RENEE ROSNES QUARTET
Renee Rosnes w/ Steve Nelson~vibraphone, Peter Washington~bass, & Lewis Nash~drums
Renee Rosnes is one of the premier jazz pianists and composers of her generation. Rosnes’ already distinguished career continues to reach new levels marked by new music, exciting collaborations, and ever-evolving musicianship. Upon moving to New York from Vancouver, Canada in 1985, she quickly established a reputation of the highest regard, touring and recording with such masters as Joe Henderson, Wayne Shorter, Bobby Hutcherson, JJ Johnson, Buster Williams and James Moody. She was the pianist for the Carnegie Hall Jazz Orchestra, and a founding member of the all-star ensemble, the SFJAZZ Collective, with whom she toured and recorded for six years. Rosnes is married to jazz pianist Bill Charlap, and the two often perform in a two-piano setting. The duo was featured on four tracks from the 2015 Grammy award winning album, Tony Bennett & Bill Charlap: The Silver Lining. Rosnes’ 2016 outing Written in the Rocks (Smoke Sessions) was named one of ten Best Jazz Albums of the Year by The Chicago Tribune, one of the Best Albums in all genres of music by The Nation, and a Canadian JUNO Award (her 5th). Her 2021 release, Kinds of Love (Smoke Sessions) was entirely composed during the pandemic and features saxophonist Chris Potter, bassist Christian McBride, drummer Carl Allen, and the Brazilian percussionist Rogério Boccato. Of the recording, All About Jazz wrote, “Rosnes elicits some of the most emotive and enthralling music of her career.”
Steve Nelson, an outstanding vibraphonist and composer, started playing piano and vibes as a teenager and progressed quickly enough as to play with guitar-legend Grant Green. As a resident of the New York area, he has performed and recorded with many great musicians including Kenny Barron, Bobby Watson, Mulgrew Miller, David Fathead Newman, Johnny Griffin and Jackie McLean. He is currently a member of The Dave Holland’s Band, Mulgrew Miller’s Wingspan, and the Lewis Nash Trio.
Perhaps the most recorded bassist of his generation, Peter Washington has also played an integral part in two of the most important and highly praised jazz trios of the last 20 years, in addition to a “who’s who” roster of jazz artists. In 1986, while performing in San Francisco with alto saxophonist John Handy, he was asked by Art Blakey to move to New York and join the seminal Art Blakey’s Jazz Messengers. In the scope and breadth of his career thus far, his adaptability, and in his emphasis on creative, supportive, swinging time-playing as well as inventive and intelligent soloing, Washington has been compared to the likes of George Duvivier, Milt Hinton, and Ron Carter.
Universally recognized as one of the great drummers in jazz history, Lewis Nash illustrious career now spans over four decades. Nash is one of jazz’s most recorded musicians, appearing on over 500 recordings including 10 Grammy winners and numerous Grammy nominees. In fact, Nash has the distinction of being the only musician in jazz history featured on the winners in both the “Best Jazz Vocal” and “Best Jazz Instrumental” album categories in two separate years: the 2004 Grammys with Nancy Wilson and McCoy Tyner, and again in 2010 with Dee Dee Bridgewater and James Moody.
Friday 3/10 ~ 7:00 pm & 9:30 pm | $35~$45 + fee
Saturday 3/11 ~ 7:00 pm & 9:30 pm | $35~$45 + fee
Sunday 3/12 5:00 pm & 7:30 pm | $35~$45 + fee
Streaming Pass: 5:00pm & 7:00pm only | $10.00 + fee
More Posts: adventure,album,club,festival,genius,jazz,museum,music,piano,preserving,restaurant,travel
TIERNEY SUTTON
“Ms. Sutton is a pure jazz spirit who respects a song. Even when going out on an improvisatory limb, she never lets its essence slip away.” — The New York Times
An 9-time Grammy nominee, Tierney Sutton has received 8 Nominations for “Best Jazz Vocal Album” as well as a 9th for arranging. Known for her impeccable voice and superbly imaginative arrangements, Sutton is heralded for her ability to transform even the most familiar song into a revelation. She is a story-teller.
Her 15 recordings as leader have addressed themes such as materialism and the pursuit of happiness as well as paying tribute to the music of Bill Evans, Frank Sinatra and Sting. Her 2013 Joni Mitchell tribute, “After Blue” featured NEA Jazz Master Hubert Laws as well as jazz vocal legend Al Jarreau. Her latest album, “Paris Sessions 2” features Serge Merlaud, Kevin Axt and Hubert Laws. The pandemic found Tierney deepening her collaboration with piano powerhouse Tamir Hendelman. This exciting duo has an album in the works. Director Clint Eastwood has called Sutton “my favorite singer”and hired her, along with TSB pianist Christian Jacob and The Tierney Sutton Band to score his 2016 film, “Sully.”
Since 1993 Sutton has fronted The Tierney Sutton Band which has featured instrumental virtuosos Christian Jacob, Trey Henry, Kevin Axt and Ray Brinker. After 29 years together with the same personnel, Tierney has recently opened the band to exciting new members, yet retaining the same creative, united energy that has fueled the last 3 decades.
Saturday 3/25 ~ 7:00 pm & 9:30 pm | $35~$45 + fee
Sunday 3/26 5:00 pm & 7:30 pm | $35~45 + fee
Streaming Pass: 5:00pm & 7:00pm Only | $10.00 + fee
More Posts: adventure,album,club,festival,genius,jazz,museum,music,preserving,restaurant,travel,vocal
LOUIS HAYES QUINTET
The Louis Hayes Quintet With Steve Nelson~vibraphone, Abraham Burton~tenor saxophone, Allyn Johnson~piano & Gerald Cannon~bass
For more than forty years, drummer and NEA Jazz Master Louis Hayes has been a catalyst for energetic, unrelenting swing in his self led bands, as well as in those whose respective leaders reads like an encyclopedia of straight ahead post-bop modern jazz. His iconic jazz drumming style graced and elevated the music of Cannonball Adderley, Horace Silver, John Coltrane, Oscar Peterson, & countless others.
