Daily Dose Of Jazz…

Francisco Aguabella was born on October 10, 1925 in Matanzas, Cuba. Demonstrating a special aptitude for drumming at an early age, he was initiated into several Afro-Cuban drumming traditions, including batá, iyesá, arará, olokún, and abakuá. Aguabella also grew up with rumba.

He is one of a handful of Cuban percussionists who came to the United States in the 1940s and 50s. In the 1950s, he left Cuba to perform with Katherine Dunham in the Shelley Winters film Mambo filmed in Italy. He immigrated to the United States in 1953, performing and touring with Peggy Lee for the next seven years. 

During his long career, he performed in Europe, Australia, South America, and throughout the United States, including the White House. Aguabella enjoyed extensive music performing and recording careers, delighted many audiences with his masterful and powerful rhythms.

Francisco performed with many great jazz artists such as Dizzy Gillespie, Tito Puente, Mongo Santamaria, Frank Sinatra, Peggy Lee, Eddie Palmieri, Cachao, Lalo Schifrin, Cal Tjader, Nancy Wilson, Poncho Sanchez, Bebo Valdes, Carlos Santana, and numerous others. He is featured in two documentaries, Sworn to the Drum and Aguabella. He has also appeared with his ensemble on television programs.

During the Seventies, he was a member of the Jorge Santana Latin rock band Malo. Francisco was a widely recognized master conguero and bata artist, a caring and knowledgeable instructor. Aguabella was a faculty member at the annual Explorations in Afro-Cuban Dance and Drum workshop hosted by the Humboldt State University Office of Extended Education in Arcata, California. While living in Los Angeles, California, he taught Afro-Cuban drumming to undergraduate and graduate students at the University of California, Los Angeles.

A prolific session musician and recorded seven albums as a leader, throughout his career, he played congas, bata, quinto, coro, shekere, drums, claves, bongos, timbales, cajon, and other assorted percussion instruments. Percussionist Francisco Aguabella, who received a National Heritage Fellowship from the National Endowment for the Arts, passed away in Los Angeles on May 7, 2010 of a cancer-related illness.

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Daily Dose Of Jazz…

Ken Hyder was born on June 29, 1946 in Dundee, Scotland. He began playing jazz in Scotland before moving south to London, England where he played at the legendary Little Theatre Club – an avant-garde haunt run by the late John Stevens.

For over 40 years Hyder has been playing and composing music and has produced more than three dozen albums of original material. He formed the group Talisker and recorded six albums with this pioneering and proto-type Celtic jazz group. He has recorded with Elton Dean, Chris Biscoe, Tim Hodgkinson, Paul Rogers, Maggie Nicols, Don Paterson, and Frankie Armstrong.

The 1970s saw him moving away from jazz and into collaborations with musicians from different musical backgrounds including Irish, South African and South American players. Later, he became interested in exploring spiritual aspects of music with spiritual practitioners like Tibetan and Japanese Buddhist monks, and Siberian shamans.

Ken combines folk, ethnic and Celtic music with jazz. He has worked and recorded with Dick Gaughan, Vladimir Rezitsky, Phil Minton, Lindsay L. Cooper, Sainkho Namtchylak, Jo’burg Hawk, Marcio Mattos, Jim Dvorak, John Edwards, Dave Webster, John Rangecroft, Radik Tyulyush, Julian Bahula, Lucky Ranku, Larry Stabbins, Harry Beckett, Art Themen, Gary Windo, Pete McPhail, Keith Tippett, Harry Miller, Nick Evans, Raymond Macdonald, Ntshuks Bonga, Hamish Henderson, Jon Dobie, and Lello Colombo.

Fusion drummer and percussionist Ken Hyder continues with his current projects that include K-Space, with Tim Hodgkinson and Gendos Chamzyryn; Hoots and Roots with Scottish singer Maggie Nicols; RealTime with z’ev, Andy Knight and Scipio; Raz3 with Hodgkinson and Lu Edmonds; A revived Talisker, with Nicols and Raymond MacDonald and a duo with pianist Vladimir Miller.

THE WATCHFUL EYE

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Three Wishes

Chief Bey told Baroness de Koenigswarter his three wishes were: 

    1. “To live in a world of complete freedom, where man does not lose his creative ability and his senses, and where his respect for the next man broadens by the day. And that the ultimate end of all his troubles, trials and tribulations would turn out to be for the good of every man. And that it will be a perpetuating thing, like the evergreen tree.”

    2. “That man should always worship in that which he believes, and live what he believes to such an extent that it shows in his every action. And  then he does not have to preach it to the world, that I am.”

    3. “My third and final wish: that there be no hunger. A little pain, a little suffering ~ enough to make one understand himself. So that I, as one of God’s creatures, that every time I perform, may it be for Him. And let me re-create again and yet again without repeating myself. And when I play, for dancers to dance to my drums. May there always be communication.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

GRIOTS GALLERY

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Requisites

On August 29, 1971, percussionist James Mtume recorded this live free jazz session at The East in Brooklyn, New York titled Alkebu-Lan – Land Of The Blacks for the Strata-East record label. The artwork and cover design was by an unknown artist Clarence Eastman known as Wabembe. The back cover photography was taken by Je Jordan, the liner photography is by Ray Gibson and the engineer was Endesha O’Brien. This double album was released in 1972. The East, located in the Clinton Hill neighborhood, was notable for refusing to allow White people to pass its doors.

The Ensemble
  • Congas, Horns (Tonette), Producer – Mtume*
  • Alto Saxophone, Soprano Saxophone – Gary Bartz
  • Bass – Buster Williams
  • Drums – Billy Hart, Ndugu*
  • Piano – Stanley Cowell
  • Tenor Saxophone, Flute – Carlos Garnett
  • Violin – Leroy Jenkins
  • Vocals – Andy Bey, Eddie Micheaux, Joe Lee Wilson
  • Voice [Poetry] – Weusi Kuumba, Yusef Iman
Track List | 90:32
    • A1 – Invocation
    • A2 – Baba Hengates
    • B1 – Utamu
    • B2 – Saud
    • C1 – Alkebu-Lan
    • C2 – No Words
    • D1 – Separate Not Equal
    • D2 – Sifa (The Prayer)
All songs were written by Mtume except for Sifa (The Prayer) which was written by Imamu Baraka but arranged by Mtume. The uncredited track following D2 is the leader introducing the band. For the serious collector of jazz… #jazz #classic #collectible #music

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Daily Dose Of Jazz…

Kahil El’Zabar was born on November 11, 1953 in Chicago, Illinois and attended Lake Forest College before joining the AACM, Association for the Advancement of Creative Musicians in the early 1970s. He would go on to become its chairman in 1975.

During the 1970s, he formed the musical groups Ritual Trio and the Ethnic Heritage Ensemble, both of which have remained active. Kahil has collaborated include Dizzy Gillespie, Stevie Wonder, Nina Simone, Cannonball Adderley, and Paul Simon.

The multi-instrumentalist, Kahil El’Zabar, who is mainly a percussionist and composer, regularly records for Delmark Records. As a leader and co-leader he has released eight albums, fourteen with the Ensemble, 14 with the Trio, two with the group Tri-Factor and has recorded four as a sideman with David Murray and Wadada Leo Smith. He continues to perform, compose and record.

BRONZE LENS

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