Three Wishes

Wes Montgomery’s response to Nica’s query was: 

  1. “Happiness.”
  2. “No discrimination whatsoever.”
  3. “Peace”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter”

THE WATCHFUL EYE

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Requisites

We Free Kings is a 1961 LP by the jazz multi-instrumentalist Roland Kirk. His quartet works through a set of bluesy post-bop numbers, with equal bop and soul. The cover photograph was shot by Marvin Glick and the album length is thirty-eight minutes and forty seconds.

To bring this project to fruition he utilized two different bassists and two different pianists. The personnel were: Roland Kirk on tenor saxophone, manzello, flute, stritch saxophone, Charlie Persip on drums, Richard Wyands on piano on tracks 3-5 & 9, Art Davis on double bass on tracks 3-5 & 9, Hank Jones on piano for tracks 1-2 & 6-8 and Wendell Marshall on bass for tracks 1-2 & 6-8.

All of the compositions are by Roland Kirk except track #2 which was composed by Sam Coslow and Arthur Johnston, and track #5 composed by Charlie Parker. The title track, a Kirk composition, is a variation on the Christmas carol “We Three Kings”.

The nine songs that follow were recorded in New York on August 16-17, 1961 for the Mercury record label. The CD editions of the album include a different version of  the Parker tune Blues for Alice.

Three for the Festival, Moon Song, A Sack Full of Soul, The Haunted Melody, Blues for Alice, We Free Kings, You Did It, You Did It, Some Kind of Love and My Delight.

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The Jazz Voyager

With Spain passionate about all music, it is no surprise that jazz is just as prolific as their native guitar and castanets. Thus the next destination for the Jazz Voyager is Madrid and a jazz club called Cafe Central. Presenting jazz and blues since 1982, the club resides in a 19th-century building that previously housed a beautiful shop. The club’s high ceiling and elegant Iberian decor is located at Plaza del Angel 10, putting the venue at the heart of the city, amid pedestrianized streets, bars, restaurants and shops.

The musical focus is mainstream and gypsy jazz, and this visit will reveal the talents of the Kike Perdomo Quartet. Open from 11:30am to 2:30am cover charge for shows range about €13, with beer and burger €4 – €10.20. Reservations are advisable from Thursday-Saturday, at +34 91 369 4143 for an enjoyable evening. #wannabewhereyouare #jazz #voyager #travel #club #adventure

GRIOTS GALLERY

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Three Wishes

When  Charles Mingus was questioned of his three wishes he stated:

  1. “I have no wishes! No wishes at all. Well, I wouldn’t mind having enough money to pay my bills. But that’s absolutely all.”
  2. “I’ve changed.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats – Complied and Photographed by Pannonica de Koenigswarter”

THE WATCHFUL EYE

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Requisites

Porgy and Bess, subtitled Swingin’ Impressions by Hank Jones is an album recorded in 1958 for Capitol Records by pianist Hank Jones and released in 1959, the same year the movie was released starring Sidney Poitier, Dorothy Dandridge, Sammy Davis Jr., Brock Peters and Pearl Bailey. It featured interpretations of music from George Gershwin’s opera Porgy and Bess.

On this session Hank is supported by bassit Milt Hinton, guitarist Kenny Burrell and his brother Elvin, the latter displaying a light touch of the drums to compliment his sibling’s crisp, minimalist piano approach to these compositions. The quartet are perfectly matched to enhancing the subdued, intimate feel of this unusually pared down production.

All ten compositions are by George Gershwin and are not received in the order of the original opera. Summertime, There’s a Boat Dat’s Leavin’ Soon for New York, My Man’s Gone Now, A Woman Is a Sometime Thing, Bess, You Is My Woman Now, It Ain’t Necessarily So, I Got Plenty o’ Nuttin’, Oh, I Can’t Sit Down, Oh Bess, Oh Where’s My Bess? and I Ain’t Got No Shame.

This cool jazz recording session was produced were Dave Cavanaugh and Andy Wiswell. The illustration was created by Boyle and the liner notes were written by Edward Jablonski.

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