The Jazz Voyager
Making the roughly hour and half ride up the highway to come across the Verazzano~Narrows Bridge into the Big Apple after departing the City of Brotherly Love on a high note. This Jazz Voyager is heading uptown on the West Side to Columbus Circle for an evening of live jazz at Dizzy’s Club. This venue serves up a seasonal menu of delights for the palate, libations to please, and overlooks Central Park giving patrons the expansive vista views from their 5th floor location.
In residence from Wednesday to Saturday is master musician Herlin Riley and I will be in the company of this talented drummer. Hailing from NOLA, (New Orleans, Louisiana for those who don’t know) not only is he a bandleader in his own right but also holds the position in the Jazz At Lincoln Center Orchestra under the direction of Wynton Marsalis. Joining him on stage are saxophonist Stacy Dillard, pianist Tyler Bullock and bassist Liany Mateo.
Dizzy’s Club is located at Fredrick P. Rose Hall, Broadway at 60th Street, New York, NY 10019. For more information visit https://beta.jazz.org/dizzys.
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Daily Dose Of Jazz…
Terry Plumeri was born John Terryl Plumeri on November 28, 1944 in Greensboro, North Carolina, and grew up in Tampa, Florida. He began studying music when he was 10 and while attending Chamberlain High School, he was introduced to the double bass by band director Robert Price. He went on to attend the Manhattan School of Music in New York City, studying with Robert Brennand, then the principal bassist in the New York Philharmonic. Later, he studied composition and conducting with Antal Doráti.
During his military service, Terry was a member of the Air Force Band. After his discharge he played with among others John Abercrombie, Cannonball Adderley, Herbie Hancock, Woody Herman, Quincy Jones, Yusef Lateef, Les McCann, Wayne Shorter, Frank Sinatra, Ralph Towner, and Joe Williams.
He performed, toured, and recorded with Roberta Flack from 1969 to 1974, playing electric and acoustic bass. He appears on the albums Chapter Two, Quiet Fire, Killing Me Softly, and wrote the song Conversation Love on the latter album.
Moving to Los Angeles, California to work in the film industry, Terry wrote the music for over 50 feature films, and his score for the film One False Move was nominated for Best Score by the IFC Independent Spirit Awards. In later years, he was guest conductor for the Moscow Philharmonic Orchestra and was a frequent guest lecturer, teacher, music producer, and photographer.
Double bassist, classical and film score composer, orchestra conductor, lecturer, teacher, and producer, and composer Terry Plumeri was murdered by burglars during a home invasion on March 31, 2016 in Dunnellon, Florida. He was 71.
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Daily Dose Of Jazz…
Wilber Morris (November 27, 1937 in Los Angeles, California and followed in the footsteps of his older brother Butch into the music industry and jazz. He began playing frums as a child but switched to the double bass during his tour of duty in the Air Force from 1954 to 1962.
He played around San Francisco, California with Pharoah Sanders and Sonny Simmons but after his discharge he returned home and played with Arthur Blythe and Horace Tapscott. 1969 saw Wilber back in San Francisco for a short period but it wasn’t until he moved aross the country for New York City in 1978 that his career took off. His association with Billy Bang from 1979 to ‘83 rendered five albums and multiple touring dates. He then became a mainstay in David Murray’s octet well into the 1990s which produced seven albums.
He put together a trio of players under the name Wilber Force in 1981 and recorded his debut album as a leader, Collective Improvisations, and would go on to record six more as a leader or co-leader. His final recording came in 2019 titled Monks, which is a collective interpretation of Thelonious Monk compositions.
Morris founded the One World Ensemble in 1995, and participated in John Fischer’s one-off reunion of INTERface and performed well into the new millennium.
Wilber performed with Pharoah Sanders, Steve Habib, Sonny Simmons, Alan Silva, Joe McPhee, Horace Tapscott, Butch Morris, Arthur Blythe, Charles Gayle, William Parker, Charles Tyler, Dennis Charles, Roy Campbell, Avram Fefer, Alfred 23 Harth, Borah Bergman and Rashied Ali.
