Daily Dose Of Jazz…
Fred Hess was born in Abington, Pennsylvania on September 3, 1944 but was raised in New Jersey. He studied at Trenton State College with his early studies with saxophonist Phil Woods, a stint with bandleader Fred Waring, and composing music for the world premiere of a Sam Shepard play.
As a composer, his influences encompass avant-garde classical sources, as well as Anthony Braxton and the members of the AACM. Moving to Boulder, Colorado in 1981, he founded the Boulder Creative Music Ensemble. Fred then completed further studies at the University of Colorado, Boulder, taking his doctorate in composition in 1991.
He recorded his debut album Sweet Thunder in 1991 and by 2012 had sixteen albums as a leader in his catalog. He was the Director of Music Composition at Metro State College in Denver, Colorado.
In addition to his own projects as a leader, BCME, The Fred Hess Group and the Fred Hess Big Band, he was the founding director of Denver’s Creative Music Works Orchestra and was a member of drummer Ginger Baker’s Denver Jazz Quintet, as well as ensembles led by trumpeter Ron Miles.
His playing was influenced by Lester Young, John Coltrane, the Association for the Advancement of Creative Musicians, and Eric Dolphy. Tenor saxophonist Fredd Hess transitioned on October 27, 2018.
Bestow upon an inquiring mind a dose of a Abington saxophonist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
John Zorn was born September 2, 1953 in New York City, New York and attended the United Nations International School, where he studied piano, guitar and flute from an early age. Exposed by his families musical tastes in classical, world, jazz, French chansons, country doo-wop and rock and roll records, he spent his teenage years exploring classical and film music, listening to The Doors and playing bass in a surf band. He explored experimental and avant-garde music as well as cartoon soundtracks and film scores. He went on to teach himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada.
After discovering Anthony Braxton’s album For Alto when he was studying composition at Webster College in St. Louis, Missouri, Zorn began playing saxophone and attended classes taught by Oliver Lake. While at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings.
Leaving Webster after three semesters, John lived on the West Coast before returning to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. He immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman
Zorn entered New York City’s downtown music scene in the mid-1970s, collaborating with improvising artists while developing new methods of composing experimental music. Over the next decade he performed throughout Europe and Japan and recorded on independent US and European labels. In 1986 he received acclaim with the release of his radical reworking of the film scores of Ennio Morricone, The Big Gundown, followed by Spillane, an album featuring his collage-like experimental compositions. Spy vs Spy and Naked City both demonstrated his ability to merge and blend musical styles in new and challenging formats.
Having spent time in Japan in the late 1980s and early ’90s John returned to Lower East Side Manhattan to establish the Tzadik record label in 1995, enabling him to establish independence, maintain creative control, and ensure the availability of his growing catalog of recordings. He prolifically recorded and released new material for the label, issuing several new albums each year, along with recordings by many other artists.
He performs on saxophone with the groups Naked City, Painkiller, and Masada but more often conducts bands like Moonchild, Simulacrum and several of his Masada-related ensembles. He composes concert music for classical ensembles and orchestras, produces music for opera, sound installations, film and documentary, and tours Europe, Asia, and the Middle East. Composer, conductor, saxophonist, arranger and producer John Zorn continues his exploration of music and adds to his diverse repertoire.
Bestow upon an inquiring mind a dose of a New York City composer to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
Hilde Hefte was born on September 1, 1956 in Kristiansand, Norway and received much of her musical education from the Barratt Due Institute of Music in Oslo, Norway with piano as primary and vocals as secondary instruments. She played saxophone and clarinet for ten years when she was young, apprenticing with her father who was saxophone teacher and musician. She also trained as an actor, landing numerous roles.
During a period of years she taught music at Agder musikkonservatorium before she started as a full-time musician. She released her debut solo album Round Chet’s Midnight in 1999 to great reviews, from song others Down Beat Magazine. Hefte went on to quickly release five more albums under her own name, and has written lyrics and composed music to both her own albums and for a host of other artists.
Never far from acting, Hilde continues her leading roles at the theatre, among others, the main role as Edith Piaf. She has written and arranged music for various local theatre productions. To date she has recorded eight solo albums as a leader highlighting the music of Chet Baker, Bill Evans and bossa nova, as well as an album with the Prague Philharmonic Orchestra and inclusion in the Putamayo compilation Brazil Around The World.
With already ten collaborative albums under her belt with no sign of stopping, vocalist Hilde Hefte founded and runs Norsk Jazzforlag in 2003 and the record label Ponca Jazz Records the following year.
Bestow upon an inquiring mind a dose of a Kristiansand vocalist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
Leroy “Hog” Cooper ws born on August 31, 1928 in Dallas, Texas and by age twenty, fom 1948 to 1951, he toured with the Ernie Fields territory band. A childhood friend of David Fathead Newman, in 1954 the two played together in the sax section backing Lowell Fulson on his first single for Chess Records, Reconsider Baby.
In 1957, upon the Newman recommendation of Cooper to Ray Charles, who joined Charles’ band the same summer as bassist Edgar Willis, both musicians stayed on with Charles for some twenty years.
Leroy also played, recorded and/or toured with Lightnin’ Hopkins, Clarence “Gatemouth” Brown, The Righteous Brothers, Dr. John, Del Shannon, Bobby Short, and Joe Cocker.
Performing locally in Orlando, Florida with the Smokin’ Torpedoes & Josh Miller Blues Band till the time of his death, baritone saxophonist Leroy Cooper, who was affectionately known as Hog in the industry, transitioned on January 15, 2009.
Bestow upon an inquiring mind a dose of a Dallas saxophonist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Three Wishes
When the curious Pannonica posed the question of three wishes to Chico Hamilton he came back with the following answers:
- “Well, I think the first wish would be I want everything wonderful for my wife and my family , because they have sacrificed.”
- “I don’t know. I wish that this God-given talent I have ~ someone will get some good out of it..”
- “I wish I never lose my sense of humor.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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