Daily Dose Of Jazz…

Rebecca Kilgore was born September 24, 1949 and grew up in Waltham, Massachusetts honing her voice.  By the age of thirty she left the East Coast for the West, settling in Portland, Oregon. She began her music career fronting an area swing band dubbed the Wholly Cats and recorded a 1982 LP titled Doggin’ Around. Following the group’s 1984 breakup, she formed her own unit, the Rebecca Kilgore Quintet, and quickly became a mainstay of the Northwest jazz scene. In 1989 she released the cassette-only I Hear Music.

She has recorded twenty-two albums as a leader, performing and/or recording a total of 21 with jazz pianist Dave Frishberg, trombonist Dan Barrett, tenor saxophonist Harry Allen, guitarist Bucky Pizzarelli, BED, the Wholly Cats and numerous other musicians. In 2010 she was inducted into the Oregon Music Hall of Fame

Vocalist Rebecca Kilgore, who has been slated as one of the best interpreters of the Great American Songbook, continues to perform locally in her Northwest home as well as worldwide at jazz festivals, cruises and other venues.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

George Matthews was born on September 23, 1912 in Dominica, British West Indies and received classical training in New York City and played with local dance and jazz bands. In the early 1930s he joined Tiny Bradshaw’s group, being adept on tuba, trumpet, and trombone.

Later in the decade he worked with Willie Bryant, Louis Armstrong, Chick Webb, and in the Forties he recorded with Ella Fitzgerald, Lucky Millinder, and Sister Rosetta Tharpe. After World War II, Matthews worked extensively with Count Basie, then joined Erskine Hawkins’s group in the early 1950s, while recording with Dizzy Gillespie, and Dicky Wells. In the 1960s he played with Lucille Dixon, Clark Terry, and recorded with Cannonball Adderley and Ray Charles in the Sixties.

Trombonist George Matthews, who never led a recording session, transitioned on June 28, 1982.

CALIFORNIA JAZZ FOUNDATION

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The Jazz Voyager

The Jazz Voyager has been hanging out in the Midwest for the past week and this week was headed out to the West Coast but when I heard that two of my favorite performers will be together in Detroit for two nights, I changed all plans and rescheduled to catch the two hour flight.

Though having been to the city numerous times to hang with friends, this is a definitive first time experience for this Jazz Voyager as I make my way to Cliff Bell’s, the renowned nightspot for jazz located at 2030 Park Avenue, 48226. The club has been touted as a swanky, restored art deco club that not only serves a creative, eclectic fare of surf, turf, desserts and drinks, topped off with live jazz nightly.

Tony Hightower with the Henry Conerway Trio  will be in the house on Thursday and Friday. It will be great catching up with both of them as I haven’t seen Tony in a few months and Henry for about three years. Throws are 7:30pm and 9:00pm, the cover is $25.00 and the estimated tab $$$.So come on out and enjoy an evening of good music. For additional information, the number is 313-961-2543 or cliffbells.com.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Samuel “Savoirfaire” Williams was born on September 22, 1973 in Chicago, Illinois. At the age of three he began playing violin at his parents’ church and two years later joined a group of child prodigies under the tutelage of Suzuki Violin instructor, Betty Haag. His first performance was at Chicago’s Orchestra Hall during a public television broadcast which became an annual event spanning more than 35 years.

He attended the Merit School of Music in Chicago, studying music theory while participating in youth orchestras including the City Youth Symphony, Chicago Youth Symphony Orchestra, Protégé, All-City and All-State. He took private lessons from Afro-Panamanian musician Joseph Williams when he was 16. During this time he played lead for the City Youth String Ensemble’s viola section, then received a scholarship at Interlochen where he sat in with vibraphonist Milt Jackson.

Meeting and performing with Wynton Marsalis while working at the Chicago Symphony Center, Williams continued his studies and busked on the streets to pay for violin lessons. During one of his street performances, guitarist Kenny Burrell observed his skill and invited him to collaborate with himself, Willie Pickens and Larry Gray on a Bebop performance at Chicago’s Jazz Showcase.

In 2000, he was voted into the Chicago Chapter of the Association for the Advancement of Creative Musicians (AACM), which earned him the moniker “Savoirfaire.” That same year, he began an apprenticeship with luthier Martin Sheridan to learn the art of violin-making, later owning the violin shop and managing it for three years.

After self-releasing three live albums, Bob Koester discovered his work and in 2004 Delmark Records produced the internationally acclaimed release Running Out of Time. Over the years, Savoirfaire has been invited to record with a plethora of artists in various genres and at international Jazz festivals.

In 2015, Williams founded the Chicago Gypsy Project with guitarist Dave Miller and bassist Charlie Kirchen. He continues to perform with his group Savoirfaire Jazz Quartet as well as busking on the streets, and in various venues throughout Chicago.

CALIFORNIA JAZZ FOUNDATION

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RENÉ MARIE

Join us for music and an up-close and personal conversation with Jazz legend, René Marie. She has built her career on the foundation of truth-telling songs rooted in jazz traditions laid down by leading ladies of past generations. She’s the rare jazz vocalist who has put songwriting at the very heart of her enterprise, addressing the human condition through an unvarnished personal lens.

Hosted by Desirée Roots – Artistic Director of Community, Virginia Repertory Theatre

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