The Jazz Voyager

With so much good music in the city the Jazz Voyager is remaining but this time to midtown on the West Side to 44th between 8th and 9th Avenues.  There resides the second iteration of the historic venue Birdland.  The original venue was located on 52nd Street off 7th Avenue that was named after Charlie Parker and hosted the greatest names in jazz.

From trio to big band, Ron Carter is among the most original, prolific and influential bassists in jazz with more than 2,000 albums to his credit. Beginning his career in the 1960s with Jaki Byard and Eric Dolphy, Cannonball Adderley, the Miles Davis’ Quintet, Bill Evans, B.B. King, and Dexter Gordon.

Bill Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings, whose catalog has been cited by Downbeat as “the best recorded output of the decade.”

Tickets: $45.76 ~ $61.21

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The Jazz Voyager

There’s nothing like New York City anytime of year but autumn is one of the best. The Jazz Voyager is staying put this week in the Village at the Washington Square Hotel. Just a short walk from the hotel is the legendary Village Vanguard, home to their long-running orchestra which was started by Thad Wilson and Mel Lewis, the iconic basement location that has hosted decades of the greatest and up and coming jazz musicians and vocalists.

Ethan Iverson is holding down the piano bench for this week’s entertainment along with saxophonist Sam Newsome, trumpeter Johnathan Finlayson, Jacob Garchik on trombone, bassist Peter Washington and drummer. His residency lasts through Sunday, October 5th with two sets each night. As usual I’ll be at the second seating.

Cover: $40.00

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Daily Dose Of Jazz…

Paolo Ricca was born on October 2, 1963 in Turin, Italy and began studying classical piano at an early age. After school, he continued his studies and expanded into the realm of jazz performance and composition at CPM Music Institute in Milan, Italy where he graduated, under the tutelage of Franco D’Andrea.

The early 1980’s saw the beginning of his professional career performing for live audiences. A few years later Paolo performed in over 3000 concerts and festivals all over Europe, while simultaneously building a solid reputation as a studio musician. He has collaborated with John Etheridge, Soft Machine, Stèphane Grappelli, John Williams, Lee Brown, La Verne Jackson, Mokhtar Samba ( Joe Zawinul’s Sindycate, Jaco Pastorius, Carlos Santana, M. Orza, Dee D. Jackson, Haddaway and many others.

He ventured into music technology, computers, sequencers, looping, and sampling. Ricca began studio work with engineering, recording, as well as arranging and composing. He has worked for major recording companies, producing music on both a national and an international level.

Pianist Paolo Ricca, whose 2023 release, My Italian Piano Songbook, won First Prize for Best CD at the prestigious Swiss International Music Competition, continues to perform, tour and record as a leading voice in contemporary international piano music.

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The Jazz Voyager

From Oakland and the City By The Bay it’s a cross country flight to the Big Apple. Once landing at LaGuardia I will be heading across the Triboro to downtown Manhattan wherein lies Greenwich village. This Jazz Voyager will be taking in an Afro-Cuban experience for an evening at the Zinc Bar.

On stage the Axel Tosca Trio holds down The Cuban Jam. The three time Grammy-nominated Cuban pianist blends jazz, classical, hip-hop, and Afro-Cuban rhythms to create a genre-defying soundscape that captivates audiences.

Xiomara Laugart has performed Cuban Nueva trova, jazz standards, and Broadway numbers on local and international stages. She joins her son Axel and combines the beloved Cuban sounds of home from the 1950s to today with Tosca’s eclectic take on modern jazz, swing, and bebop.

Cover: $35.00

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Requisites

Bud Powell – A Portrait of Thelonious | By Eddie Carter

Submitted for your approval this morning is an underrated, yet excellent 1965 trio album by pianist Bud Powell. A Portrait of Thelonious (Columbia CL 2292/CS 9092) is a wholehearted tribute to Thelonious Monk, one of the most influential figures in jazz. Pierre Michelot joins him on bass, and Kenny Clarke is on drums. Together, this trio of giants captures the spirit, complexity, and emotional depth of four Monk compositions, one standard and three little- known originals, as seen through Powell’s interpretations. The chemistry between the musicians yields a dynamic exploration of Monk’s repertoire, rendering the album both a reverent homage and a fresh reimagining of the jazz piano tradition. My copy of this album is the 1980 U.S. Columbia Jazz Odyssey Series stereo reissue (PC 36085).

Monk’s Off Minor opens the first side at a medium beat for the friendly melody. Bud is the featured soloist and glides through an enchanting performance with Pierre and Kenny providing a crisp, driving foundation right up to the song’s finish. There Will Never Be Another You by Mack Gordon and Harry Warren is a joyous interpretation that the trio brings to life with a playful spirit during the theme, which is sure to bring a smile to the listener’s face. Again, Powell is the lone soloist and provides a leisurely presentation, possessing a carefree zest that’s consistently rewarding, leading to the theme’s reprise and climax.

Thelonious Monk created some of jazz’s most memorable standards, and Ruby, My Dear is one of his most beautiful compositions, named for his first love, Rubie Richardson. The trio opens with a delicate melody. Bud presents a haunting, poignant performance, marked by gentle sensitivity, layered over the warm, supportive accompaniment of Pierre and Kenny, ahead of a gorgeous conclusion. No Name Blues by Earl Bostic is a catchy tune that begins with the trio’s effective medium-tempo beat for the theme. Powell’s lead solo is an ear-pleaser that swings comfortably into Michelot’s relaxing performance, fueled by Clarke’s brushwork preceding the trio’s bouncy closing chorus.

Thelonious is another of Monk’s inventive melodic ideas from 1947, like Off Minor and Ruby, My Dear. The trio immediately grabs the listener with a catchy hook and a solid medium-tempo groove during the introduction and theme. Powell swings effortlessly in the song’s only solo before the ensemble’s reprise and ending. Monk’s Mood is a pretty ballad by Thelonious Monk that’s luxurious yet straightforward. Powell has the solo spotlight to himself and delivers a gorgeous performance of beauty, elegance, and affectionate warmth, while Michelot and Clarke keep close preceding the song’s peaceful conclusion.

The beat moves upward for I Ain’t Foolin’ by Charles Albertine next. It’s a toe-tapper from the start of the ensemble’s bubbly introduction and melody. Bud navigates the tune’s lively structure in a spirited performance blending bebop lines and Monk-inspired blues inflections until the theme’s restatement and exit. Squatty by Brian Fahey concludes the album, with Clarke setting the tone ahead of the trio’s infectious groove on the melody. Powell establishes a relaxed rhythm, inviting listeners to unwind during the first solo. Michelot steps forward next with a concise reading of lively notes before the trio’s finale.

Julian “Cannonball” Adderley produced A Portrait of Thelonious, and it’s unknown who the original engineer was.Arthur Kendy was behind the dials of the reissue. The album’s sound quality across the highs, midrange, and bass is superb, placing the musicians in your listening room. Each instrument is captured with remarkable clarity, and the balanced mix highlights the interplay between the trio, making every note feel immediate and intimate. If you’re seeking a superb piano trio album for your library, I enthusiastically invite you to check out A Portrait of Thelonious by Bud Powell on your next record shopping trip. It’s an excellent introduction to his music that’s sure to become a welcome addition to any fan’s library who appreciates piano jazz!

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