 1980.

An accomplished guitarist Saul’s career has taken him around the world as well as  occupying a place in the New York jazz scene as a musician, producer, impresario and personality. He is a regular member of Roy Hargrove’s Big Band sitting in the guitar seat as well as writing charts for the band.

He has shared the stage and studio with Sonny Rollins, Kirk Lightsey, Victor Lewis, Jonathan Batiste, Bob Cranshaw, Gregory Porter, Renee Fleming, John Hicks, Johnny O’Neal, Hank Jones, Frank Wess, Candido, Winard Harper, Larry Willis, Eric Revis, Sherman Irby, Thomas Chapin, Lew Soloff, and countless others.

Rubin has produced countless recordings and live shows, has run his infamous long- running weekly Jazz Vocalist Series at his ZEB’S performance space and studio, and has played host to many of the world’s greatest jazz artists. This intimate “loft Jazz” style venue became a go-to place for musicians in New York from 2009 to 2016.

His last album as a bandleader aptly entitled, Zeb’s House, is a tribute to the community of great artists, showcasing both his irrepressible sense of humor as well as his signature gritty, purposeful, urbane sensibility, throughout a mix of both originals and standards.

Guitarist, composer and producer Saul Rubin continues to perform and record.

More Posts: composer,guitar,history,instrumental,jazz,music,producer

COWBOY BEBOP LIVE

Cowboy Bebop LIVE is a complete multimedia experience highlighting the story of critically acclaimed anime, COWBOY BEBOP, on the big screen accompanied by live music from the soundtrack performed by the Bebop Bounty Big Band.

This 14-piece jazz ensemble features world-class musicians with members from the world famous Glenn Miller Orchestra, the Jazz Orchestra at Dr. Phillips Center, and the Walt Disney Company. This show is a completely one-of-a-kind production specifically designed to deliver an experience anime fans have never had before. Travel the solar system with anime’s most iconic soundtrack at Cowboy Bebop LIVE!

More Posts: adventure,club,ensemble,genius,guitar,jazz,music,preserving,travel

LAUFEY

Laufey (pronounced lāy-vāy) is a 24-year-old, Los Angeles-based singer, composer, producer and multi-instrumentalist whose jazz songs are about young love and self-discovery. Raised between Reykjavík and Washington, D.C. with annual visits to Beijing, the Icelandic-Chinese artist grew up playing cello as well as piano and became hooked on the jazz standards of Ella Fitzgerald after digging through her father’s record collection.

In 2020, while still a student at Berklee College of Music, Laufey released her debut single “Street by Street,” which went on to top the Icelandic radio charts. Following the release of her 2021 Typical of Me EP, Laufey was named Best New Artist in Jazz and Blues at the Icelandic Music Awards and hosted her own show on BBC Radio 3/BBC Sounds. Her debut full-length Everything I Know About Love, debuted at #1 on Billboard’s Alternative New Artist Album chart, and the lead single “Valentine” peaked at #1 on the Spotify Jazz Chart. In 2022 Laufey was the most streamed jazz artist on Spotify, with 425 million streams across all platforms.

More Posts: adventure,club,genius,guitar,jazz,music,preserving,travel,vocal