Daily Dose Of Jazz…

Jeff Lorber was born November 4, 1952 into a Jewish family in Cheltenham, Pennsylvania. He started to play the piano when he was four years old and after playing in a number of R&B bands as a teen, he attended Berklee College of Music, where he developed his love for jazz. There he met and played alongside guitarist John Scofield and for several years he studied chemistry at Boston University.

Moving to Vancouver, Washington in 1972, his first group, The Jeff Lorber Fusion, released their self-titled debut album in 1977 on Inner City Records. Recording five albums under his name, these early sessions showcased a funky jazz fusion sound, and his 1980 album, Wizard Island, introduced saxophonist Kenny G. In 1982, Lorber recorded his first solo album, It’s a Fact, which explored his R&B roots with a smoother, more synthesizer-heavy sound along with vocals.

Many of his songs have appeared on The Weather Channel segments as well as their compilation albums. He has had six Grammy Award nominations and his Prototype album won for Best Contemporary Instrumental Album in 2018. Keyboardist, composer and record producer Jeff Lorber continues to produce, compose and perform.

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Whims of Chambers is an album released by bassist Paul Chambers released on the Blue Note label in 1956. The album features performance personnel by Chambers with trumpeter Donald Byrd, tenor saxophonist John Coltrane, guitarist Kenny Burrell, pianist Horace Silver and drummer Philly Joe Jones.

The album consisted of seven compositions with three by the leader and two by Byrd and two by Coltrane. Omicron by Byrd, Whims of Chambers, Nita by Coltrane, We Six by Byrd, Dear Ann, Tale of the Fingers and Just for the Love by Coltrane.

The album was produced by Alfred Lion, recording engineer Rudy Van Gelder, cover photo by Frank Wolff and cover design Reid Miles.

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Like Someone In Love is a 1960 album by Art Blakey and the Jazz Messengers. It was recorded for the Blue Note label at the Van Gelder Studios in Englewood Cliffs, New Jersey and ran 39 minutes and 56 seconds. It was produced by Alfred Lion and the cover design was created by Reid Miles with photograph provided by Francis Wolff.

The title is taken from the popular song of the same name composed in 1944 by Jimmy Van Heusen, with lyrics by Johnny Burke. It was written (along with “Sleigh Ride in July”) for the 1944 film Belle of the Yukon,  and has since become a jazz standard.

The personnel on this session were leader and drummer Art Blakey, Lee Morgan on trumpet and flugelhorn, tenor saxophonist Wayne Shorter, pianist Bobby Timmons and Jymie Merritt on bass.

The album was recorded in two sessions on August 7 (#3, 4, 6) and August 14 (#1, 2, 5), 1960 rendering the tunes Like Someone in Love, Johnny’s Blue (Morgan), Noise in the Attic (Shorter), Sleeping Dancer Sleep On (Shorter), Giantis (Shorter), and Sleeping Dancer Sleep On (Alternate Take and Bonus Track On CD).

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Larry Young’s Fuel is a jazz fusion album by organist/keyboardist Larry Young, recorded and released on the Arista Records label in 1975. The cover photography was provided by Benno Friedman with art direction and design by Bob Heimall.

The composers on the album included Young, Philips, Santiago Torano, Laura Logan and Fernando Saunders. The album is comprised of seven compositions Fuel for the Fire, I Ching (Book of Changes), Turn off the Lights, Floating, H + J = B (Hustle + Jam = Bread), People Do Be Funny and New York Electric Street Music.

The players on this session were: Larry Young – keyboards, Santiago Torano – guitar, Fernando Saunders – bass and background vocals, Rob Gottfried – drums and percussion, and Laura “Tequila” Logan – vocals

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Daily Dose Of Jazz…

Pops Mohamed was born Ismail Mohamed-Jan on December 10, 1949 in Benoni, Gauteng, South Africa. His career in music was the logical outcome of an early exposure at Dorkay House to the likes of Abdullah Ibrahim and Kippie Moeketsi. He started his first band The Valiants at 14.

Known by fans as the Minister of Music, Pops plays a wide variety of instruments, African mouth bow, bird whistle, berimbau, didgeridoo, guitar, keyboard, kora, and the thumb piano. He is also known for his wide range of musical styles which include jazz, kwela, pop, and soul. He produced Finding One’s Self, the late Moses Taiwa Molelekwa’s award-winning album.

His recorded his debut album Kalamazoo in 1991 and has since recorded eleven more, his last to date being 205’s Mood Africa. He performs regularly with and sits on the board of the Johannesburg Youth Orchestra Company. Multi-instrumentalist, jazz musician and producer Pops Mohamed, who plays the  African mouth bow, bird whistle, berimbau, didgeridoo, guitar, keyboard, kora, and the thumb piano, continues to pursue his career in music.

SUITE TABU 200

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