
Daily Dose Of Jazz…
Cecilia Wennerström was born on April 21, 1947 in Stockholm, Sweden. Educated at the music academies in Malmoe and Gothenburg. She was influenced by Archie Shepp, Eric Dolphy, John Coltrane, Elvin Jones, Jack DeJohnette, and Charlie Haden. She took part in a workshop led by David Murray and has allied herself with the music since the Eighties.
From 1979-91 she was the leader of Salamander, a jazz group that toured a lot in Sweden and Europe on festivals and clubs. Salamander made its debut 1981 at the Women’s Jazz Festival in Kansas City, Missouri.
In 1990 she started working with the talented singer and voice art performer Marie Selander in several creative and exciting projects, like for instance Maries composition “Blåst-Tuuli-Wind” that was performed in Kallio-Kuninkala Festival, Finland in 1996. She would go on to tour many times between 1997 to 1999. During the decade she was a member of the all nordic women big band April Light Orchestra
Cecilia is a member of Wennerstrom Larsson Explicity with her husband Sven Larsson. They released their first CD Tussilago in 2011, and she is in the octet LARS 8 which plays compositions by Lars Gullin and other Swedish jazz icons.
Saxophonist, composer and arranger Cecilia Wennerström has won several awards over the three decades and continues to perform, record and compose.
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The Jazz Voyager
This week I caught a plane to the home of country music where jazz has taken a footing. This Jazz Voyager is at the Nashville Jazz Workshop to hear Lizzie Thomas sing her heart out. The New Yorker will be unveiling unconventional and adventurous songs that she has recorded with some of her favorite artists as a duo.
Reminiscent of Tony Bennett’s endeavors, however, instead of vocalists, this vocalist has chosen to pair with a few of the finest instrumentalists in the business. They are Russell Malone, Helio Alves, Ron Carter, Cafe Da Silva, Ron Affif, Dezron Douglas, Wayne Escoffery, Rossano Sportiello, Guilherme Monteiro, Noriko Ueda, Mairi Dorman-Phaneuf and John Di Martino.
The organization was founded in 1998 as the Nashville Jazz Institute by Lori Mechem and Roger Spencer, and opened with a handful of students. The program was based on a workshop model developed by Mechem and Spencer growing out of their dissatisfaction with traditional academic jazz education. The workshop model is based on a journeyman/apprentice approach.
The club’s number is 615-242-5299. For more information on days and time of sets visit https://notoriousjazz.com/event/lizzie-thomas.
More Posts: adventure,album,club,festival,genius,jazz,museum,music,preserving,restaurant,travel,vocal

Daily Dose Of Jazz…
Burton Franklin Bales was born on April 20, 1916 in Stevensville, Montana and began to play piano at age twelve. By the 1930s he was in California playing in hotels and nightclubs. He played regularly in San Francisco, California in the 1940s, with Lu Watters’s Yerba Buena Jazz Band until he was drafted in 1943 and only recorded with that group on one brief session with Bunk Johnson.
After he was discharged for myopia he led his own band from 1943 to 1946 before taking an extended residency at San Francisco’s 1018 Club. He played with Turk Murphy (1949–50), Bob Scobey, and Marty Marsala, then played mostly solo between 1954 and 1966 where one of his regular gigs was at Pier 23.
He recorded extensively for Good Time Jazz, Arhoolie, ABC-Paramount, and Euphonic. Stride pianist Burt Bales transitioned on October 26, 1989, in San Francisco.
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Daily Dose Of Jazz…
Czesław Kazimierz Bartkowski was born April 19, 1943 in Łódź, Poland and has been dealing with music since the age of 6. A percussion class graduate of the Secondary Music School in Wrocław, he made his official debut in 1960 as a drummer for Jerzy Pakulski ‘s Far Quartet.
In 1963, he met Zbigniew Namysłowski and became a musician in his band Zbigniew Namysłowski Quartet. He also played with other well-known jazz groups, e.g. with Czesław Niemen’s Niemen Enigmatic or Michał Urbaniak’s Group, and in trios with various musicians. He has also collaborated with the Polish Radio Jazz Studio and Sławomir Kulpowicz’s Mainstream and InFormation bands .
In addition, he participated in the recording of such singers as Ewa Bem, Urszula Dudziak and Stanisław Sojka, and such foreign musicians as: Freddie Hubbard, Clark Terry, Joe Newman, Art Farmer, Ben Webster, and the Polish band Novi Singers.
Not only has he performed in Poland, but abroad in India, USA, New Zealand, Australia and numerous European countries. In the winter of 1976, he took part in the jazz workshop Radost ’76 in Mąchocice, Poland near Kielce, which was immortalized in the documentary titled We’re Playing Standard!.
In 1993 he became a lecturer at the Secondary School of Music. Fryderyk Chopin in Warsaw, Poland and the Warsaw Jazz Studio. Drummer and pedagogue Czesław Bartkowski continues his endeavors in music.
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Three Wishes
When Nica questioned Bud Powell what his three wishes would be if they could be granted he told her:
- “Not to have to go to the doctors and the hospitals.”
- “To go to Japan.”
- “To make a record.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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