CÉCILE MCLORIN SALVANT
Three-time Grammy Award winner and MacArthur Fellow Cécile McLorin Salvant joins the 22-23 Jazz Roots season with her latest project, Ghost Song. Opening for Salvant is emerging jazz force Christian Sands and his trio.
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BRUBECK BROTHERS QUARTET
A CELEBRATION OF BRUBECK featuring the Brubeck Brothers Quartet with the award-winning Frost Concert Jazz Band from the Frost School of Music and special guest Catherine Russell in the Knight Concert Hall
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Daily Dose Of Jazz…
Joki Freund was born Walter Jakob Freund on September 5, 1926 in Höchst, Frankfurt am Main, Germany. He began playing the accordion as a child, switching to tenor saxophone after World War II ended.
Early in the postwar era, he played with Joe Quitter, Carlo Bohlander, Gerry Weinkopf, Joe Klimm, and Jutta Hipp, before forming his own ensemble. He began performing with American musicians, including Donald Byrd, Art Taylor, and Doug Watkins during their European festival appearances.
He went on to play with and arranged for Albert Mangelsdorff in the jazz orchestra of Hessischer Rundfunk, and Erwin Lehn in the Süddeutscher Rundfunk orchestra. He played with the Frankfurt Jazz Ensemble on soprano saxophone in the 1970s, also performing as a leader around this time.
Saxophonist Joki Freund, who predominantly played in a quintet setting but also in orchestras or big bands, transitioned on February 15, 2012 in Schwalbach am Taunus, Germany.
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Requisites
Swiss Nights, Vol. 2 ~ Dexter Gordon Quartet | By Eddie Carter
I begin September with a return to The Zürich Jazz Festival ’75 for this morning’s discussion of Swiss Nights, Vol. 2 (SteepleChase Records SCS-1090) by The Dexter Gordon Quartet. The tenor saxophonist’s back on stage with Kenny Drew on piano, Niels-Henning Ørsted Pedersen on bass, and Alex Riel on drums. My copy used in this report is the 1978 SteepleChase Records German Stereo Audiophile release.
Dexter opens the set introducing There’s No Greater Love by Isham Jones and Marty Symes. The quartet launches into an exciting melody, stepping aside for Dexter who leads off the first solo vigorously. Kenny shows off his creative powers in the second reading, next Niels-Henning walks the bass enthusiastically. Dexter trades thoughts with Alex leading to his final solo ahead of the reprise and finish.
Sticky Wicket, the first of two tunes by Dexter eases the throttle back to a comfortable pace on the foursome’s opening chorus. Gordon leads off the solos with a relaxed statement. Drew continues cruising to a carefree beat, then Pedersen takes a laid-back stroll with his bass. Gordon and Riel share a brief exchange preceding the reprise and the audience’s approval.
Side Two opens to a timeless standard from The Great American Songbook, Darn That Dream by Jimmy Van Heusen and Eddie Lange. Dexter and the trio introduce the song with a delicately gentle theme. Dexter’s tenor sax is the epitome of graceful elegance on the opening solo, next Kenny compliments him with a mellow reading of soft warmth. Niels-Henning and Alex hold everything together as Dexter returns for the climax.
Montmartre is Dexter Gordon’s tribute to the Copenhagen jazz club and is off to the races from the foursome’s opening theme. The leader kicks off the solos with a robust performance that gains momentum as it unfolds. Drew has a very good time on the second statement, next Gordon and Riel exchange a few ideas, then the drummer gets the spotlight briefly. The quartet returns to take the song out with an abrupt finish, followed by the group’s theme and musician introductions to great applause.
Nils Winther produced Swiss Nights, Vol. 2, and Helmuth Kolbe recorded and mixed the album. The soundstage is excellent, placing the listener in a front row seat to enjoy the quartet at work. The record is pressed on 180 grams of audiophile vinyl and is very quiet until the music starts. Like its two companions, Swiss Nights, Vol. 2 is a great live album by The Dexter Gordon Quartet with tight musicianship and outstanding sound. If you’re a fan of Dexter Gordon, it’s definitely worth adding to your library!
~ Swiss Nights, Vol. 1 (SteepleChase Records SCS-1050), Swiss Nights, Vol. 3 (SteepleChase Records SCS-1110) – Source: Discogs.com ~ There’s No Greater Love, Darn That Dream – Source: JazzStandards.com © 2022 by Edward Thomas Carter
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Daily Dose Of Jazz…
Bob Greene was born on September 4, 1922 in New York City, New York. He was active early in his career in Dixieland jazz revival groups, working with Sidney De Paris, Baby Dodds, Conrad Janis, and Johnny Wiggs.
Leaving music for a period, he got a degree from Columbia University and worked in radio and speechwriting, including for Lyndon Johnson and Robert F. Kennedy. After Robert Kennedy’s assassination, he quit speechwriting and returned to jazz in the late 1960s again, working with Zutty Singleton. Focusing on music full-time, Bob worked in the early 1970s with Don Ewell, Albert Nicholas, and the Peruna Jazz Band.
He put together a traveling ensemble which paid tribute to the music of Jelly Roll Morton. They toured worldwide, recorded several albums and among his sidemen in this setting were Danny Barker, Tommy Benford, Herb Hall, Milt Hinton, and Johnny Williams.
The nephew of Paul Blum, a former intelligence officer, he spent time writing his uncle’s biography, which was published in 1998. Pianist and bandleader Bob Greene transitioned on October 13, 2013 in Amagansett, New York.
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