As a sideman recorded thirty-one albums with Marshall Allen, Billy Bang, Thomas Borgmann, Rob Brown, Bobby Few, Avram Fefer, Charles Gayle, Steve Habib, Frank Lowe, Makanda Ken McIntyre, David Murray, Kevin Norton. Positive Knowledge, Alan Silva and Steve Swell.
Double bass player and bandleader Wilber Morris died on August 8, 2002 in Livingston, New Jersey from a previos bout with cancer that returned.
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Daily Dose Of Jazz…
Tom Archia was born Ernest Alvin Archia, Jr. on November 26, 1919 in Groveton, Texas, and moved with his family as a child to Rockdale and then Baytown, near Houston, Texas. He played saxophone in the Wheatley High School orchestra. Known during childhood as Sonny, but took the name Tom when he decided that neither his first or middle names were appropriate for a musician.
After graduating from Prairie View A&M University in 1939, he joined Milt Larkin’s band which included Eddie Vinson, Arnett Cobb, and Illinois Jacquet in the reed section and Cedric Haywood as pianist and arranger. 1942 saw Archia arrived in Chicago, Illinois with Larkin for a nine-month residency backing T-Bone Walker at the Rhumboogie Club.
The following year he joined the Roy Eldridge orchestra alongside Ike Quebec, Ted Sturgis, and Doc West that recorded in Chicago for the Brunswick label. He moved to the Rhumboogie Dream Band until mid 1944. Unfortunately he frequently disrupted band discipline and was fired by Marl Young who took over as bandleader.
In 1945 Tom went to Los Angeles, California and joined Howard McGhee’s combo, with Teddy Edwards, among others. Shortly afterwards, he was recording with the brothers Illinois and Russell Jacquet, as well as Helen Humes.
Returning to Chicago in 1946, Archia became a headliner at the Macomba Lounge, recorded extensively for Aristocrat Records during the late Forties, and recorded with Wynonie Harris and Hot Lips Page. He would go on to participate in tenor saxophone duels with Buster Bennett, Gene Ammons, Claude McLin, Hal Singer, Harold Ashby, Porter Kilbert and Lucius Washington.
By the Sixties he was struggling to find gigs and he retired to Houston in 1967, after being temporarily disabled by a broken jaw. After recovering, he played the Houston club circuit for the rest of his life. Tenor saxophonist Tom Archia died on January 16, 1977 at the age of 57.
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Daily Dose Of Jazz…
Gus Bivona was born on November 25, 1915 in New London, Connecticut. He got his musical start under the close eye of his musician parents, his mother was a pianist, and his father was a guitarist. His first instrument was violin, but he switched to a combination of alto saxophone and clarinet at the age of 16.
He began his professional debut in the Spider Johnson Band, followed by performing around New England in Leo Scalzi’s Brunswick Orchestra. 1935 saw Gus begin a lengthy stint with the Jimmy Monaco Orchestra and worked with the Hudson-DeLange Orchestra, He went on to spend several months with Bunny Berigan in 1938. Through the end of the decade he worked with bandleaders Will Hudson and Teddy Powell.
In 1940 he put his name on his first band but work as a sideman in more established bands appeared to be what he was after. He spent a period with Benny Goodman in 1940 through the spring of 1941 alongside Charlie Christian. Prior to joining the Naval Air Force Band, Bivona gigged with Jan Savitt and Les Brown & His Band of Renown. He went on to have a series of gigs with Tommy Dorsey and Bob Crosby post World War II.
Signing on with MGM In 1947 he performed numerous studio sessions and on freelance recordings into the 1950s. He connected with Steve Allen, the two would occasionally hit the concert trail, including a lengthy club residency at the Roundtable in New York City. Their collaboration rendered Music for Swingers: Gus Bivona Plays the Music of Steve Allen in 1958 followed by many other West Coast jazz recordings. They were in the company of top studio players and arrangers, such as Skip Martin, Henry Mancini and Pete Rugolo.
Clarinetist Gus Bivona, who also palys saxophone and flute, died on January 5, 1996 in Los Angeles, California.
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