Hayes himself an authentic architect of post-bop swing, began his professional activities at the tender age of 18. He started with tenor saxophonist, flautist and oboist Yusef Lateef who like Hayes is a Detroit native. After the stint with Lateef, Hayes went on to rhythmically propel groups led by pianist Horace Silver, legendary saxophonist Cannonball Adderley and pianist Oscar Peterson. These positions were augmented by countless recordings on the Blue Note, Prestige, Riverside and other labels with the likes of John Coltrane, Sonny Rollins, J.J. Johnson, Jackie McLean, Wes Montgomery, Cedar Walton, Dexter Gordon, Woody Shaw, George Benson, Freddie Hubbard, Joe Henderson, McCoy Tyner and the list goes on.
For the last twenty-plus years, Louis has led or co-led some of the most uncompromisingly swinging groups in all of jazz. Each unit has displayed tight-knit harmonic cohesion and hard-driving consistency as part of its signature.
Native Washingtonian, Allyn Johnson, is a multi-talented musician, composer, arranger and producer whose trademark sound gives brilliance and fortitude to the art of jazz improvisation. Allyn is one of the nation’s most sought after musicians in the jazz community. He is revered by musical giants as well as the “young lions” of his generation. He was chosen for the highly competitive Betty Carter Jazz Ahead program in 2001 and returned to teach in the program in 2002.
Friday & Saturday: 7:00pm & 9:30pm | $35~$45 + fee
Sunday: 5:00pm & 7:30pm | $35~$45 + fee
Streaming: $10 + fee
More Posts: adventure,album,club,drums,festival,genius,jazz,museum,music,preserving,restaurant,travel
Daily Dose Of Jazz…
Big Eye Louis Nelson was born Louis Nelson Delisle on January 28, 1885 in New Orleans, Louisiana into a family who were Creoles of color. He spent most of his life in his hometown and studied clarinet with the elder Lorenzo Tio.
By the age of 15, Big Eye was working professionally in the music venues of Storyville, an area of brothels and clubs in New Orleans where Black musicians could find work. He developed a style of hot jazz, also known as Dixieland, and was an influence on clarinetists Johnny Dodds and Jimmie Noone.
In 1917, Nelson joined the reconstituted Original Creole Orchestra that included Freddie Keppard and Bill Johnson. Disbanded in Boston in the spring of that year, it was reassembled in New York City later in the fall. After a short while, he was replaced by Jimmie Noone. He was the regular clarinetist with the Jones & Collins Astoria Hot Eight but did not play on their 1929 recording sessions.
He made his only recordings in his later years in the 1940s, by which time he was often in poor health. Dixieland clarinetist Big Eye Louis Nelson, who also played double bass, banjo, and accordion, transitioned on August 20, 1949.
More Posts: accordion,bandleader,banjo,bass,clarinet,history,instrumental,jazz,music
Daily Dose Of Jazz…
Paul Broadnax was born on January 27, 1926 in Cambridge, Massachusetts to a tenor father with the Lyric Male Quartet who was also a choral director and voice teacher. She also was a dressmaker and bartered those talents to secure piano lessons for the youngster from the age of eight until he was fourteen. They moved to the Roxbury neighborhood of Boston, Massachusetts when he was very young and where he grew up.
He studied clarinet in Junior High School which allowed him to play in the marching band. His classmates were Roy Haynes, Alan Dawson and Ray Perry, and during this period in life he formed his own band. After graduating from Mechanic Arts High School he was drafted into the Army Air Forces and sent to Texas. After being a foot soldier for only two days he was assigned to Special Services as a musician. It was here that he met arranger and pianist Donn Trenner, who he would later collaborate with on a later album.
Returning to Roxbury after World War II, Paul hooked up with alto saxophonist Harold Emerson, trumpeter Buster Daniels and tenor saxophonists Doug Lee and Fred Williams. He began playing with ensembles at jazz venues throughout the region. Nat King Cole and Duke Ellington would become huge influences inhis development. In the late 1940s, Broadnax began writing arrangements for Sabby LewisIn the late 1940s, Broadnax began writing arrangements for Sabby Lewis for more than five years, and worked with Paul Gonsalves before he joined the Ellington Orchestra.
In addition to supplying arrangements for Lewis, directing his own groups and working with the Tom Kennedy and Buster Daniels bands, he played tenor, piano and sang with the Gilmore Big Band, all the while writing arrangements for the group. Setting up other sources of revenue to supplement his earnings as a musician, Broadnax attended what is now the Wentworth Institute of Technology to be certified as an airplane mechanic, and he graduated from Northeastern University with an associate’s degree in engineering. He worked at Raytheon for many years, then left to focus more on music, while also running an Amway business.
He would go on to form the Paul Champ Three featuring bassist Champlain “Champ” Jones and drummer Tony Sarni, have a regular spot on the ABC affiliate in Boston and for another group with bassist Dave Trefethen and drummer Les Harris, Jr. He would appear with among others, Cab Calloway, Dorothy Donnegan, Lionel Hampton, Clark Terry, Joe Williams, and Jimmy Witherspoon. Vocalist and pianist Paul Broadnax, who in 2003 was chosen as Musician of the Year by the Boston Musicians’ Association, transitioned on August 1, 2018.
More Posts: bandleader,history,instrumental,jazz,music,piano,vocal