Daily Dose Of Jazz…
ELEW was born Eric Robert Lewis on May 13, 1973 in Camden, New Jersey where he studied piano as a child. Graduating from Overbrook High School in 1991, he received a full merit scholarship to the Manhattan School of Music. He graduated on the Dean’s List in 1995, then began touring.
Lewis began his career as a jazz purist, playing as a sideman for jazz artists like Wynton Marsalis, Cassandra Wilson, Elvin Jones, Jon Hendricks, and Roy Hargrove as well as performing as a member of the Lincoln Center Jazz Orchestra. Eventually becoming interested in rock music he embarked on a solo career as a crossover musician, quickly gaining recognition for his instrumental Rockjazz piano covers of mainstream rock hits like The Rolling Stones’ Paint It, Black and The Killers’ Mr. Brightside. He released his debut album of instrumental covers, titled ELEW Rockjazz Vol. 1, on his own label, Ninjazz Entertainment, in 2010.
Lewis became disillusioned with the jazz world after a solo record deal failed to materialize and struck out on his own to find success. It was around this time that he heard his first rock album, Linkin Park’s Meteora, which made a profound impression on his musical sensibilities. Taking the stage name ELEW, he adjusted his stage presence accordingly, growing an afro and adopting a distinctive style of dress, wearing armored vambraces over tailored suits. Discarding his piano bench for standing, he reached inside to grab the strings and beat on its wooden case like a percussion instrument.
Mainstream recognition came when he played a cover of Evanescence’s Going Under and an original composition, and was a featured speaker at the Long Beach TED Conference in 2009. He drew the interest of fashion designer Donna Karan, for whom he composed an original piece inspired by her fall 2009 collection and at her next New York City fashion show. That led to an invite by White House Social Secretary Desiree Rogers to play in the East Room for President Obama and the First Lady.
Pianist Eric Lewis, popularley known as ELEW, continues his journey of performing, composing, recording and touring.
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Daily Dose Of Jazz…
Ronnie Foster was born in Buffalo, New York on May 12, 1950. Attracted to music at the age of four, he attended Public School 8, Woodlawn Jr. High for a year, McKinley Vocational High School for two years, and then spent his final year at Lafayette High School. The only formal musical instruction he received was a month of accordion lessons. Taking music more seriously from his early teens, he had his first professional gig aged fifteen, playing in a strip club.
He initially performed with other local musicians. Moving to New York City with his own band, he acquired a publishing company. Foster performed as a sideman with a wide range of musicians, frequently working with guitarist George Benson, including playing on the guitarist’s album Breezin’.
Ronnie has played organ with Grant Green, Grover Washington, Jr., Stanley Turrentine, Roberta Flack, Earl Klugh, Harvey Mason, Jimmy Smith, and Stevie Wonder.
He is also a record producer and his song Mystic Brew was sampled in Electric Relaxation by A Tribe Called Quest and in J. Cole’s song Forbidden Fruit, where it was reversed, pitched, and slowed down in the song Neighbors as well as the instrumental of Forbidden Fruit.
Funk and soul jazz organist Ronnie Foster continues to perform, record, tour and produce.
Daily Dose Of Jazz…
Steve Holt was born on May 9, 1954 in Montreal, Quebec, Canada and exhibited musical ability in early childhood, playing piano at the age of four. By the time he was a teenager he was a regular on the Montreal club scene.
He was self-taught until he entered McGill University where he was taught by pianist Armas Maiste, whose bebop playing influenced him. Becoming a student of Kenny Barron he regularly traveled to New York City for private lessons. Holt graduated from McGill in 1981 with that university’s first Bachelor of Music major in Jazz Performance, and went on to teach jazz improvisation there.
His 1983 debut album, The Lion’s Eyes, was nominated for a Juno Award. He has worked with jazz musicians Larry Coryell, Eddie Henderson, and Archie Shepp. He moved to Toronto, Canada in 1987 and worked as an equity analyst and for a while Steve continued playing clubs at night.
In the Nineties he released three albums then decided to concentrate on music full-time. Three years later, his fifth album, The Dream, was released. Moving into music production he stopped performing jazz live until 2014. Following a move to the countryside, his interest in jazz performance returned.
In 2017, he opened a health food store in Warkworth, Ontario, Canada that operates as a jazz venue once a week. After a twenty year absence from the recording field, pianist Steve Holt released Impact, his new album in 2025 under the new band, The Steve Holt Jazz Impact Quintet.
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The Jazz Voyager
Cross country flights can be tiresome when you have to fly around storms but are also very rewarding especially when a jazz concert is in store in the City by the Bay. The destination is SFJazz Center. Opened in 2013, the SFJAZZ Center is located on the corner of Franklin and Fell Streets in the heart of San Francisco’s arts district. With two performance spaces, multiple music practice rooms, a digital lab, and the B-Side restaurant and bar allows the non-profit to explore the full spectrum of jazz, from its origins in the African American and Afro Caribbean communities, to its diverse and evolving expressions around the world today.
Pianist, composer, and in-demand sideman Javier Santiago is one of the most promising voices in the international music scene. As an accomplished producer, beatmaker, arranger and educator, he has become a notable force in both the beat and hip-hop scenes as well as in the jazz world. His newest album is the 2024 release Warrior Energy. This jazz voyager is anticipating hearing this music
SFJazz Center is located at 201 Franklin Street, San Francisco, California 94102. For more information contact the venue at https://www.sfjazz.org.
Tickets: $25.00
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Daily Dose Of Jazz…
Denys Justin Wright, known professionally as Denny Wright, was born on May 6, 1924 in Deptford, London, England. He grew up in Brockley with frequent forays to the Old Kent Road and the Elephant and Castle. His first instrument was the piano. His older brother was a semi-professional guitarist and soon he was trying to play his brother’s guitar. He began playing professionally before the Second World War, while at school.
A session musician for many years, he frequently acted as arranger and fixer for recording sessions. As a prolific jazz and orchestra composer Wright led many bands, from small ensembles and night club bands to orchestras. He worked with Latin American and Jamaican bands, Afro-Cubists and the Decca Records house band.
In the Forties Wright played in jazz clubs in the West End of London, doing session work, performed in bands on radio shows, and medically unfit to serve due to a childhood injury, he entertained the troops. In 1945 he started the first bebop club in London.
He went on to form several bands, tour the Soviet Union, and continued his work as a session musician, producing Tribute To The Hot Club as The Cooper-Wright Quintet. Denny gave private lessons and at London comprehensive schools, and he lectured at the Royal College of Music on the life of a session musician.
During his career he worked with Stéphane Grappelli, Lonnie Donegan, Johnny Duncan, Digby Fairweather, Ella Fitzgerald, Ken Snakehips Johnson, Billy Eckstine, Fapy Lafertin, Russ Conway, Biréli Lagrène, Humphrey Lyttelton, Marie Bryant, Nigel Kennedy, and George Shearing.
Guitarist and pianist Denny Wright, who was voted the 1980 BBC Jazz Society Musician of the Year, died on February 8, 1992.
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