Daily Dose Of Jazz…
Igor Grigoriev was born on January 24, 1955 in Moscow, Russia and taught himself to play the guitar as a young child, and later obtained his master’s degree from a music institution in Russia. As a young boy in the late sixties, he was interested in the latest music of the time, rock and started his career, gaining fame by playing and touring around the world.
Becoming a band leader of the trio, Roof, with trumpeter Andrew Solovyov, and percussionist Michael Zhukov they recorded on Melodia Records and Leo Records. His group, Asphalt also gained tremendous popularity despite its short life span.
As he developed musically, Grigoriev became interested in Charlie Parker’s work, but in later years the influence of classical composers became evident in his music. Permanently migrating to the United States in 1989 he continued his career, as a classical and jazz musician, but later he became more and more interested in Avant-garde music.
Better known for his 1990s work, he rapidly assimilated the American avant-garde and forged his own, instantly identifiable style. His music of the 1970s and 1980s saw transition from rock to classical to jazz and to avant-garde music. Igor developed methods of simultaneously improvising bass lines, harmony and melodic lines. In his later years, his playing became less predictable and formulaic.
He has recorded a number of solo albums, as well as recording or performing with Stan Getz, Red Callender, Larry Gales, Milcho Leviev, Ira Schulman, Rod Oakes, and many others. Igor and Rod founded OGOGO in 1996, which is one of the most important organizations to perform improvised music. His central focus was free improvisation, though he occasionally appeared in more conventional jazz and classical contexts, such as big band, various ensembles, and string orchestra.
He composed and arranged for a wide range of music genres, did orchestra work for a Russian circus, and arranged music for theatrical plays. As an educator he taught guitar, music history, jazz history, ensembles, and improvisation at Los Angeles Harbor College and Cerritos College in Los Angeles, California. Guitarist, composer, arranger, band leader and educator Igor Grigoriev passed away on September 25, 2010.
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Daily Dose Of Jazz…
Ray Abrams was born January 23, 1920 in New York City, His younger brother was jazz drummer Lee Abrams. He first worked with Dizzy Gillespie in 1945, toured Europe with Don Redman in 1946 and was with Andy Kirk in 1947. He went back and forth between Kirk and Gillespie for decades.
Outside of his work with Gillespie he was best known for the Ray Abrams Big Band. Other bands with which he played into the early 1950s include those of Hot Lips Page, Roy Eldridge, and Slim Gaillard.
Tenor saxophonist Ray Abrams, known for his jazz and jump blues playing, passed away in July 1992.
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Daily Dose Of Jazz…
Teddy McRae was born in Waycross, Georgia on January 22, 1908 but was raised in Philadelphia, Pennsylvania. Playing with local ensembles, including one composed of family members, when he was young. He played with June Clark in 1926 before his move to New York City to form his own band.
Through the Thirties he played with Charlie Johnson, Elmer Snowden, Stuff Smith, Lil Armstrong, and Chick Webb, the last as both a soloist and arranger. After Webb’s death he was musical director for the orchestra during its tenure under the leadership of Ella Fitzgerald from 1939 to 1941. He recorded in the decade with Benny Morton, Teddy Wilson, and Red Allen.
In the 1940s McRae worked in the orchestras of Cab Calloway, Jimmie Lunceford, Lionel Hampton, and Louis Armstrong; he also served as Armstrong’s musical director during his period with that band. He wrote tunes for Artie Shaw and formed his own band in 1945.
He and Eddie Wilcox formed their own short~lived R&B label, Raecox, in the 1950s. Teddy recorded with Champion Jack Dupree in 1955-56, and recorded a few sides for Groove Records in 1955 and Moonshine Records in 1958.
Tenor saxophonist and arranger Teddy McRae, who was also known as Teddy (Mr. Bear) McRae, or simply as Mr. Bear, passed away on March 4, 1999.
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The Quarantined Jazz Voyager
Having adapted to this new paradigm of social distancing and self-quarantining from the continuous spikes in the corona virus by those who refuse to wear a mask and are congregating, gives me a certain amount of uninterrupted time to kick back, relax and listen to music.
The album I am choosing to place on the turntable today is the studio album Flight To Jordan recorded August 4, 1960 at the Van Gelder Studio in Englewood Cliffs, New Jersey by pianist Duke Jordan.
The album was produced by Alfred Lion and released later the same year on the Blue Note record label. All compositions are by Duke Jordan.
Track List | 38:21
- Flight to Jordan ~ 5:32
- Star Brite ~ 7:49
- Squawkin’ ~ 5:00
- Deacon Joe ~ 8:43
- Split Quick ~ 5:11
- Si-Joya (No Problem) ~ 6:46
- Duke Jordan – piano – solo track 8
- Dizzy Reece – trumpet
- Stanley Turrentine – tenor saxophone
- Reggie Workman – bass
- Art Taylor – drums
This pandemic is here for the long run but those of us who are smart and vigilant are going to come out on the otherside healthy and ready to jetset around the world. That’s when I will be hitting the friendly skies once again. In the meantime, stay vigilant, wear masks and remain healthy.
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Daily Dose Of Jazz…
Steven Dirk Gilmore was born January 21, 1943 in Trenton, New Jersey and picked up bass when he was twelve years old, playing locally in Philadelphia, Pennsylvania as a teenager. At age 17 he enrolled at the Advanced School of Contemporary Music, run by Oscar Peterson.
Later in the 1960s Steve played with Ira Sullivan and the Baker’s Dozen Big Band. In 1967 he joined Flip Phillips’s group and remained until 1971, after which he worked with Al Cohn and Zoot Sims, Mose Allison, The Thad Jones/Mel Lewis Orchestra, Phil Woods, Richie Cole, and the National Jazz Ensemble.
The 1980s saw him performing with John Coates, Meredith D’Ambrosio, Dave Frishberg, Hal Galper, Tom Harrell, and Toshiko Akiyoshi, as well as with Woods. Gilmore and Woods would remain collaborators well into the 1990s.
In 1988 he began working with Dave Liebman, with whom he would work intermittently through the late 1990s. Other performing and recording associations included Carol Sloane, Susannah McCorkle, Bill Charlap, and Jim Hall, Tony Bennett, Michele LeGrand, Tom Waits, Susannah McCorkle, and Eddie Jefferson.
An experienced clinician, he has recorded eight jazz Play-along teaching recordings with Jamey Aebersold. In addition he has produced two transcribed bass line books and has received three Best Of The Year Grammy Group Awards in 1977, 1982, 1983 as part of the Phil Woods Quartet. Bassist Steve Gilmore continues to perform and record.
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